Earlier this year, I wrote about the New York-based rock/punk act Baby Shakes. The act, which is currently comprised of Mary (lead vocals), Judy (guitar, vocals), Claudia (bass, vocals) and Ryan (drums) was formed back in 2005. And since their formation, they’ve released a handful of one-off singles, a singles compilation, a 10 inch heart-shaped EP and three albums that have firmly established their sound and aesthetic — a sound that generally draws from Ramones, Chuck Berry, 60s Motown-era girl groups with melodic vocals, fuzzy and distorted power chords and enormous hooks within breakneck songs.
The members of the band have toured across the US, Japan, China, Ireland, the UK and the European Union and shared stages with the likes of The Romantics, The Boys, The Shadows of Knight, The Undertones, The Barracudas, Protex, Black Lips, Paul Collins’ Beat, Iggy Pop and a growing list of others. Now, as you may recall, Baby Shakes’ latest effort Cause a Scene is slated for release next week, and the album is reportedly inspired by and indebted to the original wave of punk — in particular, The Nerves, The Kids, early Bangles and The Go-Gos, The Runaways, as well as the Ramones.
“Nowhere Fast,” the album’s first single was a breakneck bit of fuzzy, old school punk with an infectious power pop-like hook that reminded me of a seamless synthesis of Ramones and The Go-Gos. The album’s second single, “Love Song In Reverse” continues in a similar vein as its predecessor: it’s all fuzzy and distorted power chords and enormous hooks. And while clocking in at a little over two minutes — roughly 2:25 in this case — the song manages to be an infectious mixture of sugary sweet pop confection and sleazy barroom rock.