Category: Alt Country

New Video: City and Colour’s Achingly Lonely Visual for “Astronaut”

Throughout the course of 2019, I’ve written quite a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green, the creative mastermind behind the acclaimed and commercially successful folk rock/alt country solo-recording City and Colour. Interestingly, Green may arguably be one of the most successful Canadian artists of his generation: he’s won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album.

Now, as you may recall, Green’s sixth album, the Jacquire King-produced A Pill for Loneliness is slated for an October 4, 2019 release through the acclaimed Canadian singer/songwriter’s Dine Alone Records imprint, Still Records. The album’s first single “Astronaut,” which marks the first bit of new material from Green in over 4 years, and the track manages to be one part slow-burning, honky tonk ballad and one part towering and anthemic hook-driven Slowdive and The Verve shoegaze, centered around a lonely life on the road, far from friends, family and loved ones. “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am.”

Directed by Maxxis, the recently released video stars City and Colour’s Green alone in an empty movie theater as space and aeronautical imagery is projected on the big screen — although briefly the astronaut becomes real. The video manages to evoke the aching loneliness at the core of the song: after all, what can be lonelier than an empty movie theater, with your thoughts, regrets and dreams? 

Green will be embarking on an extensive North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

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Throughout the course of this year,  I’ve written quite a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. And as you may recall, Green may arguably be one of the most commercially successful Canadian artists of his generation — he’s won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album.

Slated for an October 11, 2019 release through his newly minted Dine Alone Records imprint, Still Records, Green’s sixth album, the Jacquire King-produced A Pill for Loneliness features the honky tonk-ballad meets towering, anthemic hook-driven shoegazer rock “Astronaut” and the aching and plaintive “Strangers.” The album’s third and latests ingle “Living in Lighting” borrows its title from John Steinbeck’s East of Eden and is a gorgeous slow-burn of a song with a cinematic air — and much like its predecessors, the song focuses on a troubled relationship with a sort of novelistic attention to psychological detail of its characters.

Green will be embarking on an extensive North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers

New Video: City and Colour Releases an Intimate Visual for Plaintive “Strangers”

Throughout the first half of this year, I’ve written a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. Green can trace the origins of his music career to when he was eight and started playing piano. By the time he turned 14, he was writing songs. Professionally, his career started in earnest as a member of Helicon Blue, but in his native Canada, he’s known for being a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

City and Colour, Green’s solo recording project can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Music Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.”

2011’s Little Hell featured Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, Jacquire King-produced full-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records. The as of yet-unnamed album’s latest single “Strangers” is interestingly enough, its first official radio single and it manages to continue in a similar vein as its predecessor “Astronaut” — a mesh of honky tonk country and towering shoegaze, centered around an enormous, arena friendly hook, Green’s plaintive vocals and a haunting refrain in which Green pleads “Don’t wake when when this is over/just let me drift amidst my dreams.” “‘Strangers’ is about how you will never truly know another human being,” says Green. “You’ll never really understand what it’s like to be inside someone else’s brain or heart. So, we need to appreciate the differences. If we do, maybe we can live better with one another.”

Directed by Michael Maxxis and Chris Verene, and shot on what appears to be a mix of digital cameras and Super 8 Film, the recently released, intimate video for “Strangers” throws the viewer into the lives of a beautiful Black family, a young mixed race couple, a white family, a young white couple, as one of them is preparing to surrender himself to authorities and a lesbian couple. And while each of these situations features incredibly unique individuals, the video captures profoundly universal moments — the loving and tender moments, the tearful and uneasy departures, the embittering fights about money and bills, the petty jealousies, the break ups and make ups that countless families and couples experience on a regular basis. 

Earlier this month, I wrote about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. Green started playing piano when he turned eight and was writing music when he turned 14. Initially beginning his music career as a member of Helicon Blue, Green was a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

City and Colour, Green’s solo recording project can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Music Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.

2011’s Little Hell featured Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, Jacquire King-producedfull-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records. Now, as you may recall, the album’s first single “Astronaut” was one part, honky-tonk ballad about a lonely life on the road, far from friend and family, playing your sad, beer and whiskey-soaked songs on the road, one part, towering and anthemic hook-driven shoegaze that recalls Slowdive and The Verve.  “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am. “

The as of yet-unnamed album’s latest single “Strangers” is interestingly enough, its first official radio single and it manages to continue in a similar vein as its predecessor — a mesh of honky tonk country and towering shoegaze, centered around an enormous, arena friendly hook, Green’s plaintive vocals and a haunting refrain in which Green pleads “Don’t wake when when this is over/just let me drift amidst my dreams.” “‘Strangers’ is about how you will never truly know another human being,” says Green. “You’ll never really understand what it’s like to be inside someone else’s brain or heart. So, we need to appreciate the differences. If we do, maybe we can live better with one another.”

Earlier this month Green announced festival dates and a North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Jun 27 – Lansing, MI @ Common Ground Festival (Solo)
Jun 29 – Peterborough, ON @ Peterborough Musicfest (Solo)
Aug 3 – Montreal, QC @ Osheaga Festival
Aug 5 – St. John’s, NL @ George Street Music Festival
Aug 4 – Saint John, NB @ Area 506 Festival
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers

Dallas Green is a St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, who started playing piano when he was eight and writing music when he was 14. Initially beginning his music career as a member of Helicon Blue, Green was a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

Interestingly, Green’s critically acclaimed and commercially successful folk rock/alt-country solo recording project City and Colour, can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.

2011’s Little Hell features Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, full-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records — and the album’s first single the Jacquire King-produced “Astronaut,” is the first batch of new material from Green in over four years. Interestingly, the single is one part, honky-tonk ballad about a lonely life on the road, far from friend and family, playing your sad, beer and whiskey-soaked songs on the road, one part, towering and anthemic hook-driven shoegaze that recalls Slowdive and The Verve.  “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am. “

Along with the new single, Green announced festival dates and a North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Jun 27 – Lansing, MI @ Common Ground Festival (Solo)
Jun 29 – Peterborough, ON @ Peterborough Musicfest (Solo)
Aug 3 – Montreal, QC @ Osheaga Festival
Aug 5 – St. John’s, NL @ George Street Music Festival
Aug 4 – Saint John, NB @ Area 506 Festival
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers

New Audio: JOVM Mainstay Lola Kirke Teams Up with Wyndham Garnett on a Gorgeous Cover of Ted Lucas’ “Baby Where You Are”

Last year, I wrote quite a bit about the British-born, New York-based singer/songwriter, musician and actress Lola Kirke. Although she may be best known for starring roles in  Noah Bambauch’s Mistress America and the Amazon series Mozart in the Jungle, and a supporting role in David Fincher’s Gone Girl, the British-born, New York-based singer/songwriter and actress is the daughter of drummer of drummer Simon Kirke, who was a member of the 70s hit-making rock bands Bad Company and Free and Lorraine Kirke, the owner of Geminola, a New York-based vintage boutique known for supplying outfits for Sex and the City.  

As a solo artist, Kirke’s Wyndham Garnett-produced full-length debut, Heart Head West was released last year through Downtown Records, and  the album, which was tracked live to tape was a deeply personal effort that was as Kirke said in press notes “about basically everything I thought about in 2017 — time, loss, social injustice, sex, drinking, longing — essentially everything I’d talk about with a close friend for 40 minutes.” 

Wyndham Garnett is a Los Angeles-based singer/songwriter, multi-instrumentalist and producer, who first made a name for himself as an original member of Elvis Perkins in Dearland and a touring member of Clap Your Hands Say Yeah. And as a result, he has shared stages with the likes of My Morning Jacket, Cold War Kids, Levon Helm, Pete Seeger, Dr. Dog, The Felice Brothers, Marco Benevento and a lengthy list others. 2016 saw the release of his self-produced full-length debut WYNDHAM and the Gus Seyffert-produced EP Double You, which featured lead single “Gypsy,” a track that landed on Elle’s “Best New Songs of December 2016” with singles by the legendary Neil Young and Childish Gambino. Now, as you may recall Garnett is a frequent collaborator with Kirke that has included her self-titled EP, last year’s Heart Head West and a pair of Christmas-themed songs. 

Garnett and Kirke continue their ongoing and extraordinarily successful collaboration with two Valentine’s Day-themed singles “Lights On” and a cover of Ted Lucas’ “Baby Where You Are.” The Garnett and Kirke cover of Lucas’ “Baby Where You Are” is a fairly straightforward and atmospheric rendition of the song with a twangy 12 bar blues-like solo, the song is rooted in cold and lonely nights, longing for that special someone, who’s far away — although the song hints at the hope of being with that person again. “When we first got together, Wyndham and I rented a house in upstate New York and spent the majority of our time drinking too much wine and learning songs we liked on guitar so we could at least sing them at parties and maybe one day even record them,” Kirke says in press notes. “Ted Lucas’ ‘Baby Where You Are’ came into our lives then and has remained a staple because of how simply it expresses the truth of love and longing. I’m always excited by art that achieves that balance, which is why I fell so in love with Wyndham’s song ‘Lights On.’ I feel like the two songs express different sides of desire, one that is more certain and the other less, but both hopeful and both very known.”

New Video: Introducing Up-and-Coming Australian Singer/Songwriter Grace Turner

Last year was a breakthrough year for the up-and-coming, Newcastle, New South Wales, Australia-based singer/songwriter and guitarist Grace Turner as her single “Dead or Alive” received attention in North America, landing on Spotify US’ Viral 50 Playlist and Apple Music’s Best of the Week. Following the track’s release, Turner opened for Alex the Astronaut, Gabriella Cohen, Jess Locke and Kingswood — and since then, “Dead or Alive” has amassed more than 500,000 streams. In her native Australia, Turner was named a triple j Unearthed Artist of the Week, and her latest single “Easy I Fall,” which was released a few weeks ago in Australia received airplay on triple j and FBi. 

“Easy I Fall” was recently released across North America and the track will further cement Turner’s growing reputation for a sound that meshes elements of indie rock with alt country, compete with jangling chords during the song’s verses, fuzzy power chords during the song’s soaring hook and chorus. Bearing an uncanny resemblance to the work of Bryde, Eliza Shaddad, Ruby Boots and others, Turner’s latest single is centered around an unvarnished and unfiltered honesty. In this case, the song’s narrator openly talks about a relationship teetering on the brink — and while the narrator’s love interest is trying his best, the narrator realizes that the relationship is over, and that it’s been over for a while; in fact, she’s been trying to tell her lover that she’s wanted to leave for some time. And as a result, the song captures the indecision, fear and awkwardness of relationships as they inch towards their inevitable end. 

Filmed, edited by videographer James Rhodes and co-produced by Rhodes and Turner, the recently released video for “Easy I Fall” was shot in Super 8 Film at The Royal Exchange, a quaint theater in Turner’s hometown. Standing in front of a floral background that recalls the work of Frida Kahlo, the video features Turner in two dresses made by designers Millie Shorter and Ellie Hannon from scratch — an 80s inspired, big-shouldered flower print dress and a simple white dress with jewelry shaped like enormous third eyes. The video captures Turner in some visually overstated scenarios while she performs with an understated yet candid presence. 

Building upon the growing buzz surrounding her, the Newcastle, Australia-based singer/songwriter and guitarist announced that she’ll be playing at this year’s SXSW and a run of solo dates with Grinspoon’s Phil Jamieson. 

New Video: Introducing the Soulful Honky Tonk of London’s Yola

Yola is an up-and-coming London-born and-based singer/songwriter, who has led a rather remarkable life. She grew up extremely poor, and as a child was actually banned from making music. The up-and-coming British singer/songwriter has also overcome being in an abusive relationship, stress induced voice love and literally being engulfed in flames in a house fire, which inspired her Dan Auerbach-proudced full-length debut Walk Through Fire, which is slated for a February 22, 2019 release through Easy Eye Sound. 

Since then, Yola opened for the James Brown and joined renowned trip hop act Massive Attack before traveling to Nashville to work with Auerbach and a backing band that features musicians, who have worked with Elvis and Aretha Franklin.  Adding to a growing national and international profile, the up-and-coming British artist has received praise from NPR, Rolling Stone, Wall Street Journal, The Tennessean, Refinery 29, Billboard, American Songwriter, BrooklynVegan, Nashville Scene, Paste and Stereogum. Additionally, she will be appearing on BBC’s Later . . . with Jools Holland New Year’s Eve edition, where she’ll be performing alongside Michael Buble, Jess Glynne and the legendary Nile Rodgers

Walk Through the Fire‘s latest single, “Ride Out in the Country” is a Muscle Shoals-like take on honky tonk country that recalls Sandra Rhodes’ under-appreciated Where’s Your Love Been as its centered around twangy guitar chords, lap steel guitar, some Rhodes electric organ, a soaring hook and Yola’s easy-going soulful vocals. However, at its core the song is an achingly sad breakup song, written from the prospective of someone reeling from a devastating breakup, complete with the recognition that your former partner has moved on and maybe you should too, even if it’s profoundly difficult. Of course, the song’s narrator feels she has only one option — to get into the car and drive, and experience some of life’s small pleasures: having the wind in your air, of being out in open space with your thoughts, memories and regrets. 

Directed by Reid Long and Kip Kubin, the recently released video stars Yola driving through the country in an old Ford truck — but to eventually bury the bodies of two people in a shallow grave. On one level, the video’s main character is essentially burying a part of her past in an attempt to quickly move on.