Led by Tyson McShane, the Saskatoon-based indie rock act Slow Down Molasses have developed a reputation for a constantly evolving sound as a result of a series of lineup changes and for an anxious and frenetic live show, which they’ve taken around the world in support of 2016’s 100% Sunshine.
The band’s latest single “Street Haunting” is the first bit of new material from the band since the release of 100% Sunshine and the new single manages to further cement the band’s reputation for an ever-changing sound Featuring angular and propulsive rhythms, explosive power chords, tons of feedback and fuzz and a supple bass line, “Street Haunting” brings 120 Minutes-era MTV to mind — in particular, Pavement and Sonic Youth with some sprinklings of Gang of Four. And as a result, the song is underpinned by a throbbing anxious energy. “Musically, we were excited to capture some the anxious energy of our live show, while still keeping the song very focused,” the band’s Tyson McShane says. “It nicely rides a line between the concise garage pop that some of us love and the feedback drenched chaos that our live shows tend to dwell in.”
The song’s punchily delivered lyrics draw some inspiration from Virgnia Woolf’s essay of the same name. “Lyrically the song ruminates on the casual, but oft-underappreciated beauty of the urban environment and the predictability of a person’s daily tasks,” the band’s McShane explained. “Taking some inspiration from Virginia Woolf’s essay of the same name and mixing that with the sense of isolated other-ness that comes from living in a city far from the world’s major cultural cities. A place sometimes overflowing with creative energy, but where it often necessary to remind oneself of the casual brilliance of one’s peers and the places we typically tend to haunt.”
Directed by Aaron Scholz, the recently released video features the band’s members wearing raccoon masks while performing routine human activities, like going through their record collection and shaving and typical raccoon activities, like rooting through garbage, scratching at doors and exploring abandoned, suburban homes. They also manage to play music. The video makes the mundane seem absurd and ridiculous.