The internationally acclaimed Brazilian indie psych rock quartet, Boogarins can trace their origins to when its founding duo, Fernando “Dino” Almeida and Benke Ferraz started playing music together as teenagers in their hometown, the central Brazilian city of Goiânia. The music that Almedia and Ferraz began to write and then eventually record was a unique vision of psych pop that drew from their country’s incredibly rich and diverse musical history — but with a decidedly modern viewpoint. Their 2013 full-length debut, written and recorded as a duo, As Plantas Que Curam was a decidedly lo-fi home studio effort, pieced together in isolation before the duo had played a live gig. By the time, their debut album was released, Almedia and Ferraz had recruited a rhythm section, and the completed lineup had started developing a profile both in their hometown and nationally, as they started booking and playing regular gigs in Sao Paulo and several of Brazil’s largest cities.  Without much support from a label or from a major PR firm, As Plantas Que Curam was a critical and commercial success in Brazil, as the album received praise from Rolling Stone Brazil, who had dubbed the band “Best New Artist” in 2013, and the album was nominated for several awards on GloboTV’s annual music award shows. Arguably, a great deal of the success and attention that Boogarins has seen in their homeland comes from the fact that unlike the majority of contemporary Brazilian acts that primarily sing lyrics in English, like their British, Australian and American counterparts, Boogarins material is written and sung completely in Brazilian Portuguese.

Now, if there’s one thing the blogosphere has gotten absolutely right, its the fact that as a general rule it has given attention and praise to a number of fantastic internationally based acts that many American listeners wouldn’t have been aware of before, unless they were particularly adventurous. And over the last two years or so, Boogarins have started to receive increasing international attention as the band as toured across the globe, playing at some of the world’s most renowned and largest festivals, including Austin Psych Fest, Burgerama, Primavera Sound Festival and headlining shows in clubs in London, Paris, Barcelona and New York. Naturally, with that kind of exposure, the band started to receive praise from a number of internationally recognized outlets such as Pitchfork and The New York Times, who compared the Brazilian band’s sound to the likes of early Jefferson Airplane.