Tag: Fleet Foxes

New Video: Follow an Astronaut in Search of the Happiest Planet in the Galaxy in Adorable Animated Video for Mind of Max’s “Lost in My Love”

Max Weiner is an American-born singer/songwriter, multi-instrumentalist and visual artist. His visual art is influenced by the folk and psychedelic movements of the 60s and 70s, as its centered by a bold and trippy vibrancy, while his music with his solo recording project Mind of Max has been comparably to the likes of Fleet Foxes, Paul Simon, and Bon Iver.

Following the release of his second EP, 2013’s Seasons, Weiner was invited to The Netherlands to open for Dutch folk rock act AlascA on a two-week tour of Germany and Holland. While driving to Amsterdam, AlascA’s Frank Bond played an album by the country folk act Plainsong. And as the story goes, Weiner was hooked by the melodic bend of the pedal steel, the delicate slide of the dobro and the close knit vocal harmonies of the band.

Returning home from the tour, Weiner began writing and recording demos influenced by the sounds he’d heard while on tour; in fact, he purchased a pedal steel guitar and taught himself how to play in a style that he felt would compliment his new sonic direction. Those demos would eventually inform the material on his full-length debut The Key.

Unable to secure a producer that felt right for the album, Weiner produced and performed the songs on the album by himself. Four years later, the album was finished. “Recording an album on your own can be a brutal process,” Weiner says in press notes. “At times, I felt like I was losing my mind and I wanted to call it quits. But I’m so proud of the work I’ve done on this record. I’ve grown in my ability to serve the song and not my ego. Above all else, I’ve learned to believe in and trust myself as a musician and producer. I’d like to feel that everyone can find something within these songs that identifies with their struggles as well as their triumphs. We’re all on a similar path in this world, and I hope you feel a bit of peace knowing you’re not alone on your journey.”

The Key’s latest single is the breezy, Crosby Stills and Nash-like “Lost in My Love.” Centered around twangy, country folk-like guitars paired with some gorgeous layered harmonies, the song is a tale of being so infatuated with the idea of having someone in your life that you miss the obvious red flags — and learning from it so that the next time you’re in that situation, you see it with clear eyes.

Featuring bold and colorful animation from Aishwara Sadasivan, who wrote the video’s story in partnership with the folks at The Wild Honey Pie, the recently released and adorably sweet video follows an astronaut in search of the galaxy’s happiest planet. “We pulled from design elements used on my album cover and Aish’s vibrant, colorful creatures and world building brought a real sense of whimsy and magic. Her unique narrative of an astronaut in search of the galaxy’s happiest player was a fresh approach and I’m thrilled to see it all come together so well.”

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Karl Blau is an Anacortes, WA-based singer/songwriter, multi-instrumentalist and producer, who over the course of his 20+ year career as a musician has developed a now, long-held reputation for an eclectic, genre-defying approach as his sound routinely incorporates elements of folk, dub, R&B, Bossa nova, grunge, hip-hop, drone and worldbeat among others, as well as being a member of the Knw-Yr-Own/K Records collective. Along with that Blau has played in a number of bands including D+, Brothers Blau, Captain Fathom and Your Heart Breaks, and has collaborated with a number of Washington-based musicians including The MicrophonesPhil Elverum, Mount Eerie, LAKE, Earth and Laura Veirs. And additionally, Blau has released material through his Kelp Lunacy Advanced Plagiarism Society monthly subscription service.

And although Blau has writing, recording and releasing albums for over 20 years, he hadn’t received European distribution until 2015 when renowned indie label Bella Union Records released Introducing Karl Blau, which was considered by many — including album producer Tucker Martine, as shining a light on “one of the great hidden treasures of music.” Interestingly, Introducing featured gorgeous, lush covers of Nashville country/soul; however, his latest effort Out Her Space continues an ongoing collaboration with Spacebomb Records‘ founder Matthew E. White that goes back to 2009.

 

As the story goes, Spacebomb Records’ Matthew E. White had asked Blau to helm the recording sessions for his band Great White Jenkins. When White started Spacebomb Records in 2012, he envisioned the label as having a house band in the style of old school Stax Records and Motown Records. After White started the label, he called Blau to collaborate once again on an album — the critically applauded Big Inner. As the story goes, after hearing the Out Her Space demos, White suggested that the Spacebomb Records house band, centered Cameron Ralston (bass), who’s now a member of Fleet Foxes; Pinson Chanselle (drums) and White (guitar, synth), along with Megafaun’s Phil Cook (piano) and a cast of collaborators, who contributed horns, viola and backing vocals — with the album material being something of a cousin to its predecessor.

The album thematically speaking plays with humanitarian themes, against a backdrop of self-immolating American politics; in fact, as Blau explains in press notes, the album’s title was inspired by an “overwhelming feeling to point out that men, in general, need to listen, to stop being so assertive and get out of her space, let her balance again. Chill out dudes, rather than lead us over the cliff.” Sonically speaking, the material, as you’ll hear on album single “Beckon” is a languid and shimmering track that draws from 70s AM rock, classic soul, funk and Afropop with a slick, carefully crafted hook.

Blau has an upcoming NYC area show 1/11/18 at Rough Trade to promote the album.  [TICKETS/INFO]

 

 

 

 

Perhaps best known as a founding member, vocalist, pianist and primary songwriter of Los Angeles, CA-based indie quintet Local Natives, an act that’s received attention nationally for a sound that has been compared favorably to the likes Arcade Fire, Fleet Foxes, Vampire Weekend and Grizzly Bear, Kelcey Ayer steps out from behind the auspices of a band for his solo side project, Jaws of Love. Unsurprisingly, Ayer’s new project reportedly sees Ayer honing in on what he’s best known for — sparse yet emotive piano ballads, as highlighted on his primary gig’s critically applauded sophomore effort Hummingbird.

 

Tasha Sits Close to the Piano, Ayer’s Jews of Love. debut takes was named by Ayer’s wife, who named the album after the their dog, Tasha — and the album is slated for a September 22, 2017 release through House Arrest Records, and Ayer’s Jaws of Love. debut single, the eponymous “Jaws of Love,” begins with a spectral arrangement in which he accompanies his plaintive and aching vocals with a gorgeous and mournful pianos before turing into a moody, and ambient synth pop track seemingly inspired by Narrow Stairs-era Death Cab for Cutie, Postal Service and Brian Eno; but at its core is a sweetly swooning love song that reveals a visceral vulnerability as the song, much like the rest of the album’s material, focuses on love’s trials and tribulations, with the recognition that love may arguably be one of the more difficult, insane and absolutely necessary things in our lives.