Tag: house music

Single Review by William Ruben Helms

New Audio: LutchamaK Shares Soulful “Want U”

French electronic music producer and JOVM mainstay LutchamaK has had a busy 2024: 

  • The JOVM mainstay began the year with a two-track release through Techno Parade titled Job Done, which featured “Job Done,” a glitchy and swaggering bit of techno meets footwork featuring machine gun-like skittering beats, glistening synth arpeggios paired with tweeter and woofer rattling thump. It’s an accessible and euphoric club banger meant to be played loudly and meant to encourage you to dance and sweat.

  • He followed that up with Flip the Funk, a four-track EP, which was digitally released through British electronic label Biotech Recordings and featured EP track “Pride,” a lush and soulful bit of deep house-meets-techno that reminded me of house music nights on WBLS back in the day. 

  • Then there was the standalone track, “Acid Drift” a slick, seamless synthesis of tribal house, deep house and drum ‘n’ bass that slaps hard while being dance floor friendly, which was released through Rue des Trois Rois Records.

  • Over the summer, he released the eight-track mini album  Great Broken Masses of Land through his own TERMusik. The album featured album opener and album title track “Great Broken Masses of Land,” a trance-inducing, late night, club banger anchored around skittering tweeter and woofer rattling thump and dense layers of oscillating yet melodic synths, a chopped up mantra-like vocal sample paired with his unerring knack for incredibly catchy hooks. “City Energy,” a crowd pleasing, club banger featuring glitchy oscillations, bursts of glistening synths and some industrial, tweeter and woofer rattling thump that showcases an artist, who actively pushes his sound and approach in new directions, while still remaining wildly accessible. And “B Queen V 2,” which featured glitchy oscillations, bursts of glistening and melodic synths, skittering beats and remarkably catchy hooks paired with a dreamy vocal sample. 

Last month, the JOVM mainstay released the four-song Lunar Ascending EP, which featured: 

  • “Lunar Ascending,” a woozily hypnotic banger that’s heavily indebted to Detroit house and a bit of Tour de France-era Kraftwerk.

  • “Healing Dub” is a synthesis of trance-inducing dub and house music that features glistening synth stabs with skittering, tweeter and woofer rattling riddims paired with a reverb-soaked patois vocal sample. 

LutchamaK closes out 2024 with the C10Cl10O mini-album and the Altered Oceanic Climate EP. 

C10Cl10O featured “1989,” a a melodic bit of house that sounds inspired by Larry Levan‘s Paradise Garage DJ sets — but with a modern feel.

Altered Oceanic Climate EP single “Want U” continues the Larry Levan-era deep house inspired vibe with the song anchored around a skittering boom bap-driven groove, atmospheric synth blasts paired with a chopped up soulful vocal sample and a euphoric hook. House music all night long, y’all!

Single Review by William Ruben Helms

New Audio: JOVM Mainstay LutchamaK Shares Melodic House Banger “1989”

French electronic music producer and JOVM mainstay LutchamaK has had a busy 2024: 

  • The JOVM mainstay began the year with a two-track release through Techno Parade titled Job Done, which featured “Job Done,” a glitchy and swaggering bit of techno meets footwork featuring machine gun-like skittering beats, glistening synth arpeggios paired with tweeter and woofer rattling thump. It’s an accessible and euphoric club banger meant to be played loudly and meant to encourage you to dance and sweat.

  • He followed that up with Flip the Funk, a four-track EP, which was digitally released through British electronic label Biotech Recordings and featured EP track “Pride,” a lush and soulful bit of deep house-meets-techno that reminded me of house music nights on WBLS back in the day. 

  • Then there was the standalone track, “Acid Drift” a slick, seamless synthesis of tribal house, deep house and drum ‘n’ bass that slaps hard while being dance floor friendly, which was released through Rue des Trois Rois Records.

  • Over the summer, he released the eight-track mini album  Great Broken Masses of Land through his own TERMusik. The album featured album opener and album title track “Great Broken Masses of Land,” a trance-inducing, late night, club banger anchored around skittering tweeter and woofer rattling thump and dense layers of oscillating yet melodic synths, a chopped up mantra-like vocal sample paired with his unerring knack for incredibly catchy hooks. “City Energy,” a crowd pleasing, club banger featuring glitchy oscillations, bursts of glistening synths and some industrial, tweeter and woofer rattling thump that showcases an artist, who actively pushes his sound and approach in new directions, while still remaining wildly accessible. And “B Queen V 2,” which featured glitchy oscillations, bursts of glistening and melodic synths, skittering beats and remarkably catchy hooks paired with a dreamy vocal sample. 

Last month, the JOVM mainstay released the four-song Lunar Ascending EP, which featured:

  • “Lunar Ascending,” a woozily hypnotic banger that’s heavily indebted to Detroit house and a bit of Tour de France-era Kraftwerk.

  • “Healing Dub” is a synthesis of trance-inducing dub and house music that features glistening synth stabs with skittering, tweeter and woofer rattling riddims paired with a reverb-soaked patois vocal sample.

LutchamaK closes out 2024 with the C10Cl10O mini-album and the Altered Oceanic Climate EP. C10Cl10O‘s latest single “1989” is a melodic bit of house that sounds inspired by Larry Levan‘s Paradise Garage DJ sets — but with a modern feel. House music all night long . . .

Video by William Ruben Helms

New Video: Guillaume Michaud Teams Up with JOVM Mainstay Naomi on Sultry “Poison”

Guillaume Michaud is a Montréal-based choreographer, dancer, producer and DJ. After initially gained recognition as a dancer and choreographer in season 2 of TVA’s Révolution and starring as the lead character in Cirque du Soleil’s Andorra-based 2022 production of MÜV, Michaud’s DJ career gained recognition as he played sets at Piknic Electronik, Igloofest, PY1, Burning Sun, Frontrite and a list of others.

Deriving its name for the Irish Gaelic word for “my heartbeat,” Michaud’s recently released 5 song debut EP, Macushla draws from deep techno, minimal house, house music and the raw energy and drive of the afterhours/rave scene. Sonically, the material sees the Montréal-based artist pairing deep bass grooves, immersive melodies, carefully layered buoyant percussion and catchy vocal hooks. While specifically crafted to make people dance and connect with one another, the material was written with musicality of choreography in mind, informed by the mathematically precise understanding of rhythm he developed as a dancer and choreographer.

EP single “Poison” is a collaboration with rising Montréal-based JOVM mainstay Naomi. They have a professional and personal relationship that goes back to when the pair were both 13. As they both pursued their respective careers in dance, they remained connected and eventually co-founded Audiomatique, an independent collective that organized techno and dance music events. Audiomatique helped to kickstart Michaud’s DJ career and led to building connections with many future collaborators — including DJ’ing for the rising Montréal-based artist.

“Poison” is a seductive, hook-driven club banger, featuring reverb-soaked skittering clang and clatter, trap-like triplets, broodingly atmospheric synths serving as a lush bed for Naomi’s sultry delivery. It’s the perfect song for late-night, hazy, smoke-machine, neon and strobe-lit rooms with sweaty humans dancing the night away.

Directed by Élise Lussier, the accompanying video follows Michaud and Naomi as they head to a neon-lit warehouse with a collection of fierce as fuck dancers.

Single Review by William Ruben Helms

New Audio: Bad Robot Shares a French Touch-Inspired Banger

Micheal Ricker is a Delaware-based electronic music producer and artist best known as Bad Robot. Over the course of the year, I’ve written about a h of Ricker’s Bad Robot material, including:

  • The aptly named “Supermassive,” which features skittering, tweeter and woofer rattling thump, scorching bass synths and a woozy and wobbling synth melody. Fittingly, it’s the sort of club and festival banger that sounds as though it should knock a building over. 

  • “Close To You,” which according to Ricker, is “a bit of a departure into a brighter, more ‘pop’ sounding progressive house style.” Built around an almost mantra-like glistening synth phrase, shimmering synth arpeggios and skittering beats, the motorik-like “Close To You” is both summery and remarkably catchy, while seemingly nodding at Discovery-era Daft Punk-like French touch.

  • Max Blücher‘s remix of Year One single “Aero III.” The Blücher remix retains the original’s woozy polymeric melody but pairs it with more aggressive, skittering tweeter and woofer rattling thump, some brief bursts of industrial clang and clatter, and some ethereal synths that create a spacey, house music feel. “Inspired by the gritty sound design and frantic polymetric melodies of my original track ‘Aero III,’ Max has taken the musical DNA and infused it with his own. While the original is great, Max definitely improved the quality of the track with his production skills and imagination,” Ricker explains. “This house remix is an ethereal journey through space and time with elements of Deadmau5 that are felt even in the cover artwork.”

  • “Zombie Process” is an another deep house banger featuring tweeter and woofer thumping beats, scorching synths and a horror movie sample that’s perfect for the spooky season.

Ricker closes out the year with “Just Friends,” a house music track anchored around an incredibly catchy and hypnotic, French touch-inspired groove, glistening synths and skittering beats.

Single Review by William Ruben Helms

New Audio: ELEVIN Shares a Slick, Club Banger

ELEVIN is a mysterious, emerging electronic music producer, who specializes in creating musical experiences designed to make audiences feel — while reflecting “the geometry of existence.” 

His latest single “Reality” is slickly produced club banger featuring layers of glistening synth oscillations, retro-futuristic space sounds, skittering beats and a Siri-like vocal delivering lines about perception. Sonically, the track reminds me of LutchamaK and Bubba Brothers while displaying an effortless, thumping swagger.

Single Review by William Ruben Helms

New Audio: TONNUP Shares Sultry, Club Friendly “I’m So into You”

TONNUP is a mysterious and emerging American electronic music producer and artist. His latest single “I’m So Into You” is a club banger anchored around glistening synth arpeggios, skittering beats, tweeter and woofer rattling low end, a sultry vocal sample and some incredibly catchy hooks.

“I created this track specifically for blacklight body paint EDM parties. I want people to be able to enjoy it,” TONNUP says of the new single.

Single Review by William Ruben Helms

New Audio: JOVM Mainstay LutchamaK Shares Lounge Friendly “Healing Dub”

French electronic music producer and JOVM mainstay LutchamaK has had a busy 2024: 

  • The JOVM mainstay began the year with a two-track release through Techno Parade titled Job Done, which featured “Job Done,” a glitchy and swaggering bit of techno meets footwork featuring machine gun-like skittering beats, glistening synth arpeggios paired with tweeter and woofer rattling thump. It’s an accessible and euphoric club banger meant to be played loudly and meant to encourage you to dance and sweat.

  • He followed that up with Flip the Funk, a four-track EP, which was digitally released through British electronic label Biotech Recordings and featured EP track “Pride,” a lush and soulful bit of deep house-meets-techno that reminded me of house music nights on WBLS back in the day. 

  • Then there was the standalone track, “Acid Drift” a slick, seamless synthesis of tribal house, deep house and drum ‘n’ bass that slaps hard while being dance floor friendly, which was released through Rue des Trois Rois Records.

  • Over the summer, he released the eight-track mini album  Great Broken Masses of Land through his own TERMusik. The album featured album opener and album title track “Great Broken Masses of Land,” a trance-inducing, late night, club banger anchored around skittering tweeter and woofer rattling thump and dense layers of oscillating yet melodic synths, a chopped up mantra-like vocal sample paired with his unerring knack for incredibly catchy hooks. “City Energy,” a crowd pleasing, club banger featuring glitchy oscillations, bursts of glistening synths and some industrial, tweeter and woofer rattling thump that showcases an artist, who actively pushes his sound and approach in new directions, while still remaining wildly accessible. And “B Queen V 2,” which featured glitchy oscillations, bursts of glistening and melodic synths, skittering beats and remarkably catchy hooks paired with a dreamy vocal sample. 

The wildly prolific, French JOVM mainstay recently released the 4-track Lunar Ascending EP through Brique Rouge. Last week, I wrote about EP opening single “Lunar Ascending,” a woozily hypnotic banger that’s heavily indebted to Detroit house and a bit of Tour de France-era Kraftwerk.

The EP’s second and latest single “Healing Dub” is a synthesize of trance-inducing dub and house music that features glistening synth stabs with skittering, tweeter and woofer rattling riddims paired with a reverb-soaked patois vocal sample. “Healing Dub” may arguably be the lounge friendly song the JOVM mainstay has released in some time.

Single Review by William Ruben Helms

New Audio: Wesley Reid Shares Marc O’rell Remix of “Reach Out”

British electronic music producer Iwan Bedford and American electronic music producer Wesley Reid collaborate together in the transatlantic electronic music project O.a.G., which is influenced by 80s and 90s synth pop — think Yazoo (known as Yaz in the States), Depeche Mode, Erasure, Pet Shop Boys, OMD, and others. 

O.a.G’s Wesley Reid has collaborated with German producer Marc O’rell on a sleek, hook-driven house remix of “Reach Out” that sounds a bit indebted to French touch.

Single Review by William Ruben Helms

New Audio: Jody Vukas Shares Soulful and Euphoric “Set Me Free”

Since the late 90s, electronic music label head and artist Jody Vukas has been a mainstay in the American electronic music scene for a sound that features elements of tribal house, progressive house, tech house and techno. Vukas’ latest single “Set Me Free” is a melodic and soulful bit of house, featuring dense layers of shimmering and arpeggiated synths, skittering tribal-influenced beats paired with a sultry, pop starlet vocal and Vukas’ uncanny knack for catchy, euphoria-inducing hooks.

“‘Set Me Free’ is a modern day spin- off of the early 2000s vibes,” Vukas explains.

Single Review by William Ruben Helms

New Audio: Technasia Shares Euphoric “Together We Shine”

Technasia is a renowned French electronic music artist, who is known for a swinging take on tech house and high-energy performances. After a two-year hiatus from music, the renowned French artist launched his own label Humans Alike, which marks a new chapter in his acclaimed career.

His latest single “Together We Shine,” is one of the labels first releases, and it’s a slick and hypnotic synthesis of French touch, 90s house and breakbeats anchored around euphoric hooks and a soulful, chopped up vocal hook. It’s a fun club banger that brings memories of Stardust‘s “Music Sounds Better With You” and others.

Single Review by William Ruben Helms

New Audio: Micheal Ellsworth Shares Club Thumping “Lantern”

Michael Ellsworth is an emerging electronic music producer and artist. His latest single “Lantern” is a woozy, deep house banger, anchored around scorching synths, tweeter and woofer rattling skittering beats and a seasonal vocal sample […]

Single Review by William Ruben Helms

New Audio: Bad Robot Shares Spooky House Banger “Zombie Process”

Micheal Ricker is a Delaware-based electronic music producer and artist best known as Bad Robot. Over the course of hit year, I’ve written about a small handful of Ricker’s Bad Robot material, including:

  • The aptly named “Supermassive,” which features skittering, tweeter and woofer rattling thump, scorching bass synths and a woozy and wobbling synth melody. Fittingly, it’s the sort of club and festival banger that sounds as though it should knock a building over. 

  • “Close To You,” which according to Ricker, is “a bit of a departure into a brighter, more ‘pop’ sounding progressive house style.” Built around an almost mantra-like glistening synth phrase, shimmering synth arpeggios and skittering beats, the motorik-like “Close To You” is both summery and remarkably catchy, while seemingly nodding at Discovery-era Daft Punk-like French touch.

  • Max Blücher‘s remix of Year One single “Aero III.” The Blücher remix retains the original’s woozy polymeric melody but pairs it with more aggressive, skittering tweeter and woofer rattling thump, some brief bursts of industrial clang and clatter, and some ethereal synths that create a spacey, house music feel. “Inspired by the gritty sound design and frantic polymetric melodies of my original track ‘Aero III,’ Max has taken the musical DNA and infused it with his own. While the original is great, Max definitely improved the quality of the track with his production skills and imagination,” Ricker explains. “This house remix is an ethereal journey through space and time with elements of Deadmau5 that are felt even in the cover artwork.”

Ricker’s latest single “Zombie Process” is an another deep house banger featuring tweeter and woofer thumping beats, scorching synths and a horror movie sample that’s perfect for the spooky season. Dress up in your scariest, bloodiest costume and hit the dance floor y’all.

Single Review by William Ruben Helms

New Audio: LENny (IT) Shares A Lush Club Banger

Lenny Lorenzi is a Romagna, Italy-born, New York-based electronic music producer and DJ, best known as LENny (IT). Lorenzi’s career started in earnest when he was a teenager with his first DJ sets and first original productions. 

By the time, he was 17, Lorenzi was on the decks at Titilla, a room at the Riccione-based club Cocoricò. And in a short period of time, the Italian-born, New York-based producer and DJ played some of the most important, internationally renowned clubs including Ibiza‘s Sankeys, Barcelona‘s Macarena, Brooklyn’s Output and Miami‘s Clevelander, as well as the most important clubs of the Romagna Riviera. 

Adding to a growing profile in the electronic music scene, back in 2011, Lorenzi started the Wave Music Boat, a traveling party that cuts across the Adriatic with stops in Catalonia and the Balearics that featured guests like Sam Divine, Michael Cleis, Argy, Supernova and a lengthy list of others. Wave Music Boat is a major backer of the Molo Street Parade, an event that pairs seafaring traditions with contemporary electronic music. Lorenzi also serves as the artistic director of the event. 

Currently based in New York, the Italian-born DJ continues to push the sonic and stylistic boundaries of electronic music. Earlier this year, I wrote about “Night Lights,” a lush club and lounge friendly track featuring glistening and arpeggiated synths, skittering beats, bursts of African-influenced percussion and twinkling keys.

The Italian-born, New York-based DJ and electronic music producer’s latest single “Encontarte” continues a run of lush, soulful club friendly material that recalls a slickly produced synthesis of Between Two Selves-era Octo Octa, 90s house.