Author: William Ruben Helms

William Ruben Helms is a Corona, Queens, NYC-born and-based African American music journalist, freelance writer, editor, photographer and founder of the DIY, independent music and photography site, The Joy of Violent Movement. Over the course of the past two decades, Helms’ writing and photography has been published in Downbeat, Premier Guitar Magazine (photography), Consequence, The Inventory, Glide Magazine.com (words and photography), Publisher’s Weekly, Sheckys.com, Shecky’s Bar and Nightlife Guide 2004, New York Press, Ins&Outs Magazine, Dish Du Jour Magazine, Aussie music publication Musicology.xyz (photography) and countless others, including his own site. With The Joy of Violent Movement, Helms specializes in covering music with an eclectic, globe-trotting, and genre-defying perspective that’s deeply inspired by and informed by his birthplace and home, arguably one of the most diverse places in the world. Since its founding back in 2010, The Joy of Violent Movement can proudly claim readers across the US, Canada, the UK, The Netherlands, France, Australia, and several others throughout its history. https://www.joyofviolentmovement.com https://www.joyofviolentmovement.com/shop https://www.instagram.com/william_ruben_helms Twitter: @yankee32879 @joyofviolent become a fan of the joy of violent movement: https://www.facebook.com/TheJoyofViolentMovement support the joy of violent movement on patreon: https://www.patreon.com/TheJoyofViolentMovement hire me for headshots, portraits and event photography: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1#

New Audio: Taiwan’s Yufu Shares Euphoric “Side Effects May Include”

Yufu, “The Soulful Gent” is a Taiwanese soul musician, singer/songwriter and producer, whose deep connection to old-school/vintage soul began in childhood and has evolved into a lifelong study of Black American music and the records that have shaped it. As a self-described perpetual student to Black music, he doesn’t attempt to simply reproduced the beloved old-school sound, he approaches the tradition with respect and curiosity, studying everything from songwriting to arrangements, to recording techniques, instruments and the physical character of the classic studios and their equipment.

That philosophy is central to his work. He embraces tape saturation, microphone bleed, room sound, the imperfect timing and the energy created when musicians play in the same room together. His work is also rooted in a deep desire to keep soul music alive as a living, evolving language while building connections between musicians, DJs and listeners across his native Taiwan, Japan, the UK and the wider global soul community.

Drawing from soul, blues. funk, Northern and Latin soul, the Taiwanese artist’s work blends the warmth and imperfections of classic soul recordings with his own contemporary perspective. His full-length debut, last year’s Heal Me Good was released by Dutch label Zip Records to international press attention and radio airplay including Spotify programming and BBC Radio 6 Music — and the album won Best R&B Album at Taiwan’s Golden Indie Music Awards.

“Side Effects May Include” is the Taiwanese artist’s first bit of new material since last year’s Heal Me Good. Sonically, the new single is a euphoric dance floor friendly blend of Northern soul, classic Motown soul and contemporaries like Daptone Records, Big Crown Records and Colemine Records featuring an arrangement of horns, strings, shuffling guitar, Latin percussion, Hammond organ and a big, dynamic drum break beneath Yufu’s remarkably Tom Jones-like vocal.

Thematically exploring the sweet and often irrational symptoms of being hopelessly in love “Side Effects May Include” treats falling in love, much like a potent drug, complete with a series of side effects. In this case, missing that special someone, dancing and singing for no apparent reason and behaving completely out of character. But it’s not from a cynical viewpoint — the song approaches it from a sweet, joyous, deeply human and deeply universal thing. Love can make you act like a dopesick moron, and that’s perfectly normal.

Yufu imagined “Side Effects May Include” being performed inside a soul club in the early 1970s, shaping the production around the feeling of being physically present in that room. And as a result, the recording favors warmth, movement and imperfection over modern polish. The song also represents an ending and a beginning for the Taiwanese artist: It closes the musical world of Heal Me Good while opening a door to whatever coming next.

New Audio: Vlad Holiday Shares Groovy “By Myself”

Vlad Holiday is a Romanian-born, Nashville-based singer/songwriter and musician, who cut his teeth in the NYC lo-fi scene, building an audience on his own terms. Songs like “So Damn Into You,” “Quit Playing Cool,” and “Phonograph” introduced fans and critics to an artist with a distinct point of view — romantic without being overly sentimental, nostalgic without living entirely in the past. Sonically, his work frequently sees him blending his smoky croon with tape hiss, 60s-styled guitars, 90s hiphop beats and 808 sub ass.

Back in 2024, Holiday released his full-length debut My Favorite Drug. The album saw the Romanian-born, Nashville-based artist delving into dark subject matter with the songs openly talking about low moments in his mental health, substance abuse, the thin line between sanity and insanity and cynical patterns of familial abuse, all to place an element of love into life’s heaviest topics.

Holiday went on to tour alongside frequent collaborators Cage The Elephant and Declan McKenna. He played at Austin City Limits — and he went on his own headlining tours across North America, the UK and European Union. Adding to a breakthrough year for the Romanian-born, Nashville-based artist, he co-wrote tracks on Cage The Elephant’s 2024 effort Neon Pill, including the album’s title track “Neon Pill,” which received a Best Alternative Music Performance Grammy nomination. “Neon Pill,” along with another Holiday co-write “Metaverse” wound up becoming the band’s 11th and 13th Billboard #1 Alternative Airplay radio chart hits.

Since relocating to Nashville, Holiday has made even more of a name for himself as an artist, songwriting and producer. His latest single “By Myself” is his first bit of new material since the release of My Favorite Drug. “By Myself” features dusty trip-hop styled breakbeats, twinkling synth stabs, woozy guitar lines, atmospheric synths and a swaggering groove beneath Holiday’s cool crooning singing about fucking up a relationship — and being a bit proud because his narrator is free from an abusive, dysfunctional person. It’s an odd anthem of self-determination, fueled by heartache.

New Audio: A Cat Named Monty Shares Jangling, Hook-Driven “Welcome to Life”

David Jennings is an Aussie-born, Germany-based singer/songwriter and musician, who is an Australian Songwriting Club winner and a two-time Australian Songwriting Association runner-up, who has been a part of the Melbourne music in some fashion since the late 90s as the creative mastermind of A Cat Named Monty, which released six EPs to some critical acclaim.

Since relocating to Germany, A Cat Named Monty features members spread out across the globe. The project’s latest single “Welcome To Life” is a hook-driven tune that brings Blur, The Beatles, The Soundtrack of Our Lives, and New Zealand jangle pop to mind that take a hilarious — yet sobering — look at the difficulties of living in the modern world. Yes, first world problems but problems all the same.

New Video: JOVM Mainstays Crá Croí Shares Punchy “Just Another Day”

County Cork-based JOVM mainstay act Crá Croí — RG (songwriting, production, mixing and mastering) and CD (vocals and visuals) — will be releasing their self-produced 12-song, full-length debut Tá brón orm on October 30, 2026. While the band have built up buzz through the release of a handful of singles that include “Radiation Romance,” “Fires At Dawn,” “Feeding The Fear,” and “Lost In The Electric Blood,” and “Flesh Machines,” the new album will feature completely new material.

Tá brón orm will include the previously released “Lord of the Wild,” and “Black Snow,” as well as its latest single “Just Another Day.” Much like its immediate predecessor, the album’s latest single features the incorporation of 80s New Wave-styled synths to the brooding, goth-inspired mix. But “Just Another Day” manages to channel blend of Freedom of Choice-era DEVO, Bauhaus and Joy Division anchored around the JOVM’s uncanny knack for punchy hooks.

New Video: Delivery Shares Club Friendly Art School Rock Tune “Measuring Cup”

Rising Melbourne-based indie outfit Delivery — Bec Allen (bass, vocals), James Lynch (guitar, synths, vocals), Scarlett Maloney (guitar, vocals), Jordan Oakley (guitar) and Liam Kenny (drums, vocals) — emerged from their hometown’s COVID pandemic lockdowns and quickly established a sound that blends elements of post-punk, punk, garage rock and dance floor rhythms into something distinctly their own. The quintet have built moment with the release of last year’s Force Majuere, which Rolling Stone called a “statement of intent” and relentless touring to support the album, becoming one of Oz’s most compelling and restless rock bands.

The rising Aussie quintet’s highly-anticipated third album Zone 3 is slated for a February 26, 2027 release through Heavenly Recordings. Zone 3 reportedly marks a new chapter for the rising Aussie quintet. Written in the wake of extensive time on the road, the album captures Delivery as a fully-formed unit that’s confident enough to trust their instincts and adventurous enough to push beyond the sounds that initially defined them.

Conceived as a late-night record, Zone 3 is specifically for crowded bars, packed dance floors, darkened clubs and the hazy hours before sunrise. Sonically you’ll hear rigid drum-machine driven grooves, synth pulses, wiry guitar bursts, hypnotic baselines and vocals that effortlessly shift between detached cool and infectious urgency.

Recorded in a furious 12-day session at Melbourne-based York Street Studios with producer Dan Lusscombe and engineer Stefan Blair,. the Aussie quintet’s third album reportedly finds them at their most focused, playful and expansive — and may arguably be their boldest effort to date.

Znne 3′s first single “Measuring Cup” is hook-driven tune anchored around a hypnotic, motorik groove, wiry post-punk guitar lines and pulsing synths paired with coolly delivered vocals. The result is a song that sonically to my ears is one-part Sonic Youth-like art punk, one-part pub rock and stoner rock bombast, one-part dance punk.

“There is a certain kind of pressure in modern society to be vigilant about who someone is, what they stand for and if they are ‘your people,'” Delivery says. “But it’s not necessarily a bad thing. It’s a challenge to engage positively with people who hold different values or stances, and a celebration when you know you’ve found someone who aligns with you, whether that’s politically, socially, or personally. ‘Measuring Cup’ is like an invitation to get on a level together and join the club.”

Directed by the band’s Scarlett Maloney, the accompanying video for “Measuring Cup” features the members of the band as they plan and then commit a perfectly planned, perfectly executed heist, complete with an inside man. And the only way it could have been possible was that they were all with their people.

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