Last month, I wrote about the Chicago-based psych rock act Lucille Furs, and as you may recall, the act comprised of Patrick Tsotsos, Nick Dehmlow, Brendan Peleo- Lazar, Trevor Newton Pritchett and Constantine Hastalis initially formed in the Logan Square section of Chicago and in a relatively short period of time, the band added themselves to a growing list of attention-grabbing indie acts from the Chicagoland area, thanks in part to a sound that borrows liberally from the likes of The Zombies, West Coast Pop Art Experimental Band, Temples, Love, Diane Coffee, Charles Bradley and others. Interestingly, since their formation, half the band has relocated to Los Angeles, and as the band mentions, listeners will likely hear the sounds of their new home within some of their work.
Recently pushed back to a March 15, 2019 release through Requiem Pour Un Twister Records, Lucille Furs’ forthcoming sophomore album Another Land was written back in September 2017 and was recorded direct to tape before being completed at Treehouse Records. Rather than being topical, the album’s material is rooted in the surreal and esoteric — perhaps sin a way to aim at the timeless. The bouncy early 60s-inspired stomper “Paint Euphrosyne Blue,” was centered around jangling guitars, twinkling organs and infectious and soaring hook that recalled The Monkees and The Doors. And while a perfect soundtrack for a road trip, the band noted that the song referenced the goddess of mirth, with the song being about the human need to adapt to the point of becoming unoriginal.
Another Land‘s latest single is the shimmering Sgt. Pepper-era Beatles and The Turtles “Happy Together“-like “All Flowers Before Her” and much like its predecessor, the song is centered around a bouncy and buoyant hook and lysergic, 60s vibes — but with a blazing guitar solo and a subtly modern touch.