JOVM’s William Ruben Helms celebrates Cameo frontman Larry Blackmon’s 68th birthday.
Tag: R&B
Throwback: Happy 53rd Birthday, Lisa “Left Eye” Lopes!
JOVM’s William Ruben Helms celebrates the 53rd anniversary of the birth of TLC’s Lisa “Left Eye” Lopes.
Throwback: Happy 80th Birthday, Patti LaBelle!
JOVM’s William Ruben Helms celebrates Patti LaBelle’s 80th birthday.
Throwback: Happy 83rd Birthday, Ronald Isley!
JOVM’s William Ruben Helms celebrates The Isley Brothers’ Ron Isley’s 83rd birthday.
Throwback: Happy 58th Birthday, Janet Jackson!
JOVM’s William Ruben Helms celebrates Janet Jackson’s 58th birthday.
Throwback: Happy 74th Birthday, Stevie Wonder!
JOVM’s William Ruben Helms celebrates Stevie Wonder’s 74th birthday.
Throwback: Happy 68th Birthday, Sharon Jones!
JOVM’s William Ruben Helms celebrates the 68th anniversary of Sharon Jones’ birth.
Live Concert Photography: The New Colossus Festival and Super Bock Presents Psymon Spine with Namesake, Willy Mason, Tea Eater and Abby Jeanne and The Shadowband at The Knitting Factory at Baker Falls 4/18/24
Throwback: Happy 73rd Birthday, Luther Vandross!
JOVM’s William Ruben Helms celebrates the 73rd anniversary of Luther Vandross’ birth.
Throwback: Happy 78th BIrthday, Al Green!
JOVM’s William Ruben Helms celebrates Al Green’s 78th birthday.
New Video: Berlin’s Nando the Native Shares a Tale of Heartbreak and Betrayal
Nando the Native is an emerging Nicaraguan-born, Berlin-based R&B/indie pop artist, whose career started in earnest as a member of acclaimed, award-winning R&B outfit A Song For You, led by Noah Slee. And as member of A Song For You, the Nicaraguan-born artist has shared stages with the likes of JOVM mainstay Nick Hakim, Kelvyn Colt and Annahstasia while collaborating with Carhatt, Dr. Martens, and Levi’s.
The Nicaraguan-born, Berlin-based artist stepped out into the spotlight as a solo artist. His music as a solo artist serves as a genuine reflection of his innermost thoughts and emotions, inviting listeners into his world with raw honesty and vulnerability. Although he cites Frank Ocean, Miguel and a list of other artists as influences on his overall sound and approach, having grown up straddling two contrasting cultures have informed his vocal and musical versatility while being a testament to wholly embracing one’s own identity.
Rejecting the confines of traditional labels and genre boundaries, the Nicaraguan-born, Berlin-based artist has forged his own path, creating music that draws from his heritage and the cosmopolitan energy of Berlin’s rich creative scene.
In a relatively short period of time, Nando the Native has made a name for himself in the Berlin R&B scene through collaborations with a collection of local and international artists and producers including Jonny Wood and Axel Benamar.
Released last month, his six-song solo debut EP Nothing But A Lesson thematically touches upon the complexities of heartache, toxic relationship, love, fetishization and more. The effort sees Nando the Native pairing poignant, lived-in lyricism with velvety-smooth production while showcasing an old-school inspired vocal prowess and attention to craft. “Nothing But A Lesson is a collection of songs I wrote during a time I was still learning how to set boundaries in relationships,” the Berlin-based artist explains. “This EP is a little reminder for me not to fall into something toxic again.”
Nothing But A Lesson‘s latest single “Honest” is a vibey bit of R&B anchored around a production featuring skittering beats and a looping arpeggiated acoustic gutter sample serving as a lush, satiny bed for the Berlin-based artist’s soulful, heartbroken croon. Written from the lived-in perspective of someone who has been fetishized for being of color, the song addresses the fetishization of BIPOC folks from whites and others, who fixate on the seeming exoticness of someone’s ethnicity or skin color — and not on who they actually are as a person. And throughout the song’s narrator expresses a sense of betrayal, hurt and confusion, as well as the sense of foolishly taking part in their own fetishization.
The accompanying video as Nando the Native explains portrays the situations described in the song: The love interest in the video seems to get off on having Nando speak Spanish all the time, but for the rising artist, there’s a sense that he feels a bit like an accessory. Later, we see the same girl at a party full of BIPOC folks, flirting with another guy. Towards the ends of the night, she’s calling Nando but little does she know he knows she’s up to no good.
Throwback: Happy 74th Birthday, Teddy Pendergrass!
JOVM’s William Ruben Helms celebrates the 74th anniversary of the birth of Teddy Pendergrass.
Throwback: Happy 80th Birthday, Diana Ross!
JOVM’s William Ruben Helms celebrates Diana Ross’ 80th birthday.
Throwback: Happy 82nd Birthday, Aretha Franklin!
JOVM’s William Ruben Helms celebrates Aretha Franklin’s 82nd birthday.
New Audio: Baltimore’s Devin Nash Shares a Sultry Club Banger
Devin Nash is a Baltimore-born and-based singer/songwriter and musician, who quickly established a sound that blends contemporary R&B and 80s synth pop with the release of his full-length debut, 2016’s Her.
Her achieved commercial success with the album’s songs appearing on VH1’s Black Ink Crew Chicago and MTV’s Teen Mom — and he performed at the BET Awards.
Nash’s forthcoming EP Pretty.Sexy.Love reportedly features material that channels Frank Ocean, Miguel and others, while giving listeners “a genuine outside-the-box soul transformation” — with a soulful sophistication. The EP’s latest single “Swayze” is a sleek, club friendly banger featuring glistening synth arpeggios, skittering beats paired with the Charm City-based artist’s soulful delivery and uncanny knack for a catchy hook. While seemingly channeling Usher, Miguel, Frank Ocean and Steven A. Clark‘s Fornication Under Consent of the King, “Swayze,” tells a story about a guy who fell for the wrong girl and having a difficult time moving past it — to the point that he’s obsessed with both the girl and the heartbreak as a result. Lyrically, the song seems rooted in the specificity of lived-in experience.
