Mauro Remiddi is a Rome-based singer/songwriter, multi-instrumentalist and producer, best known as the creative mastermind of the critically applauded electronic music project Porcelain Raft. And with the release of his five EPs and three albums, including his critically acclaimed Strange Weekend and his most recent album Microclimate, Remiddi has developed a reputation for being an artist that’s difficult to pigeonhole — while crafting gorgeous, downright cinematic work.
Slated for a May 15, 2020 release, Remiddi’s fourth Porcelain Raft album Come Rain comes after a three year hiatus in which the acclaimed Italian-born artist lived on a mountain in Los Angeles, became a father and after the death of his mother, returned to homeland. “After the loss of a loved one, I went back to Italy, where part of my childhood re-emerged,” Remiddi explains in press notes. “I found myself playing an organ made in the 1500s, I danced and played piano for a children’s show. By then, I had made a collection of songs that I thought I would never share.”
According to Remiddi, the album’s material came together after several home sessions. “The lyrics came out fast. As a starting point, I used the instruments that didn’t need to be turned on, a classical guitar and a piano.” The acclaimed Italian artist enlisted an equally acclaimed cast of friends that includes Foo Fighters’ and Sunny Day Real Estate‘s Nate Mendel(bass), Jim O’Rourke‘s, Sufjan Stevens’ and Rone’s Gaspar Claus (cello) and longtime collaborator Matt Olsson (drums) to craft a huge sound while keeping things intimate. Mixed and mastered by Remiddi’s brother Manolo, Come Rain is a personal statement on the importance of finding shelter within ourselves, to find our inner song and without fear or reservation sing it aloud.
Interestingly, the album’s release later this week has come as a somewhat last-minute decision, inspired by current world events. Because, the album’s material is reportedly the most personal he has written, he had been wrestling with whether or not they’d ever see the light of day. But the COVID-19 pandemic happened — and the impact on his homeland was profound and unsettling. “The world stopped. I managed to come back to Italy the day before the airports were on lock down. As I stepped in Rome I felt frightened, it’s surreal to see Rome silent,” Remiddi says in press notes. “You can feel how tense people are. On the other side you can tell there’s a lot of solidarity. Helping the neighbor with little things for instance. We have been confined in our houses and exposed to big numbers and huge scale operations. This is why I decided to share these songs now. What a better time to hear our inner voice. This album is my rain chant in the time of drought. Come Rain is an invitation to look inward, into our micro-cosmo, whatever we may find. To look for that place within us that is everything but hell, so we can give it space and let it dance.”
“Tall Grass,” Come Rain‘s latest single is a lush and cinematic track featuring shimmering piano, Remiddi’s plaintive vocals, atmospheric electronics, a propulsive bass line, gently padded drumming and an enormous hook. And while sonically nodding at A Rush of Blood to the Head-era Coldplay, “Tall Grass” is centered around some of Remiddi’s most earnest, most heartfelt songwriting to date — while capturing the dizzying sense of nostalgia, loss and unease of our current moment. The song is accompanied by an ethereal visual and video treatment by Maxi Schramm, featuring geometric shapes moving in three-dimensional space to the song,.