New Audio: Canadian Sleaze Rockers The Death Wheelers Return with a Scuzzy New Single

With the release of their full-length debut, 2018’s I Tread On Your Grave, the rising Canadian act The Death Wheelers — Max “The Axe” Tremblay, Richard “Bastard” Turcotte, Sy “Wild Rye” Tremblay and Hugo “Red Beard” Bertacchi — have developed a reputation for a sound that’s largely inspired by the aesthetics and ethos of bikesploitation movies like The Wild AngelsWerewolves on Wheels and Psychomania — and Dave Allen, The Cramps, Motörhead, The Stooges, and Grand Funk Railroad.

Slated for a September 11, 2020 release through RidingEasy Records, the Canadian act’s forthcoming sophomore album Divine Filth continues the band’s reputation for crafting sleazy, handbanging instrumental anthems that simultaneously serve as the soundtrack for fictional bikesploitation films. Centered around power chord-driven riffs, Divine Filth reportedly finds the band riding the line between Motörhead, The Cramps and Dick Dale.

Recorded in a breakneck 48  lives setting, Divine Filth is all killer, no-filler, no-bullshit scuzziness with a layer of crass that recalls Troma Films. This time, their sophomore album is loosely based around this fantastically dumb yet fucking awesome plot synopsis: It’s 1982. Spurcity is run-down,The crime rate is up and so is drug use. A new kind of kick has hit the streets and it ain’t pretty. DTA, a powerful and highly addictive hallucinogenic drug, is transforming its loyal citizens into undead trash. Its users experience an indescribable high, but it leaves them rotting away within days, craving human flesh. No one knows who is dealing this new potent drug, but rumour has it that the motorcycle cult, The Death Wheelers, is behind this concoction. Could this be the end of civilization as we know it? What is motivating this group of psychotic individuals?

Divine Filth‘s first single “Corps Morts” will further cement the band’s reputation for sleazy headbangers, as its centered around thunderous drumming, grungy power chords-driven riffs, enormous hooks and an expansive song structure. Sonically, the track will bring The Sword to mind, as much as it does Motörhead and others but with a nasty crustiness on the surface.