New Audio: JOVM Mainstay Marie Dahlstrom Releases a Slow-Burning Quiet Storm Soul-like Single

Marie Dahlstrom is a Rosklide, Denmark-born, London-based singer/songwriter, who has been largely influenced by the R&B and soul she heard in her home as a child — in particular Edwyn Collins, Womack & Womack and Gloria Gaynor were on regular rotation. Dahlstrom discovered Dwele, Dire Straits, Erykah Badu, Kirk Franklin and Fleetwood Mac in her teenage years.

Dahlstrom first gained attention as a solo artist in her native Denmark, eventually becoming a three-time Scandinavian Soul Award winner. Since relocating to London, the Danish-born singer/songwriter she has become an internationally recognized sensation, best known for crafting a warm and ethereal synthesis of jazz, classic soul and R&B. Interestingly, after successful collaborations with Tom Misch and Alfa Mist, the Roskilde-born, London-based singer/songwriter has been busy writing the material, which would eventually comprised her long-awaited full-length debut. Slated for release next year, the album was recorded in Los Angeles, Copenhagen, and London and features collaborations with James Vickery, Jeremy Passion, Elijah Fox, Beau Diako and a list of others.

The album’s latest single “A Loveletter — An Improvisation” is a slow-burning, 90s R&B and soul-inspired track centered around a sparse yet warm arrangement of twinkling piano, stuttering beats and Dahlstrom’s effortlessly soulful and tender vocals. And while seemingly indebted to What’s the 411-era Mary J. Blige, SWV, and others, the song is an old school acknowledgement of unexpectedly finding someone special — and missing them when they’re away.

“My boyfriend was away, in LA actually, when I wrote it, and I remember missing him,” the Danish-born British-singer/songwriter explains in press notes. “That day I had a session with Conor [Albert] – and I started the little piano theme on my keyboard, and Conor then began building the instrumental around it. After he left, I just turned on the mic, and sang whatever came to mind – no prewritten lyrics or melodies – which is why I called it ‘A Loveletter – An Improvisation’. It was just a raw reflection upon my love for someone. I feel that emotion informs melody. I like the idea that someone should be able to feel what a song is about, without listening to the words. For me, melody always come before words, and words often write themselves, on the right days. That’s my cue that I’ve made a good song. It feels easy and purposeful.”

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