Tag: Northside Festival

Live Footage: The Brian Jonestown Massacre’s Anton Newcombe Leads Pure Ensemble 6 at Space Fest 2016

Created by Nasiono Association, Space Fest is annual Gdansk, Poland-based festival of shoegaze, space-rock and alternative rock that features the prerequisite live music, but much like CMJ, Mondo.NYC, Northside Festival and others also features meet-and-greets with legendary and renowned artists, workshops for Polish and other internationally-based musicians, a battle of the bands-like competition for young, up-and-coming bands and more. As an annual celebration of all things psych rock and space rock-inspired, Space Fest in his almost seven year history has gradually become a scrappy yet internationally recognized festival with an increasingly diverse lineup of bands from across the European Union, Poland, the US, Canada and elsewhere. 

One of the festival’s standout highlights over the course of its history is the Pure Phase Ensemble, a collaborative collective that features one permanent member, Karol Schwarz (KSAS), who also manages Nasiono Records, and every year Schwartz is joined by a rotating cast of local musicians and at least one internationally recognized musician, who acts as a guest musical director, mentor and collaborator through a series of workshops and joint songwriting that culminates with the group performing their new material during the final night of the festival. 

Now, if you’ve been frequenting JOVM over the past couple of years, you may recall that during the course of the Festival’s history, they’ve invited the likes of  Spiritualized’s Ray Dickaty, Stereolab’s Laetitia Sadier, Placebo’s Steve Hewitt, Marion’s Jamie Harding, Six by Seven’s Chris Olley, The Bad Seeds and The True Spirit’s Hugo Race and RIDE’s Mark Gardener. Last year, The Brian Jonestown Massacre’s legendary frontman and founding member Anton Newcombe led Pure Phase Ensemble 6 with Serena Maneesh’s Emil Nikolaisen, and the collective managed to impress festivalgoers with a live set that included “God Drugs” a menacing, droning, and murky dirge, consisting of layers fuzzy and distorted power chords, thundering drumming and an almost mosh pit-friendly hook over which Newcombe laconically delivers his lyrics. While forceful, the song manages a lysergic haze. 

Also, every year the organizers create a documentary of the festival and the documentary features brief interviews and live footage with festival organizers, Anton Newcombe, who says that his appearance at last year’s Space Fest was a way to convince and entice establish artists that it’s a serious and growing festival; the UK’s MDME SPKR, Italy’s Be Forest, Germany’s Camera, the Icelandic-German act The Third Sound, Poland’s Wild Books, Lonker See, The Fruitcakes, Rosa Vertov and The Czech Republic’s DIV I DED. Additionally, the video features impromptu interviews with thrilled festivalgoers and more. The documentary offers a glimpse of a rarely seen Gdansk, a city with a burgeoning music, arts and nightlife scene, full of hungry, young creatives  — a marked departure from the city’s long-held reputation as a grim Soviet satellite city. 

Interestingly, the videos serve as a teaser for this year’s Space Fest, which take place the weekend of December 1 – December 2 and will feature Maciej Cieslak of renowned Polish shoegazers Scianka, leading Pure Phase Ensemble 7, Italy’s New Candys, Portugal’s 10,000 Russos, Mugstar, Switzerland’s Blind Butcher, Germany’s Odd Couple, Mexico’s Tajak, the UK’s Dead Rabbits and up-and-coming local acts 30 kilo slonca, and Wilcze Jagondy. 

If you’ve been frequenting this site over the past few years, you may have come across a couple of posts featuring the Dublin, Ireland-born, Brooklyn-based singer/songwriter and electro pop artist Sorcha Richardson. Initially relocating to the States to study, Richardson quickly developed a number of close relationships within Brooklyn’s underground electro pop/electronic music scene that wound up influencing the sonic direction of the material she had started to write and record; in fact, the Dublin-born, Brooklyn-based pop artist first caught the attention of the blogosphere with CON VOS, a musical project that received praise from Nylon, Pigeons & Planes, and Indie Shuffle.

Richardson quickly followed that up with her bedroom recorded debut EP Sleep Will Set Me Free EP, which received 200,000 Soundcloud streams and caught the attention of Crosswalk Records/Delicieuse Musique, who released the Last Train EP. Adding to a rapidly growing profile, Richardson has played sets at Northside Festival and CMJ, and several other festivals, as well as a number of headlining shows. Now, it’s been some time since I’ve personally written about the Dublin-born, Brooklyn-based singer/songwriter and pop artist, but she’s been rather busy writing and recording a number of singles that have further cemented her reputation for crafting deeply introspective pop, including her latest single, “4AM,” single in which the song’s narrator muses about her current love prospects — with recognition of two things: that if things go wrong in a prospective relationship, it’s not always your fault — and the narrator proudly recognizes that being alone is perfectly fine to want to be alone and unbothered by someone else’s baggage and bullshit. Reportedly, the song, which is by far the most brooding in Richardson’s growing catalog, finds her pairing a sparse, Dido-like arrangement of dramatic piano chords with a soaring, radio-friendly hook with a club-leaning production featuring enormous tweeter and woofer rocking beats, swooning synths and Richardson’s ethereal yet achingly earnest croon. The song manages to walk a careful tightrope between late night, lonely regret over a relationship that has gone wrong and the pride of moving forward as quickly as possible from a flaming disaster — and it’s done with an honesty that comes from personal experience.

 

 

 

Summer Festival Preview: Northside Festival 2016

The JOVM previews 2016’s Northside Festival, along with brief bios and music from some of the artists performing — including Brian Wilson, Kasey Musgraves, Conor Oberst, Wolf Parade, Psychic Ills, Diarrhea Planet, The Giraffes, Bambara, Blak Emoji and Boulevards.

Washington, DC-born and Brooklyn-based emcee and producer Amir Mohamed el Khalifa, best known to hip-hop heads as Oddisee has developed a reputation for being extremely prolific as a solo artist, as a former member of The Low Budget Crew and as a member of Diamond District, for bouncing back and forth between full-length hip-hop albums and instrumental efforts and for being uncompromisingly difficult to pigeonhole as his sound effortlessly meshes jazz, soul and hip-hop.

The Brooklyn-based producer and emcee’s forthcoming instrumental album, The Odd Tape is slated for a May 13 release through Mello Music Group, and the album’s first single “No Sugar No Cream” much like the rest of the album is informed and influenced by the rhythms and patterns of every day life — in particular, the artist’s own life while subtly drawing from Roy Ayers, Bob James, Shuggie Otis, Fela and others. Sonically, Oddisee pairs squiggling and soulful keyboard chords, boom bap beats, tons of hi-hat, staccato chopped up beats with brief bursts of congo before morphing into a jazz-lenaing coda comprised of gorgeously intricate piano chords and shimmering organ chords paired with boom bap beats to craft a song that sounds equally indebted to J. Dilla, bop-era jazz and old school soul in a way that feels warmly familiar while revealing a unique artistic vision. Personally, listening to the track evoked eating breakfast, drinking loads of coffee and bullshitting with friends while trying to preparing to tackle the day’s plans.

2016 looks to be a rather busy year for the Washington, DC-born and Brooklyn-based producer and emcee as he’ll be embarking on a lengthy summer tour of the US and UK backed by Good Company — and he’ll be releasing a new solo effort slated for release in the fall. As for the tour, it includes an NYC area date at Northside Festival in June. Check out tour dates below.

Oddisee & Good Company (Full Band) Live Tour Dates
5/3/2016  Middle East Downstairs – Boston, MA
5/6/16 Mainstage – Morgantown, WV
5/7/16 Strange Matter – Richmond, VA
5/8/16 Kings Barcade – Raleigh, NC
5/11/16 Jack Rabbits – Jacksonville, FL
5/13/16 Orpheum – Tampa, FL
5/14/16  Backbooth – Orlando, FL
5/15/16 Side Bar – Tallahassee, FL
5/16/16 Parish @ HOB – New Orleans, LA
5/20/16  Foundry at SLS – Las Vegas, NV
5/21/16 El Rey Theatre – Los Angeles, CA
5/22/16 Constellation Room – Santa Ana, CA
5/24/16 Soda Bar – San Diego, CA
5/26/16 The Independent – San Francisco, CA
5/30/16 Sasquatch Festival – Seattle, WA
6/4/16  Bunbury Festival – Cincinnatti, OH
6/12/16 Northside Festival – Brooklyn, NY
6/25/16 Glastonbury Festival – Pilton, UK
6/27/16 O2 Academy – Oxford, UK
7/7/16 Les Ardentes Festival – Leige, Belgium
7/8/16 North Sea Jazz Festival – Rotterdam, Netherlands
7/9/16 Open Source Festival – Dusseldorf, Germany
7/10/16 Cactus Festival – Bruges, Belgium
7/16/16 Melt! Festival – Gräfenhainichen, Germany
7/19/16 Valkhof Festival – Nijmegen, Netherlands
7/23/16 Hip Hop Open Festival – Vienna, Austria
7/27/16 Blue Balls Festival – Lucerne, Switzerland
7/29/16 Appletree Gardens Festival – Diepholz, DE
7/30/16 Stuttgart Festival – Stuttgart, DE

 

 

New Video: Sorcha Richardson’s Achingly Sincere Pop Single “Petrol Station”

Born in Ireland and currently based in Brooklyn, electronic music artist and singer/songwriter Sorcha Richardson initially came to the States to study but after developing a number of close relationships within Brooklyn’s electronic music scene, Richardson’s […]

If you’ve been frequenting JOVM over the past couple of years, you will likely be pretty familiar with the Brooklyn-based music and art collective Dead Leaf Echo. The band has a growing national and international profile as they’ve made appearances at SXSW, CMJ, NXNE, Northside Festival and the Beautiful Noise Festival, toured with and/or played one off shows with The Wedding PresentA Place to Bury Strangers, . . . And You Will Know Us By The Trail Of Dead, The Psychedelic Furs, Chapterhouse, Ulrich SchnaussWeekend, Lorelei, The Ocean Blue, The Warlocks, Beach Fossils, and The Telescopes. They’ve had a number of singles top CMJ’s Top 20 Indie charts and have appeared on renowned indie station KEXP‘s John in the Morning twice, and on Nic Harcourt’s KCSN show. 

Their 4AD Records-inspired full-length debut Thought and Language, a concept album that followed a child from his conception, through birth until he grasps thought and language was released to critical praise across the blogosphere. The follow-up to their debut full-length, true.deep.sleeper was produced by Monte Vallier, who’s best known for his work with Weekend and Wax Idols was released last year.

Currently, the members of Dead Leaf Echo are in the studio working on their sophomore full-length effort, with Vallier taking up production duties. But in the meantime, the band released a 7 inch single last month and made an appearance at the Desert Stars Festival on a bill that included Swervedriver and The Lemonheads. “Lemonheart” is the first single from the 7 inch and the song reveals a subtle change in their songwriting arppaoch as the gorgeously shimmering guitar chords jangle so subtly and are paired with forceful percussion and ethereal vocals floating just above the mix, while still remaining faithful to the shoegaze sound that has captured the attention of the blogosphere.