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doom metal, Heavy Metal, metal, New Audio, New Single, Single Review, thrash metal Video
by William Ruben HelmsAugust 18, 202018:35

New Audio: JOVM Mainstays R.I.P. Release a “Headbanger’s Ball”-like Ripper

With the release of their first two albums — 2016’s In The Wind and 2017’s Street Reaper — the Portland, OR-based doom metal act and JOVM mainstays R.I.P. quickly established their grimy, punishing, and depraved take on metal that they dubbed Street Doom.

Now, as you may recall, Dead End, the Portland-based JOVM mainstays’ long-awaited third full-length album is slated for an October 9, 2020 release through RidingEasy Records.  The album sees the band going through a massive lineup change that has resulted in the addition fo a much more aggressive rhythm section — while also drawing from a more diverse array of influences including John Carpenter films, grungy professional wrestling and lo-fi hip-hop among others. The album also finds the Portland-based JOVM mainstays moving away from the early influence of Pentagram and Saint Vitus, but it may be among the most hook-driven of their growing catalog. Thematically, the album touches upon the same themes of its predecessors — death, insanity and leather.

Last month, I wrote about “Out of Time,” Dead End‘s Black Sabbath-like first single, an incredibly accessible track that didn’t scrub away the sludge, slime and grime that has won them attention. The album’s second and latest single, album title track “Dead End,”  is a Headbanger’s Ball-like ripper, centered around enormous power chord-driven riffs, rousingly anthemic hooks and howled vocals. Superficially, the track sounds like long-haired era Metallica — but while being sounding as though it could have been part of the soundtrack of a John Carpenter film.

 

 

 

 

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Tagged with: Black Sabbath Dead End doom metal Headbanger's Ball heavy metal John Carpenter Metallica New Audio New Audio: JOVM Mainstays R.I.P. Release a "Headbanger's Ball"-like Ripper New Single Pentagram Portland OR R.I.P. R.I.P. Dead End R.I.P. Dead End LP R.I.P. In The Wind R.I.P. Out of Time R.I.P. Street Reaper RidingEasy Records Saint Vitus Single Review Single Review: Dead End Single Review: R.I.P. Dead End singles The Joy of Violent Movement: New Audio: JOVM Mainstays R.I.P. Release a "Headbanger's Ball"-like Ripper thrash metal

William Ruben Helms

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William Ruben Helms is a Corona, Queens, NYC-born and-based African American music journalist, freelance writer, editor, photographer and founder of the DIY, independent music and photography site, The Joy of Violent Movement. Over the course of the past two decades, Helms’ writing and photography has been published in Downbeat, Premier Guitar Magazine (photography), Consequence, The Inventory, Glide Magazine.com (words and photography), Publisher’s Weekly, Sheckys.com, Shecky’s Bar and Nightlife Guide 2004, New York Press, Ins&Outs Magazine, Dish Du Jour Magazine, Aussie music publication Musicology.xyz (photography) and countless others, including his own site. With The Joy of Violent Movement, Helms specializes in covering music with an eclectic, globe-trotting, and genre-defying perspective that’s deeply inspired by and informed by his birthplace and home, arguably one of the most diverse places in the world. Since its founding back in 2010, The Joy of Violent Movement can proudly claim readers across the US, Canada, the UK, The Netherlands, France, Australia, and several others throughout its history. https://www.joyofviolentmovement.com https://www.joyofviolentmovement.com/shop https://www.instagram.com/william_ruben_helms Twitter: @yankee32879 @joyofviolent become a fan of the joy of violent movement: https://www.facebook.com/TheJoyofViolentMovement support the joy of violent movement on patreon: https://www.patreon.com/TheJoyofViolentMovement hire me for headshots, portraits and event photography: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1#

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