Tag: Modest Mouse

Over the past decade the Toronto-based indie rock act Wildlife, currently comprised of Dean Povinsky, Derek Bosomworth, Dwayne Christie, Chris Dawe and Nick Greaves have released three albums — 2010’s Strike Hard, Young Diamond, 2013’s On the Heart and 2016’s The Age of Reason — which, firmly established their sound — anthemic, power pop-tinged indie rock that has drawn comparisons to Modest Mouse, Arcade Fire and others.

Building upon a growing profile both in their native Canada and elsewhere, the Toronto-based act’s fourth album Take The Light With You was released last Friday, and the album, which was recorded over a three week session with Dave Schiffman with a additional work at Threshold Studio with Mike Keire finds the band crafting some of their most concise and forceful material to date. Now, as you may recall, I wrote about  “No Control,” a hook-driven anthemic track that the listener can imagine sweaty fans shouting along to at their local music venue. “Follower (Lala),” Take The Light With You‘s latest track is a shimmering and decidedly New Wave-inspired track that recalls The Cars and even The World’s Best American Band-era White Reaper — and while continuing a run of incredibly hook-driven anthems, the song is a sweet love song about being someone’s champion and them being yours; what it feels like to know someone has your back and always wanting them to know they can also rely on you. 

 

 

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Over the past decade the Toronto-based indie rock act Wildlife, currently comprised of Dean Povinsky, Derek Bosomworth, Dwayne Christie, Chris Dawe and Nick Greaves have released three albums — 2010’s Strike Hard, Young Diamond, 2013’s On the Heart and 2016’s The Age of Reason — which, firmly established their sound — anthemic, power pop-tinged indie rock that has drawn comparisons to Modest Mouse, Arcade Fire and others.

Building upon a growing profile both in their native Canada and elsewhere, the Toronto-based act’s fourth album Take The Light With You is slated for an October 11, 2019 release and the album, which was recorded over a three week session with Dave Schiffman with additional work at Threshold Studio with Mike Keire finds the band reportedly crafting some of their most concise and forceful material to date. “No Control,” Take The Light With You‘s latest single is centered around an enormous and infectious hook and equally enormous power chords. It’s the sort of song I can envision sweaty and drunk fans lustily shouting along to at their local music venue.

 

 

 

 

New Video: Follow Acclaimed Indie Act Hippo Campus on the Road in New Visuals for “Honestly”

Comprised of Jake Luppen (vocals, guitar), Nathan Stocker (guitar, vocals), Zach Sutton (bass, keys) and Whistler Isaiah Allen (drums, vocals), the acclaimed St. Paul, MN-based indie rock act Hippo Campus can trace their origins to when the members of the quartet met while attending the Saint Paul Conservatory for Performing Artists. Interestingly, at the time, the members of Hippo Campus were playing in a number of different, local bands before forming their current project.

Hippo Campus independent released their Alan Sparhawk-produced debut EP Bashful Creatures in 2014. But when they signed to Grand Jury Records, their new label re-released the EP during the following year. The EP which featured singles “Little Grace” and “Suicide Saturday” was supported with an appearance at SXSW, their national, late night TV debut on Conan, a live session on KRCW’s Morning Becomes Eclectic and KEXP before ending the year with an appearance on CBS This Morning. Paste Magazine also named them that year’s The Best of What’s Next. 

“The Halocline” was featured in the series finale of TNT’s Falling Skies and building upon a growing profile, the members of Hippo Campus toured with Modest Mouse, Walk the Moon, The Mowgli’s, JOVM mainstays Rubblebucket, Vacationer and My Morning Jacket. They also toured across the national festival circuit, playing sets at Lollapalooza, Milwaukee’s Summerfest, Minneapolis’ Rock the Garden — and an appearance at the Reading and Leeds Festival. They ended the year with the release of their sophomore EP, 2015’s South, which landed at #16 on the Billboard Heatseekers Chart. 

2017 saw the release of the band’s critically applauded and commercially successful, BJ Burton-produced, full-length debut Landmark, which featured album singles “Boyish” and “Way It Goes.” As a result of the album landing at #3 on the Billboard Heatseekers Charts, the band made their second appearance on Conan, and went out a headlining international tour that included festival stops at Bonnaroo and Lollapalooza. They ended the year with the release of the warm glow EP.

Last spring and last summer, the St. Paul-based indie rock act played at Sasquatch Music Festival, the Reading and Leeds Festivals and they opened for Sylvan Esso at Red Rocks before releasing their critically applauded BJ Burton-produced sophomore album Bambi. Interestingly, album singles “Passenger,” “Golden,” and album title track “Bambi” found the band pushing their sound in a new direction, as the material incorporates an increasing amount of synths and drum programming, 

Bambi’s latest single “Honestly” is centered around shimmering synths, angular guitars, a propulsive rhythm section and a soaring hook — and in some way the track reminds me of JOVM mainstays White Reaper, who also pushed their sound in a similar direction while maintaining an ability to craft an infectious, radio friendly hook. Underlying that  the song possesses a wistful air for something seemingly simple and easy although that may be an illusion that you have to learn to deal with. 

Directed by Brittany O’Brien, the recently released video for “Honestly,” follows the band goofing off behind the scenes while on tour — but underneath the hijinks and glamour, there’s the recognition that a life eon the road is lonely and profoundly strange. 

Over the past 15 years, singer/songwriter and musician Jordan Geiger has developed a reputation for being incredibly prolific — he’s been a member of several renowned indie rock acts including Shearwater, The Appleseed Cast, Des Ark and Minus Story, and he’s released three albums with his solo recording project Hospital Ships. Geiger’s fourth full-length Hospital Ships effort, The Past is Not a Flood is slated for a March 11, 2016 release through Graveface Records, and the album features a myriad number of Austin, TX-based collaborators including longtime friend, Swans‘ Thor Harris — and is Geiger’s sixth album with renowned producer John Congleton, best known for his work with St. Vincent, The Walkmen, Modest Mouse and others.

Thematically speaking, The Past is Not a Flood reportedly draws from Geiger’s own battles with mental illness, anxiety and depression, which will arguably make his fourth full-length album his most personal one to date. The album’s first single “You and I” possesses a gorgeous painterly quality as layers of twisting and turning piano chords undulating and chiming percussion and ominously ambient electronics are slowly added like brushstrokes upon a canvas — and then they’re paired with Geiger’s achingly tender vocals expressing vulnerability, shame, regret and confusion over a dysfunctional and fucked up relationship that’s at an impasse. While sonically bearing a resemblance to Amnesiac-era Radiohead, Remember Remember and Mogwai‘s most recent ambient experiments “You and I” manages to feel like a lingering and anxious fever dream.