New Audio: Turkish JOVM Mainstays The Away Days Return With Their Most Politically Charged Single to Date

Largely inspired by The CureTame Impala and others, the Istanbul, Turkey-based quartet The Away Days have developed a reputation in their homeland for being at the forefront of a contemporary and extremely Western-inspired indie music scene as the How Did It Start? EP received acclaim internationally from the likes of The GuardianSPIN Magazine,and Noisey, as well receiving airplay from renowned Seattle, WA-based radio station KEXP. Adding to a growing international profile, the band has toured the UK, made appearances at two consecutive SXSW and have played festival dates opening for PortisheadMassive AttackBelle and Sebastian and others.

Now, over the past couple of years, the Turkish indie rock quartet have released a series of singles that have that have seen international attention across the blogosphere, including this site where the band has added their name to a growing list of mainstay artists. Up until recently, it had been about a year since we had last heard from the renowned Istanbul-based quartet; but as it turns out, the band had been busy working on the material, which will comprise their highly-anticipated full-length debut effort. The album’s first two singles “Less Is More” and “World Horizon” were atmospheric yet lush tracks in which plaintive vocals were paired with ethereal and shimmering synths — while drawing from the band members’ lives as musicians in a society in which their efforts are viewed suspicious and seditious.

“Places to Go,” the third and latest single off the band’s forthcoming full-length debut is a lush and plaintive song featuring layers of shimmering guitar, a tight motorik-like groove and a soaring, anthemic hook — and in some way it makes the song sound as though it were inspired by classic shoegaze and contemporary pop and indie rock; however, the song manages to possess a deeply held tension as lyrically, the band draws from their lives and the lives of Turkish young people as the song touches upon the sense of frustration, boredom, oppression and conformity, lack of opportunity and their overall restlessness.