Tag: country

New Video: Haylie Davis Shares Shimmering and Introspective “Country Boy”

Raised in Northern California and currently based in Los Angeles, Haylie Davis is a rising artist, who has received attention global attention for her passionate reimagining of classic Laurel Canyon folk pop, anchored by her gorgeous, remarkable vocal range and her knack for intricate storytelling.

After collaborating with a series of like-minded artists including Drugdealer, Sylvie, Alex Amen and Sam Burton, Davis steps out into her own path, meshing gorgeous melodies and strikingly original songcraft its a new band of cosmic Americana.

“Young Man” is latest single off the Los Angeles-based artist’s highly-anticipated debut album, which will feature the previously released “Country Boy” and “Golden Age,” and is slated for release later this year through Fire Records. “Young Man” is an introspective lived-in lament on the breakup of a misplaced, perhaps even unearned affection and its aftermath. And as a result, the song’s narrator expresses a mix of relief, exhaustion, despair and bit of “wait, what the fuck was that?” while nursing a bruised heart.

Fittingly, the song features some heartbreakingly gorgeous steel guitar paired with Davis’ timeless, world-weary delivery. It sounds a bit like a 70s country ballad, much like Johnny Cash‘s take on the Kris Kristofferson-penned “Sunday Mornin’ Comin’ Down” — with a subtly modern vibe.

“‘Young Man’ was born a few years back in a Texas green room while I was out on tour with Sam Burton,” Davis explains. ““I was fresh off a breakup, emotionally raw, and the song arrived naturally in that in-between space – part exhaustion, part reflection, part release. Later, I brought it to life with Michael Harris at Valentine Recording Studio. Working with Michael was a joy; he creates an atmosphere that’s both encouraging and effortless, making the recording process feel less like work and more like discovery.”

Directed by Magnolia Ellenburg, the accompanying video for “Young Man” is a gorgeously shot fever dream of heartache, despair and pride that should feel familiar to anyone who has had to nurse their bruised heart and investigate themselves in the aftermath of a breakup. Those answers aren’t easy to come by, but you figure out a way to move on and learn from it as best as you can.

New Audio: Detroit Punks The Lowcocks Share a Cheeky Cover of Dolly Parton’s “9 to 5”

Founded back in 2017, the Detroit-based punk outfit The Lowcocks have established their own sound while sharing stages with several national touring acts, including The CasualtiesTotal ChaosNekromantixThe Koffin KatsMenstrual TrampsGBHThe Suicide Machines and The Exploited.

The Detroit-based punks latest single is a deliriously fun and cheeky, straightforward bruising cover of Dolly Parton‘s beloved 1980 smash-hit “9 to 5.” If you somehow didn’t know, “9 to 5” is a defiant feminist anthem, capturing the ambition, chutzpah and the bitter frustrations of its narrator/songwriter. But what makes it truly great is that what the song expresses and evokes is something that generations of working women know exactly what Dolly is talking about in the song. And in some small way, The Lowcocks cover feels like a passing of the torch for a younger generation, who will have to maneuver and fight an altogether different yet similar fight.

New Video: Dominique and the Diamonds Share Playful and Buoyant “Lovely Dream”

Led by Colombian-American frontwoman Dominque Gomez, Los Angeles-based country band Dominique and the Diamonds can trace their origins back to last year: the band came together on a whim, after Gomez was asked to perform a country set at the local summertime concert series, The Grand Ole Echo

Friends from cosmic country outfit Caravan 222 and rock band Triptides were asked to perform as a backing band for Gomez and over the course of the year gained buzz locally for a sound that seemingly channels Linda RonstadtThe Flying Burrito BrothersTownes Van Zandt and the Laurel Canyon sound — but with a contemporary feel. 

The Los Angeles-based country outfit’s Glenn Brigman-produced debut EP, For a Fool is slated for a June 13, 2025 release. Recorded using a mix of analog and digital equipment in Brigman’s Crestline, CA-based studio, For a Fool EP channels the golden age of classic country with the material touching upon tried-and-true themes of romance, lonesomeness, revenge, drunken playfulness while anchored around the old school song-as-story. And the material sees the band weaving the experiences of the contemporary world, too. 

“I write country music and love to sing country songs, but I’ve always associated myself with the Colombian half of my identity more than the white side. My Dad and his immediate family immigrated to the US from Colombia in 1966 and they’d endured so much struggle in the process,” Dominique and the Diamonds’ Dominque Gomez says. “Then, you have my Mom’s side who were small town farmers in Minnesota and Southern trailer park girls. When you look at me, you see a brown girl, and I fucking love that. And when I was younger, I felt like I was forced to fit into a category, but I was too white to be Latina and too Latina to be white. It’s a beautiful thing to have the wisdom now to embrace both and just be me.”

Last month, I wrote about “For a Fool,” a Patsy Cline-styled ballad of heartbreak, despair and uneasy acceptance anchored around some gorgeous pedal steel and Gomez’s Linda Ronstadt-like vocal. Inspired by the modern “situationship” phenomenon and Gomez’s experiences dating in Los Angeles, the song describes a bitterly common scenario: dealing with a love interest you really dig, who’s an unserious time waster that’s playing with your heart and emotions. And while the song’s narrator is heartbroken, she clearly recognizes her time and her worth, offering a bit of wisdom for anyone who encounters this sort of lover — leave that fool alone before you get played for a fool. 

For a Fool‘s second and latest single “Lovely Dream” is a playful, Hank WIlliams-like bit of honky tonk, anchored around an oompah-like groove and a gorgeous and expressive pedal steel solo that’s simultaneously lush and spacious enough for Gomez’s big, Linda Ronstadt-like delivery.

The song’s buoyant nature is deceptive, because at its core, is a narrator waxing nostalgically on the honeymoon phase of a relationship from the perspective of a heartbroken narrator looking back at the whole experience with some bittersweet — and perhaps just bitter — retrospect.

Sometimes the end of a relationship can make you feel as though you had been walking around with a mix of rose colored glasses, wool, blind hope and naiveté. The retrospect at the core of the song gives that heartache and the feeling of being a made a fool a proper sense of perspective, and hopefully the understanding that you won’t be fooled again.

“’Lovely Dream’ is a silly little love song that I had written for an ex back in 2018, so it’s been sitting in the archives for awhile [sic]. The words ‘lovely dream’ were just the best way to describe the beginning of that relationship,” Dominque and the Diamond’s Dominque Gomez explains. “Emphasis on the beginning… Ha! I was in my early to mid twenties at that time; young, naive and only saw through rose colored glasses. I tie nature into my songwriting at any chance I can get. The relationship to me, at the time, was as harmonious as a budding meadow in the springtime— full of new life, color and energy just waiting to be embraced by the sun.”

Directed by Hamilton Boyce, the accompanying video for “Lovely Dream” features Dominque Gomez in the brush and foothills, before sitting down for a makeup session to make her done up like an old-fashioned rodeo clown.