Tag: Conan

Lyric Video: Joseph’s Soaring and Anthemic “Green Eyes”

Deriving their name from their grandfather Jo and the tiny Oregon town of  Joseph, OR, in which he was born and raised, the  Portland, OR-based sibling indie pop trio Joseph, comprised of Natalie Closner Schepman and her two, younger twin sisters Meegan and Alison grew up in a musical household — their dad was a jazz singer and drummer, their mom a theater teacher. However, their collaboration together can trace their origins back to around 2014: Schepman who had been pursuing a career as a solo career as a singer/songwriter recruited her sisters to join her.  And when the Closners began collaborating together, they quickly recognized an irresistible and undeniable simpatico. 

The trio quickly developed a reputation for playing intimate house shows, in which the siblings accompanied themselves with acoustic guitar and foot drum and within their first year working together, the trio self-released their debut, 2014’s Native Dreamer Kin, which caught the attention of ATO Records, who signed the group the following year. After releasing 2015’s, ATO Sessions EP, an acoustic, two song, digital EP and accompanying video series, the sibling trio went on to release their Mike Mogis-produced, label debut 2016’s I’m Alone, No You’re Not, which featured the smash hit “White Flag.” “White Flag” landed on Spotify’s US Viral Top Ten Chart within days of its release. By October, the track landed at #1 on the Adult Alternative Charts. 

Building upon a rapidly growing profile, the trio made appearances on The Tonight Show Starring Jimmy Fallon, Later . . . with Jools Holland, The Ellen DeGeneres Show, Conan, CBS This Morning and Today. They also opened for James Bay during a sold out, 2016 arena tour — and they made festival stops at Coachella, Lollapalooza, Bonnaroo, Newport Folk Festival, Sasquatch Festival, Glastonbury Festival, Outside Lands Festival, Pilgrimage Music Festival and several others. 

Slated for release next week, The Closer’s highly -anticipated Christian “Leggy” Langdon-produced follow up to I’m Alone, No You’re Not reportedly finds the trio pushing their sound as the material finds them embracing a grittier, much more dynamic sound — while retaining the gorgeous harmonizing that won them attention. “The through-line of the album is this idea of moving into the driver’s seat of your own life-recognizing that you’re an adult now, and everything’s up to you from this moment on,” Natalie Closner Schepman says in press notes.  “You’re not completely sure of how to get where you need to go, and you don’t have any kind of a map to help you. It’s just the universe looking down on you like, ‘Good luck, kid.'”

“Green Eyes,” Good Luck, Kid’s latest single finds the siblings meshing classic, Phil Spector Wall of Sound-era pop with elements of old school country and contemporary pop as it features twinkling piano, strummed guitar, dramatic drumming, and an enormous hook — with the primary focus being the trio’s gorgeous harmonizing. And while being a slickly produced, radio friendly pop confection, the song reveals some incredibly earnest yet ambitious songwriting. Simply put, this is an act actively attempting to take over the world with carefully crafted pop rooted around personal and lived-in experience. In this case, much like some of the sources that seem to influence it, “Green Eyes” is an aching love song in which its narrator recognizes that their relationship is at a major crossroads. 

“You’re starting to sense this person slipping away from you and you explain how it’s ok if they’re questioning,” Natalie Closner Schepman says about the track. “You assure them that you feel certain and you’ll be right over here waiting for them to see what you see.”

The recently released, animated lyric video features the band in a Speed Racer-like animation, in which the ladies cruise an alien-like world of purple skies and neon-green moonlight. 

New Video: Follow Acclaimed Indie Act Hippo Campus on the Road in New Visuals for “Honestly”

Comprised of Jake Luppen (vocals, guitar), Nathan Stocker (guitar, vocals), Zach Sutton (bass, keys) and Whistler Isaiah Allen (drums, vocals), the acclaimed St. Paul, MN-based indie rock act Hippo Campus can trace their origins to when the members of the quartet met while attending the Saint Paul Conservatory for Performing Artists. Interestingly, at the time, the members of Hippo Campus were playing in a number of different, local bands before forming their current project.

Hippo Campus independent released their Alan Sparhawk-produced debut EP Bashful Creatures in 2014. But when they signed to Grand Jury Records, their new label re-released the EP during the following year. The EP which featured singles “Little Grace” and “Suicide Saturday” was supported with an appearance at SXSW, their national, late night TV debut on Conan, a live session on KRCW’s Morning Becomes Eclectic and KEXP before ending the year with an appearance on CBS This Morning. Paste Magazine also named them that year’s The Best of What’s Next. 

“The Halocline” was featured in the series finale of TNT’s Falling Skies and building upon a growing profile, the members of Hippo Campus toured with Modest Mouse, Walk the Moon, The Mowgli’s, JOVM mainstays Rubblebucket, Vacationer and My Morning Jacket. They also toured across the national festival circuit, playing sets at Lollapalooza, Milwaukee’s Summerfest, Minneapolis’ Rock the Garden — and an appearance at the Reading and Leeds Festival. They ended the year with the release of their sophomore EP, 2015’s South, which landed at #16 on the Billboard Heatseekers Chart. 

2017 saw the release of the band’s critically applauded and commercially successful, BJ Burton-produced, full-length debut Landmark, which featured album singles “Boyish” and “Way It Goes.” As a result of the album landing at #3 on the Billboard Heatseekers Charts, the band made their second appearance on Conan, and went out a headlining international tour that included festival stops at Bonnaroo and Lollapalooza. They ended the year with the release of the warm glow EP.

Last spring and last summer, the St. Paul-based indie rock act played at Sasquatch Music Festival, the Reading and Leeds Festivals and they opened for Sylvan Esso at Red Rocks before releasing their critically applauded BJ Burton-produced sophomore album Bambi. Interestingly, album singles “Passenger,” “Golden,” and album title track “Bambi” found the band pushing their sound in a new direction, as the material incorporates an increasing amount of synths and drum programming, 

Bambi’s latest single “Honestly” is centered around shimmering synths, angular guitars, a propulsive rhythm section and a soaring hook — and in some way the track reminds me of JOVM mainstays White Reaper, who also pushed their sound in a similar direction while maintaining an ability to craft an infectious, radio friendly hook. Underlying that  the song possesses a wistful air for something seemingly simple and easy although that may be an illusion that you have to learn to deal with. 

Directed by Brittany O’Brien, the recently released video for “Honestly,” follows the band goofing off behind the scenes while on tour — but underneath the hijinks and glamour, there’s the recognition that a life eon the road is lonely and profoundly strange. 

New Video: Maria Del Pilar’s Groove-Driven Call for Empathy for DREAMers

Maria Del Pilar is a Chilean-born, Los Angeles-based singer/songwriter and musician, whose family immigrated to the States when she was a child. After developing roots in her adoptive hometown, Del Pilar became an integral part of the city’s music scene as the frontwoman of the critically acclaimed local act, Los Abandoned. Pilar’s solo debut Songs + Canciones I was released to critical praise for Del Pilar’s ability to craft infectious pop hooks that possess a rock ‘n’ roll grit that recalled her Riot Grrl roots. Interestingly, Songs + Canciones I‘s lead single “En El Dancefloor” skyrocketed to the top of the Mexican radio charts and led to shows at Vive Latino and Mexico City’s prestigious The Zocalo.

Songs + Canciones II, the highly-anticipated follow-up to Del Pilar’s solo debut is slated for a November 2, 2018 release, and while finishing up the album, Del Pilar has managed to collaborate with a diverse array of renowned artists including Chicano Batman, Francisca Valenzuela, and Tegan & Sara; in fact, the album features collaborations with a virtual who’s who of the Los Angeles music scene, including members of Chicano Batman, No Doubt, Las Cafeteras, Fitz + The Tantrums and others. But in the meantime, the Chilean-born, Los Angeles-based singer/songwriter has also performed as a backing singer  during tUnE yArDs’ most recent appearance on Conan. Adding to a growing profile, “Se Me Hace Mas” was recently  featured on the new Starz drama Vida.

“Original Dreamer,” Songs + Canciones II’s latest single is of our current sociopolitical moment, as it was written while the Trump Administration and the Republican led house was busily repealing DACA, which struck a chord both personally and politically. After the introduction and approval of 2001’s DREAM Act, millions of undocumented minors were granted legal residency in the States along with their parents and guardians. Del Pilar’s mother and father were among the first DREAMers — but sadly, her mother died when she was 12.  The stories reminded me of what I saw my parents go through when I was a kid immigrating from Chile to the US,” Del Pilar says in press notes. “I had a chance to thank my father for these sacrifices but never got a chance to thank my mom. This song gives me that chance.”

Produced by Poolside‘s Flip Nikolic, the song features looping, psych rock-inspired guitar lines from Chicano Batman’s Carlos Arevalo — and while centered around a fiercely held belief that no one is an illegal alien, the percussive, deep groove-driven song manages to bring Fear of Music-era Talking Heads to mind; but with a bold, distinctly Latin flavor and vibe, along with some infectious hooks. Of course, at its core is a deep (and much-needed) empathy and understanding of the plight of society’s most vulnerable, reminded the listener that a great deal of Americans are descendants of those who have taken great risks and had enormous dreams.

Directed by Maria del Pilar and Guillermo Moreno, the recently released lyric video begins with a number of DREAMers telling the stories of the sacrifices and risks that their parents’ and loved ones’ took to get to the States, the big hopes and even bigger dreams they had for their children — and the deep seated sense of appreciation these DREAMers have for their parents. Photos of some of these DREAMers with their parents at various ages, ending with these young people graduating from school — and everyone is beaming with pride and hope for bright futures. The lyric video will further emphasize the song’s call for empathy (which we need more of in a deeply cynical world). 

 

Maria Del Pilar is a Chilean-born, Los Angeles-based singer/songwriter and musician, whose family immigrated to the States when she was a child. After developing roots in her adoptive hometown, Del Pilar became an integral part of the city’s music scene as the frontwoman of the critically acclaimed local act, Los Abandoned. Pilar’s solo debut Songs + Canciones I was released to critical praise for Del Pilar’s ability to craft infectious pop hooks that possess a rock ‘n’ roll grit that recalled her Riot Grrl roots. Interestingly, Songs + Canciones I‘s lead single “En El Dancefloor” skyrocketed to the top of the Mexican radio charts and led to shows at Vive Latino and Mexico City’s prestigious The Zocalo.

Songs + Canciones II, the highly-anticipated follow-up to Del Pilar’s solo debut is slated for a November 2, 2018 release, and while finishing up the album, Del Pilar has managed to collaborate with a diverse array of renowned artists including Chicano Batman, Francisca Valenzuela, and Tegan & Sara; in fact, the album features collaborations with a virtual who’s who of the Los Angeles music scene, including members of Chicano Batman, No Doubt, Las Cafeteras, Fitz + The Tantrums and others. But in the meantime, the Chilean-born, Los Angeles-based singer/songwriter has also performed as a backing singer  during tUnE yArDs’ most recent appearance on Conan. Adding to a growing profile, “Se Me Hace Mas” was recently  featured on the new Starz drama Vida.

“Original Dreamer,” Songs + Canciones II’s latest single is of our current sociopolitical moment, as it was written while the Trump Administration and the Republican led house was busily repealing DACA, which struck a chord both personally and politically. After the introduction and approval of 2001’s DREAM Act, millions of undocumented minors were granted legal residency in the States along with their parents and guardians. Del Pilar’s mother and father were among the first DREAMers — but sadly, her mother died when she was 12.  The stories reminded me of what I saw my parents go through when I was a kid immigrating from Chile to the US,” Del Pilar says in press notes. “I had a chance to thank my father for these sacrifices but never got a chance to thank my mom. This song gives me that chance.”

Produced by Poolside‘s Flip Nikolic, the song features looping, psych rock-inspired guitar lines from Chicano Batman’s Carlos Arevalo — and while centered around a fiercely held belief that no one is an illegal alien, the percussive, deep groove-driven song manages to bring Fear of Music-era Talking Heads to mind; but with a bold, distinctly Latin flavor and vibe, along with some infectious hooks. Of course, at its core is a deep (and much-needed) empathy and understanding of the plight of society’s most vulnerable, reminded the listener that a great deal of Americans are descendants of those who have taken great risks and had enormous dreams.

 

 

 

 

 

 

 

 

New Video: JOVM Mainstays Sofi Tukker Releases Stylish and Glittering Visuals

I’ve written quite a bit about the acclaimed, New York-based electro pop duo Sofi Tukker over the past handful of years, and as you may recall with the release of their debut EP Soft Animals and a lengthy list of blogosphere dominating singles, including “Awoo,” a mischievous collaboration with vocalist Betta Lemme; as well as recently released singles “Energia,” “Fuck They,” international smash hit “Best Friend,” which received a Grammy nomination and was featured in an ad campaign for the iPhone X; and “Baby I’m a Queen,” which they performed on Conan. 

Building on a growing internationally recognized profile, the duo comprised of  Sophie Hawley-Weld and Tucker Halpern will be releasing their highly-anticipated full-length debut, Treehouse next week, and interestingly the album’s latest single “Batshit” finds Halpern taking up lead vocal duties within a swaggering house music production, which features tweeter and woofer rocking beats, blasts of disco-tinged guitar, subtle hints of tribal percussion and heavily arpeggiated synths — and while the song is a sinuous and seductive, it furthers the duo’s reputation for mischievous club bangers; but at the same time, the track finds Halpern introducing himself to the world as being absolutely out of his gourd. 

Directed by their now frequent collaborator, Mac Boucher, the recently released video for “Batshit” features Hawley-Weld and Halpern in bold, bright colors, injecting color and energy into the desolate surroundings of the desert. At one point, Hawley-Weld wields a hatchet and chases Halpern, who’s wearing multi-colored (and very large) platform shoes through the desert; at other points, Hawley-Weld sports a red sequined jumpsuit while playing the song’s funky guitar riff. Interestingly, the video not only further emphasizes the song’s mischievous vibe — while being incredibly stylish and shimmering. 

Live Footage: Royal Blood Performing “I Only Lie When I Love You” on “Conan”

Comprised of Worthing, UK-born, West Sussex, UK-based Mike Kerr (vocals, bass) and Rustington, UK-born, West Sussex, UK-based Ben Thatcher (drums), the British rock duo Royal Blood first met when the duo were briefly members of a local rock band, Flavour Country, in which Keer played keys and keytar; however, their collaboration together can officially traced back to a sabbatical Kerr spent in Australia, where he had started Royal Blood with Matt Swan on drums. And as the story goes, when Kerr eventually returned to his native England, his former bandmate Thatcher had picked up from the airport, and they immediately decided that they should start a band together. According to Kerr, the British iteration of Royal blood initially had a difficult time landing gigs and they wound up playing a lot of open-mic nights with acoustic singer/songwriters. 

After further developing their sound at Brighton Electric Studios, the band was signed to Warner/Chappell Music and the same management company that managed blogosphere darlings Arctic Monkeys, the duo began to receive a steady amount of buzz before the release of their first official single. Now, as you may recall, the duo released their sophomore effort How Did We Get So Dark? earlier this year to critical praise from USA Today, Rolling Stone, NME, Entertainment Weekly, and Forbes. Unsurprisingly, the album has also been a commercial success — it debuted at #1 on the UK Charts, as well as garnered over 30 million streams across Spotify and Apple Music and has sold over 250,000 copies. Adding to a breakthrough year for the British duo, they played at this year’s Outside Lands Festival and are finishing up a string of opening dates for Queens of the Stone Age throughout 2017 and 2018. (You can check out those remaining dates below.)
You may also recall that the swaggering, power chord-based arena rock friendly, album single “Lights Out”  reached #1 on the Rock Radio Charts as the #1 Gainer, marking the second time the band has reached #1 in their relatively young careers together. The duo were recently on Conan where they played the bluesy and scuzzy, power chord-based, ZZ Top-like “I Only Lie When I Love You,” which will further cement their reputation for crafting bombastic arena rock. 

New Video: The Dark and Sultry Visuals for K. Flay’s Anthemic “Blood in the Cut”

Born Kristine Meredith Flaherty, the Wilmette, IL-born, Los Angeles, CA-based singer/songwriter K. Flay emerged into the national and international scene with 2014’s Life as a Dog, an album that peaked on the Billboard Heatseekers Albums chart at #2 and Billboard’s Rap Albums chart at #14. She then signed with Interscope Records last year, as the first artist signed to Dan Reynolds’ Night Street Records, who released her latest effort,  the Grammy nominated album Every Where Is Some Where — receiving nods for Best Engineered Album, Non-Classical with album single “Blood in the Cut” was nominated for Best Rock Song. Adding to a growing profile, Flaherty has made national televised appearances on NBC’s Late Night with Seth Meyers, TBS’ Conan, and has received praise from The New York Times and Pitchfork for material that features socio-political commentary and detailed lyrics, while reportedly being one of the most deliberate and dynamic effort to date, an effort that manages to capture the anxieties and uncertainties of today’s world. 

As for the Grammy nominated “Blood in the Cut,” the song has been a smash hit as it has amassed over 250,000 track equivalent units in the US according to Nielsen Music, spending more than 6 months on the Billboard Alternative Songs chart, peaking at #4, and was certified Gold in Canada, reaching #1 on the Canadian Alternative charts. And when you heard the song, you’ll see why it’s been an attention grabbing, smash hit: the incredibly self-assured song features Flaherty’s sultry cooing over a sleek production featuring bluesy guitar chords, propulsive drumming, swirling electronics and an anthemic hook reminiscent of Alanis Morrisette’s Jagged Little Pill, The Black Keys, Garbage and others, essentially balancing a careful tightrope between the blues, electronic rock and arena rock.