Category: Alt Country

Last year, I wrote about the critically acclaimed Northern Idaho-born, Nashville-based singer/songwriter and guitarist Jeff Crosby. Crosby’s work draws from and meshes folk, rock, American and country in a  way that feels and sounds warmly familiar and radio friendly. Dropping out of school when he was 17 to pursue a music career with a touring West Coast band, the Idaho-born, Nashville-based singer/songwriter and guitarist has spent a significant portion of his life on the road, playing night after night, show after show, from load-in until the last drink is poured and the house lights are finally turned on.

Crosby’s material is deeply inspired by the beauty found in his travels and the unconventional stories of the people and places he has encountered along the way, giving his work the feel of being like a page ripped out of intimate and personal diary, detailing the love won and love lost and experiences of someone who has relentlessly kept on the move. Throughout his career as a solo artist, his work has been compared favorably to singer/songwriters like Bob Dylan, Townes Van Zandt and Steve Earle while building up a profile by sharing stages with Lukas Nelson & Promise of the Real, Charley Crockett, Widespread Panic, American Aquarium, Niki Lane and a list of others.

For about five years, Crosby lived in a small apartment off Los Angeles‘ Sunset Boulevard. Giving up coffee so that he could pay rent, Crosby played with The Homeless and the Dreamers — and while struggling get to get by, he found a way to thrive and make poignant music. Through a chance encounter, he met and befriended a music editor for the critically applauded TV series Sons of Anarchy and wound up with two of his songs being featured the show. During that same period, Crosby split his time touring with his band and later with Widespread Panic’s Jerry Joseph, which found Crosby traveling abroad to tour the UK, Iceland, Mexico, Colombia and Nicaragua. His experiences in each of those countries helped influence the material off his Gregg Williams and Geoff Piller co-produced album Postcards from Magdalena, an effort that received praise internationally.

Crosby’s forthcoming Geoff Piller-produced full-length album Northstar is slated for release this year. So far, I’ve written about the album single “Laramie,” a deliberately crafted song that that recalls 70s AM rock and Full Moon Fever-era Tom Petty — but with a wistful and nostalgic air. Northstar‘s latest single “If I’m Lucky” is an upbeat and country-tinged rocker centered around an enormous hook and earnest lyrics, written from lived-in, personal experience. In this case, the song is deceptively ambivalent: the song’s narrator expresses the hope to be lucky enough to hold onto love, the motivation to keep on going when things get tough — but there’s also the acknowledgement of time passing by quickly and getting older and of the mistakes and poor choices piling up.

“’If I’m Lucky’ is about getting older and avoiding the inevitable end of relationships I’d neglected while spending the last year on the road,” Crosby told Parade. “I finished the verses watching a couple fight in a Motel 6 parking lot in Sacramento, California. I felt kinda lonely and envious that they at least had someone to fight with!”

Steve Smith (guitar, vocals) is a Sydney, Australia-based singer/songwriter and guitarist, who has earned a reputation for crafting a good tune, abrupt disappearances at inopportune times and for pulling together some of his hometown’s finest musicians and producers to bring his songs to life, writing and recording five albums with Fallon Cush — 2011’s self-titled debut, which introduced the band’s signature breezy and jangling 70s AM rock-like sound; 2012’s April, which premiered on American Songwriter; 2016’s Bee In Your Bonnet, which revealed a tougher alt-country leaning song and led to the band opening for Son Volt; and 2017’s Morning, which reportedly threatened the band’s future. “By the time we’d finished the last record, Morning, I thought that’d be the end of it. It was really quite difficult getting that record finished for a number of reasons,” Steve Smith says in press notes.

Produced by the band’s Steve Smith, the band’s latest album Stranger Things Have Happened was released last November through the band’s Lightly Toasted Records and was recorded and mixed at Endomusia Studios, near Australia’s Blue Mountains by Josh Schuberth with additional recording by Michael Carpenter at Love Hz Studios in Sydney. Featuring a backing band consisting of Suzy Goodwin (backing vocals), Casey Atkins (guitar, backing vocals), Tim Bryon (keys), Peter Marley (bass, backing vocals), Russell Crawford (drums) and Josh Schuberth (lap steel, percussion), the album’s material finds the members of the backing band drawing from a wider sonic palette while continuing to display Smith’s unerring knack for crafting a tunes that frequently get compared to Tom Petty, Ryan Adams, Wilco and The Jayhawks among others. “This record feels like a bit of a fresh start, there’s an energy around it. It’s a good feeling. Strange but good,” Smith says about the new album

Stranger Things Have Happened‘s latest single is the bittersweet “The Key.” Centered around shimmering and jangling guitars, razor sharp hooks and earnest, a twangy guitar solo and 70s AM rock-like songwriting, “The Key” is the sort of song you’d expect to hear late at night in darkened dive bar or old-timey honky tonk: the song captures a ruminative sense of regret over the mistakes and failures of one’s life — and how they manage to reverberate in your life as time passes. As the band says in a statement, the song “features Casey Atkins’ twangy lead guitar throughout. Casey’s a renowned and in-demand player in Sydney, and an integral part of our sound. His parts on this were his first pass. When it came to the mix, we didn’t bother looking for any other takes.”

 

 

 

 

 

 

 

 

 

Born in Beirut, Lebanon to an Irish-American father and a British mother, who was of Arabic and Italian origin, singer/songwriter and actor Michael Malarkey grew up in Yellow Springs, OH. He  eventually relocated to London, where he studied at the London Academy of Music and Dramatic Art. As the story goes, while studying acting and drama, Malarkey began to immerse himself in music and songwriting, which he found to be a form of poetic journalism and an endless journey of self-discovery.  Interestingly, although Malarkey may be best known for playing Enzo in CW‘s The Vampire Diaries and Captain Michael Quinn in the History Channel‘s Robert Zemeckis-executive produced Project Blue Bookhe has managed to simultaneously carve out a separate career as a singer/songwriter.

Malarkey’s full-length debut 2017’s Mongrels was released through Cap on Cat Records to critical applause from MetroBillboard, Classic Rock, and The Guardian. The album’s material thematically explored the duality of his nature and that of human nature in general. Recorded by Malarkey along with Tom Tapley and Brandon Bush in Atlanta, and from album title track “Mongrel,” the material possesses a subtle old-school Nashville/country vibe that further emphasizes the introspective nature of the song and of the album’s material.

Malarkey’s sophomore full-length album Graveracer is slated for a February 10, 2020 release through Cap on Cat Records/Kartel Music Group.  The album’s material was written in 2018 in Puerto Rico and Vancouver while the singer/songwriter and actor was working on the 50 Cent-produced crime drama The Oath and Project Blue Booth. That period was one of a physical and emotional turbulence: Malarkey, along with the cast and crew were evacuated from Puerto Rico during the build up of Hurricane Maria. And understandably, that experience has reportedly bled into the material’s lyrical imagery. “During the time I was working on the record, I escaped two hurricanes – as well as a third, I suppose, my own personal one. This record is my Odyssey in a way. It’s the journey back home after being ravaged in the seas of your own mind and finding the strength to carry on after the storm. I was left with a feeling of freedom and I found it through these songs,” the singer/songwriter and actor says in press notes.

Recorded at Sheffield, UK-based Tesla Studios and co-produced by Michael Malarkey and singer/songwriter A.A. WilliamsGraveracer is reportedly centered around a straightforward, heartfelt honesty in its songwriting and tone with the material being reflective without leaning on nostalgia and forward-thinking without being urgent; in fact, it’s rooted in the present, as a portrait of one complex and flawed person, as a work in progress — as we all are.

“Shake the Shiver,” Graveracer‘s latest single is a sparse and brooding single, centered around Malarkey’s sonorous baritone,  atmospheric synths, a simple yet propulsive backbeat, a sinuous bass line, strummed guitar and a razor sharp hook. And while recalling Daughn Gibson and Jace Everett, the track manages to be seductive yet full of a dark and creeping, existential dread.

 

 

New Video: City and Colour’s Achingly Lonely Visual for “Astronaut”

Throughout the course of 2019, I’ve written quite a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green, the creative mastermind behind the acclaimed and commercially successful folk rock/alt country solo-recording City and Colour. Interestingly, Green may arguably be one of the most successful Canadian artists of his generation: he’s won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album.

Now, as you may recall, Green’s sixth album, the Jacquire King-produced A Pill for Loneliness is slated for an October 4, 2019 release through the acclaimed Canadian singer/songwriter’s Dine Alone Records imprint, Still Records. The album’s first single “Astronaut,” which marks the first bit of new material from Green in over 4 years, and the track manages to be one part slow-burning, honky tonk ballad and one part towering and anthemic hook-driven Slowdive and The Verve shoegaze, centered around a lonely life on the road, far from friends, family and loved ones. “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am.”

Directed by Maxxis, the recently released video stars City and Colour’s Green alone in an empty movie theater as space and aeronautical imagery is projected on the big screen — although briefly the astronaut becomes real. The video manages to evoke the aching loneliness at the core of the song: after all, what can be lonelier than an empty movie theater, with your thoughts, regrets and dreams? 

Green will be embarking on an extensive North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

Throughout the course of this year,  I’ve written quite a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. And as you may recall, Green may arguably be one of the most commercially successful Canadian artists of his generation — he’s won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album.

Slated for an October 11, 2019 release through his newly minted Dine Alone Records imprint, Still Records, Green’s sixth album, the Jacquire King-produced A Pill for Loneliness features the honky tonk-ballad meets towering, anthemic hook-driven shoegazer rock “Astronaut” and the aching and plaintive “Strangers.” The album’s third and latests ingle “Living in Lighting” borrows its title from John Steinbeck’s East of Eden and is a gorgeous slow-burn of a song with a cinematic air — and much like its predecessors, the song focuses on a troubled relationship with a sort of novelistic attention to psychological detail of its characters.

Green will be embarking on an extensive North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers

New Video: City and Colour Releases an Intimate Visual for Plaintive “Strangers”

Throughout the first half of this year, I’ve written a bit about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. Green can trace the origins of his music career to when he was eight and started playing piano. By the time he turned 14, he was writing songs. Professionally, his career started in earnest as a member of Helicon Blue, but in his native Canada, he’s known for being a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

City and Colour, Green’s solo recording project can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Music Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.”

2011’s Little Hell featured Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, Jacquire King-produced full-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records. The as of yet-unnamed album’s latest single “Strangers” is interestingly enough, its first official radio single and it manages to continue in a similar vein as its predecessor “Astronaut” — a mesh of honky tonk country and towering shoegaze, centered around an enormous, arena friendly hook, Green’s plaintive vocals and a haunting refrain in which Green pleads “Don’t wake when when this is over/just let me drift amidst my dreams.” “‘Strangers’ is about how you will never truly know another human being,” says Green. “You’ll never really understand what it’s like to be inside someone else’s brain or heart. So, we need to appreciate the differences. If we do, maybe we can live better with one another.”

Directed by Michael Maxxis and Chris Verene, and shot on what appears to be a mix of digital cameras and Super 8 Film, the recently released, intimate video for “Strangers” throws the viewer into the lives of a beautiful Black family, a young mixed race couple, a white family, a young white couple, as one of them is preparing to surrender himself to authorities and a lesbian couple. And while each of these situations features incredibly unique individuals, the video captures profoundly universal moments — the loving and tender moments, the tearful and uneasy departures, the embittering fights about money and bills, the petty jealousies, the break ups and make ups that countless families and couples experience on a regular basis. 

Earlier this month, I wrote about the St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, Dallas Green and his acclaimed, commercially successful folk rock/alt country-solo recording project City and Colour. Green started playing piano when he turned eight and was writing music when he turned 14. Initially beginning his music career as a member of Helicon Blue, Green was a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

City and Colour, Green’s solo recording project can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Music Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.

2011’s Little Hell featured Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, Jacquire King-producedfull-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records. Now, as you may recall, the album’s first single “Astronaut” was one part, honky-tonk ballad about a lonely life on the road, far from friend and family, playing your sad, beer and whiskey-soaked songs on the road, one part, towering and anthemic hook-driven shoegaze that recalls Slowdive and The Verve.  “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am. “

The as of yet-unnamed album’s latest single “Strangers” is interestingly enough, its first official radio single and it manages to continue in a similar vein as its predecessor — a mesh of honky tonk country and towering shoegaze, centered around an enormous, arena friendly hook, Green’s plaintive vocals and a haunting refrain in which Green pleads “Don’t wake when when this is over/just let me drift amidst my dreams.” “‘Strangers’ is about how you will never truly know another human being,” says Green. “You’ll never really understand what it’s like to be inside someone else’s brain or heart. So, we need to appreciate the differences. If we do, maybe we can live better with one another.”

Earlier this month Green announced festival dates and a North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Jun 27 – Lansing, MI @ Common Ground Festival (Solo)
Jun 29 – Peterborough, ON @ Peterborough Musicfest (Solo)
Aug 3 – Montreal, QC @ Osheaga Festival
Aug 5 – St. John’s, NL @ George Street Music Festival
Aug 4 – Saint John, NB @ Area 506 Festival
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers

Dallas Green is a St. Catherines, Ontario, Canada-born singer/songwriter and guitarist, who started playing piano when he was eight and writing music when he was 14. Initially beginning his music career as a member of Helicon Blue, Green was a founding member of Canadian post-hardcore act Alexisonfire with whom he wrote and recorded four Platinum-certified albums and an EP — 2001’s self-titled album, 2004’s Watch Out!, 2006’s Crisis and 2009’s Old Crows/Young Cardinals and 2010’s Dog’s Blood EP — before officially breaking up in 2011.

Interestingly, Green’s critically acclaimed and commercially successful folk rock/alt-country solo recording project City and Colour, can trace its origins back to 2005 when he began releasing early versions of songs for fans to download. Many of those songs were written when Green turned 16 — and he complied those songs and rewrote many of those songs, eventually releasing them as his 2005 City and Colour debut, Sometimes.

2008’s City and Colour sophomore album, the folk-influenced Bring Me Your Love featured a wider arrangement of instrumentation, including harmonica, banjo, drums and lap steel and found Green collaboration with The Tragically Hip’s Gordon Downie and Attack in Black‘s Matt Sullivan. The album’s lead single “Waiting . . . ” peaked at #32 on the Canadian Hot 100. Building upon a growing profile on both sides of the border, Green and his backing band went on their first American tour, opening for Tegan and Sara and Girl in a Coma. The following year, Green went on a Stateside headlining tour with William Elliott Whitmore. 

January 2010 saw Green on another headlining Stateside tour to support Bring Me Your Love with opening act Lissie, which he followed with a UK tour opening for Pink and Butch Waters, with a handful of headlining dates. He ended that year collaboration with Polaris Prize-nominated artist Shad on a remix of one of “Listen” off TSOL, and an original song “Live Forever.

2011’s Little Hell features Green’s highest charting single, “Fragile Bird,” which reached #1 on the Canadian rock/Alternative Charts. That August, Alexisonfire formally broke up with a statement from the band’s George Pettit saying that Green had been planning to leave the band to focus on his solo work, as balancing the two projects became too difficult.

In 2014 Green collaborated with multi-Grammy nominated and winning pop artist Pink in You + Me and the duo’s full-length debut, rose ave. debuted at #4 on the US Top 200 Charts, #1 in Canada and #2 in Australia, eventually being certified Platinum and culminating in appearances on The Ellen DeGeneres Show and Jimmy Kimmel Live!

Green’s most recent full-length album 2015’s If I Should Go Before You debuted at #16 on the US Billboard 200 and #1 in his native Canada, marking his third consecutive chart-topping album in his homeland.  As far as other accolades, Green has won 3 Juno Awards, including two Songwriter of the Year Awards — and in Canada he has 3 Double Platinum-certified albums, 1 Platinum-certified album and 1 Gold-certified album, which may arguably make him one of the most commercially successful, Canadian artists of his generation.

His forthcoming sixth, full-length album is slated for release this Fall through the acclaimed Canadian singer/songwriter’s newly minted Dine Alone Records imprint, Still Records — and the album’s first single the Jacquire King-produced “Astronaut,” is the first batch of new material from Green in over four years. Interestingly, the single is one part, honky-tonk ballad about a lonely life on the road, far from friend and family, playing your sad, beer and whiskey-soaked songs on the road, one part, towering and anthemic hook-driven shoegaze that recalls Slowdive and The Verve.  “I always think of the relationships in my life that have been fractured because I ended up doing what I do for a living,” Green says of the new single. “I’m always gone, wandering around and singing songs. However, it weighs on my family and friends. I’m asking for ‘one more year.’ I left home at 21 to go play my guitar. It’s lonely, but it’s because I yearn to wander, I’m aware of how lucky I am. “

Along with the new single, Green announced festival dates and a North American tour that will feature back-to-back nights in Nashville, San Francisco, Los Angeles, Boston and New York. One night in each of those cities will take place in a seated theater, featuring Green playing an intimate solo show with stripped down versions of songs across his catalog with Ben Rogers, the first artist to sign onto Green’s new label.  The second night will feature Green and his touring band playing in general admission rock and indie rock venues with Ruby Waters opening. You can check out the tour dates below.

For this tour, Green has partnered with PLUS1. $1 from every ticket sold in Canada and the States will be donated to charitable foundations — Crisis Text Line here in the States and MusiCounts and Indpsire in Canada. Since launching in 2013, Crisis Text Line has provided free, 24/7 confidential support for those in crisis across the country, exchanging over 100 million messages from folks across the country. If you or someone you know needs help, have them text 741714 in the US to connect with a trained Crisis Counselor.

TOUR DATES
Festival Dates
Jun 27 – Lansing, MI @ Common Ground Festival (Solo)
Jun 29 – Peterborough, ON @ Peterborough Musicfest (Solo)
Aug 3 – Montreal, QC @ Osheaga Festival
Aug 5 – St. John’s, NL @ George Street Music Festival
Aug 4 – Saint John, NB @ Area 506 Festival
Aug 17 – Elora, ON @ Riverfest
U.S. Tour Dates
Sep 20 – Tacoma, WA @ WAMU Theatre (w/ ALICE IN CHAINS)
Oct 09 – Nashville, TN @ The Basement East**
Oct 10 – Nashville, TN @ James K. Polk Theater (Solo)*
Oct 14 – San Francisco, CA @ Palace of Fine Arts (Solo)*
Oct 15 – San Francisco, CA @ The Fillmore**
Oct 16 – Los Angeles, CA @ Ace Hotel (Solo)*
Oct 17 – Los Angeles, CA @ The Fonda Theatre**
Oct 21 – Boston, MA @ Royale**
Oct 22 – Boston, MA @ Berklee Performance Center (Solo)*
Oct 24 – New York City, NY @ Webster Hall**
Oct 25 – New York City, NY @ Town Hall (Solo)*
Canadian Tour Dates
Nov 08 – Victoria, BC @ Save On Foods Memorial Centre^
Nov 09 – Vancouver, BC @ Pacific Coliseum^
Nov 10 – Kelowna, BC @ Prospera Place^
Nov 12 – Calgary, AB @ Scotiabank Saddledome^
Nov 13 – Edmonton, AB @ Rogers Place^
Nov 15 – Regina, SK @ Brandt Centre^
Nov 16 – Winnipeg, MB @ Bell MTS Place^
Nov 19 – Sudbury, ON @ Sudbury Arena^
Nov 22 – Toronto, ON @ Scotiabank Arena^
Nov 25 – Ottawa, ON @ Canadian Tire Centre^
Nov 26 – Kingston, ON @ Leon’s Centre^
Nov 29 – Halifax, NS @ Scotiabank Centre^
* = w/Ben Rogers
** = w/Ruby Waters
^ = w/Jacob Banks and Ben Rogers