Formed back in 2015, the buzz-worthy Los Angeles-based punk act The Paranoyds, derive their name as a bit of an apt summary of their general outlook on technology and modern culture — but ironically, the act can trace its origins to a friendship forged between its founding members Staz Lindes (bass, vocals) and Laila Hashemi (keys vocals) over MySpace in their early teens. Initially bonding over a shared interest in local underground music, the duo eventually became friends in real life. Eventually, the duo recruited Hashemi’s childhood friend Lexi Funston to join the band — with David Ruiz (drums) completing the band’s lineup in 2015.
Since their formation, the band has developed a reputation as one of Los Angeles’ most exciting bands as a result of tours with the likes of DIIV, White Reaper, Albert Hammond, Jr., Sunflower Bean, Tacocat, BRONCHO and others, and for playing major festivals like Coachella. The band’s highly-anticipated (and long-awaited) full-length debut Carnage Bargain is slated for a September 13, 2019 release through Suicide Squeeze Records — and the album is reportedly a raucous blend of gritty garage rock, New Wave swagger, B movie camp and a myriad of other left-of-center influences.
Carnage Bargain‘s second and latest single, the album title track will further cement their long-held reputation for pairing ironically delivered lyrics with quirky yet infectious pop hooks, fuzzy power chords and forceful drumming. And while being the sort of mosh pit friendly track in which you can envision sweaty concertgoers bopping about and singing along at your local music venue, the track is centered around a scathing observation of our current world of instant gratification that has left us unhappier. “People want things all the time—there seems to be a constant manic need of consuming now more so than ever. ‘Carnage Bargain’ is about the people higher up wanting to get all this evil work done at a wholesale price,” the band’s Staz Lindes says in press notes.
“It’s an extremely vulnerable time in America—things aren’t sugar coated anymore,”Lindes adds. “The dirt and grime that was swept under the rug has risen to surface. It’s impossible for us to get through a day without thinking of the thousands of migrant children in cages at the border alone, some without proper beds, soap, toothbrushes, and with lights on 24/7. We can not continue to ignore the black lives, young and old, taken by police almost every week. The plastic crisis. The mass shootings. The extreme need for prison reform. The opioid crisis. The water crisis in Flint, Michigan. The list goes on, and the hole gets deeper. Sometimes I can’t sleep and I wonder: do they sleep well in the White House? What else can I do as a privileged citizen? They want to get a Carnage Bargain. I want to pick up garbage.”
Directed by David Ruiz and Max Flick, the recently released video immediately brings 120 Minutes to mind as its split between placing the band in a seemingly dysfunctional and dystopian reality and their studio — while nodding at constant commercials.