Tag: hip-hop

Throwback: Happy belated 59th Birthday, Slick Rick!

JOVM’s William Ruben Helms belatedly celebrates Slick Rick’s 59th birthday.

New Audio: Denver’s South of France Teams Up With Big Samir on Trippy and Summery “Universal Order”

Since the release of the project’s first single back in 2015, South of France, the indie pop project led by Denver-based singer/songwriter, multi-instrumentalist, producer Jeff Cormack along with a collection of collaborators have specialized in a groovy, beat-driven take on escapist, vacation pop.

Cormack and his collaborators have had material featured in smash-hit TV shows like Bojack Horseman and Shameless — and they’ve received praise from American Songwriter, NPR, Rolling Stone and others. Adding to a growing profile, South of France has opened for a number of acclaimed acts including Portugal The Man, Young The Giant, Flaming Lips, Michigander and a lengthy list of others.

South of France’s latest single “Universal Order” is a hazy and trippy, Tame Impala-like bop featuring blown-out beats, fuzzy guitars, and an elastic bass line, twinkling keys paired with Cormack’s dreamy, easy-going delivery and some remarkably catchy hooks. Bilingual (Francophone/Anglophone) emcee Big Samir, who is one-half of The Reminders has shared stages with Snoop Dogg, Yasiin Bey, Lauryn Hill and a length list of others, delivers a swaggering verse for the song’s hallucinogenic bridge and break. The result is a heady yet accessible synthesis of psych pop, world music and hip-hop that’s crowd-pleasing and summery.

New Audio: Angry Blackmen Share Woozy “Sabotage”

Chicago-based hip-hop duo Angry Blackmen — Quentin Branch and Brian Warren — features members, who individually spent their time stretching their creative arms and tapping into different sounds for a couple of years, before Warren suggested that they collaborate together as a duo towards the end of 2016. 

Branch and Warren exploded into the underground and experimental hip-hop scenes with their debut single “OK!,” a track that showcased the pair’s adept ability to spit bars. Their second single “Riot!” was a near-complete shift in sound that remained tethered to the sonic foundation that they’d first built.

Their debut EP, 2019’s Talkshit! was released to attention and acclaim, before eventually catching the attention of Philadelphia-based progressive label Deathbomb Arc, known for its avant and eclectic roster featuring releases from Death Grips, JPEGMAFIA, JOVM mainstays clipping., Julia HolterU.S. Girls and others. 

Deathbomb Arc went on to release the duo’s full-length debut, 2020’s HEADSHOTS! and its follow-up EP, 2021’S REALITY!, both of which saw the duo expanding their range sonically while further honing their craft. 

The Chicago-based duo’s highly-anticipated 11-song, Formants-produced sophomore album The Legend of ABM is slated for a January 26, 2024 release through Deathbomb Arc. The album reportedly sees Branch and Warren spinning tales of depression, existentialism, self-reflection, tragedy and survival that are unvarnished, lived-in and downright ugly paired with soundscapes that seem to come from a dystopian, apocalyptic future, informed by our hellish present. The result: Two talented emcees providing a passionate yet introspective look at the world at large, with their raw, pathos-infused lyrics educating the listener of our increasingly dystopian, fucked up, apocalyptic world — from the eyes, hearts and perspective of young Black men.

Clocking in at about 30-minutes, the album thematically is a coming of age narrative centered around Black men navigating America, inspired by Richard Matheson’s 1954 post-apocalyptic horror novel I Am Legend. “For us, this album is kinda like our villain origin story, a bedtime story and introduction to those who have and haven’t heard of us yet. Black men have historically been the boogie men of America, so I think it’s fitting that we tell our own legend.”

Last month, I wrote about “Stanley Kubrick,” a song that featured Branch’s and Warren’s dizzyingly rapid fire, dexterous, braggadocio-filled bars and verses over a minimalist, industrial-like production that paired skittering trap beats with stormy and uneasy bursts of feedback and distortion. Sonically, “Stanley Kubrick” seamlessly meshed trap with the slow-burning and creeping dread of There Existed an Addiction to Blood-era clipping.

The Legend of ABM‘s second and latest single “Sabotage” features Branch and Warren trading rapid fire, dexterous, densely worded yet introspective and deeply personal bars and verses describing their love/hate relationship with modern, American capitalism and their struggles with mental health — which of course, is often largely informed by one’s own struggle to survive. And as a result, the song sees its two emcees vacillating between righteous outrage and completely despair over a glitchy and woozy production featuring tweeter and woofer rattling 808, skittering beats and noisy arpeggiated synth glitch.

New Video: JOVM Mainstay Genesis Owusu Returns with Breakneck “SURVIVOR”

If you’ve been frequenting this site over the past couple of years, you’d know that I’ve managed to spill copious amounts of virtual ink covering the acclaimed, multi-ARIA Award-winning Ghanian-born, Canberra-based JOVM mainstay Genesis Owusu

The acclaimed Aussie JOVM mainstay’s sophomore album STRUGGLER was released earlier this year through OURNESS/AWAL. Where Smiling With No Teeth thematically uncovered one Black man’s battles against — and with — depression and racism, STRUGGLER is reportedly an exploration of the chaos and absurdity of life, our ability to endure and how to get through it all. The album’s material is deeply inspired by a close friend hitting the brink and coming through the other side, along with questions of life and beauty that he found himself contemplating during readings of Samuel Beckett’s Waiting for Godot and Franz Kafka’s Metamorphosis

Recorded between the States and Australia, STRUGGLER‘s producers traverse musical genres — and includes Jason Evigan, who has worked with RUFUS DU SOL and SZAMikey Freedom Hart, who worked on Jon Batiste’s 2021 Grammy of the Year Album, We AreSol Was, who worked on Beyoncé’Renaissance; and Owusu’s long-time collaborators and producers Andrew Klippel and Dave Hammer.

Additionally, Owusu has collaborated with acclaimed Kiwi-based Lisa Reihana on the album’s complete visual identity. Reihana’s work has been showcased in elite institutions throughout the States and the EU, including the Venice Biennale for her critically-acclaimed video installation, In Pursuit of Venus [Infected]. Her work spans across a diverse of media — including film, costume and body adornment and video installation, and as a result she has earned a reputation as a world-renowned artist and producer, who engages in thought-provoking dialogues around the concept of culture. 

I’ve managed to write about three of he album’s singles:

  • Leaving the Light,” an urgent ripper that begins with a spine-crawling run of bass notes before quickly morphing into breakneck sFreedom of Choice-era DEVO-like anthem paired with the JOVM’s swaggering, larger-than-life presence and his unerring knack for rousing, shout along worthy choruses. “Leaving the Light” is a cathartic song about survival and perseverance that feels necessary in a mad, mad, mad world.
  • The Sol Was-produced “Tied Up!,” a swaggering and funky bop built around a propulsive stomp, swirling and warped funk guitar and wobbling bass synths paired with the JOVM mainstay’s forceful delivery. The song speaks of the struggle of getting by in an uneasy, insane world and desperately holding onto yourself as best as you can in the process. 
  • Stay Blessed” is a breakneck, mosh pit friendly anthem built around buzzing, angular guitar attack, rapid-fire beats paired with the JOVM mainstay’s punchy delivery. Much like the previously released singles, “Stay Blessed” speaks of survival and desperate resilience in a mad, mad, mad world that’s out to destroy you. 

Coming on the heels of his recent ARIA Award wins for Album of the Year, Best Independent Release and Best Hip-Hop/Rap Release for STRUGGLER — and just before his headlining December Australia tour, the JOVM mainstay closes out the year with a surprise release single “SURVIVOR,” which will be included as an additional track to his acclaimed sophomore album.

Built around a hook-driven, percussive and glitchy industrial meets trap music-inspired production “SURVIVOR” sees Owusu’s rapid-fire verses dart and ducking like a boxer deftly avoiding his opponent’s punches. Referencing Kafka’s Metamorphosis, the song’s narrator discusses the struggle to have hope in a desperate, fucked up world; the struggle to have confidence and self-worth in a world that constantly tells you that you ain’t shit and that you’ll never be worth shit; the endless sense of exhaustion and rage that you don’t quite know what to do with — and with the sort of unvarnished and uneasy honesty that Owusu has been known for. THE STORY NEVER ENDSTHE ROACH KEEPS ROACHINGTHROUGH SPACETIMEFIRE & BRIMSTONE,” Owusu says of the new single.

Directed by Lisa Reihana, the accompanying video for “SURVIVOR” is set in a post-apocalyptic world of fire and industrialism and features a regal Owusu leading and surrounded by a collection of choreographed dancers with a militaristic precision.