New Video: The Luxembourg Signal Releases a Nostalgia Inducing Visual for Anthemic “2:22”

With the release of 2014’s self-titled debut through Shelflife Records, the trans-national based shoegazer/dream pop act The Luxembourg Signal — currently, Beth Arzy (vocals), Betsy Moyer (vocals), Johnny Joyner (guitar), Brian Espinoza (drums), Ginny Pitchford (keys), Daniel Kumiega (bass) and Kelly Davis (guitar) — quickly attracted a loyal following while receiving overwhelmingly breathless praise for crating material centered around ethereal vocals and lush soundscapes, paired with a pop sensibility. 

The Luxembourg Signal’s sophomore album 2017’s Blue Field saw the band’s sound moving towards a much more developed, darker and bolder sound — perhaps as a result of the band expanding to their current lineup. 

The band, which features members split in LondonLos Angeles and San Diego returned to the studio with Mark Rains to write and record their upcoming third, full-length album The Long Now. Deriving its name from a phrase coined by the legendary Brian Eno, the title refers to a long-term way of perceiving time, that’s an alternative to the accelerated way we often experience our lives. Essentially, viewing our lives this way allow us to make sense of our brief and noisy time together, by understanding our place in a much larger timeline with history playing its own course.  Interestingly, the 10 song album which is slated for an October 23, 2020 release through Shelflife Records and Spinout Nuggets thematically sees the trans-national septet imagining a blurred horizon that lies between light and dark and the fleeting nature of — well, everything. 

The Long Now’s latest single “2:22,” which coincidentally has a runtime of 2:22 is an anthemic and breakneck song that sees the act further cementing their reputation for crafting lush soundscapes paired with ethereal vocals — but in this case, there’s a subtle bit of grit and grime at edges that gives the song an emotional punch. Thematically, the song deals with the emotional and mental paralysis and insecurities of our digital world the evokes the overwhelming and confusion array of emotions that constantly being plugged in evokes.

Fittingly, the recently released video for “2.22” is a necessary dose of nostalgia as we follow the members of the The Luxembourg Signal hanging out in Brighton and various other locales, rushing off to tour stops with gear in tow via train, bus and car. Throughout, there are very small, very human moments of going places with with dear friends, playing music and just being here now. And in light of our lives during this pandemic, it’s those small moments — like of sharing a bottle of beer with new friends in Montreal, of dancingourg with strangers at shows and nightclubs, of exploring some new place as a stranger and so much more that I miss so very much.