Tag: Silent Barn

Sophie Allison is a Swiss-born, Nashville-based singer/songwriter and guitarist, best known as the creative mastermind behind the critically applauded indie rock project Soccer Mommy.  Allison first picked up guitar when she was six — and as a teenager, she attended Nashville School of the Arts, where she studied guitar and played in the school’s swing band. By 2015, the Swiss-born, Nashville-based singer/songwriter and guitarist began posting home-recorded songs as Soccer Mommy to Bandcamp during the summer of 2015, just as she was about head off to New York University, where she studied music business at the University’s Steinhardt School of Culture, Education and Human Development.

While she was in college, Allison played her first Soccer Mommy show at Bushwick, Brooklyn’s Silent Barn. The Swiss-born, Nashville-based singer/songwriter and guitarist caught the attention of Fat Possum Records, who signed her to a record deal. After spending two years studying at NYU, Allison returned to Nashville to pursue a full-time career in music.

Upon her return to Nashville, the acclaimed Swiss-born artist wrote and released two Soccer Mommy albums — 2016’s For Young Hearts through Orchid Tapes and 2017’s Collection through Fat Possum Records. Her proper, full-length debut, 2018’s Clean was released to widespread critical acclaim, and as a result of a rapidly growing profile, Alison has wound up touring with Stephen Malkmus, Mitski, Kacey Musgraves, Jay Som, Slowdive, Frankie Cosmos, Liz Phair, Phoebe Bridgers, Paramore, Foster the People, Vampire Weekend, and Wilco.

Before the COVID-19 pandemic, 2020 was gearing up to be a massive year for the young and rising singer/songwriter and guitarist: she began the year by playing at one of Bernie Sanders’ presidential rallies and had joined a list of contemporary artists, who endorsed his presidential campaign. Allison’s highly-anticipated sophomore album color theory was released to critical applause — and building upon a rapidly growing profile, the Nashville-based artist had been gearing up for a massive year: she was about to embark one a headlining tour with a number of dates sold-out months in advance, along with that, she had lined up appearances across the global festival circuit that included a stop at Glastonbury. Additionally, she was supposed to make her late-night, nationally televised debut on Jimmy Kimmel Live!

With touring being on an indefinite half for the music industry, the Swiss-born, Nashville-based singer/songwriter and guitarist recognized that this was a unique opportunity to get creative and experiment with new ideas. Combining her love of video games and performing, Allison held a digital concert on the online gaming platform Club Penguin Rewritten with over 10,000 attendees, who all had to make their own penguin avatars to attend it. The concert was so popular, that her fans crashed the platform’s servers, forcing a rescheduling of the event. Allison has also performed a number of live streams events, including  NPR’s Tiny Desk At Home (which she kicked off) and Pitchfork‘s IG Live Series. And she also recently released her own Zoom background images.

Recently, Allison and company embarked on a an Bella Clark-directed 8-bit virtual, music video tour in which the band plays some of the cities she was meant to be passing through — Minneapolis, Chicago,Seattle, Toronto, and Austin. Instead of virtually playing at the more common tourist locations or a traditional music venue, the members of the band are mischievously placed in unusual locations: an abandoned Toronto area subway station, a haunted Chicago hotel, a bat-filled Austin bridge and more.performing album track “crawling in my skin.”

Continuing some wildly creative ways to maintain the momentum of her full-length debut, Allison recently launched a singles series, Soccer Mommy & Friends that sees some of her most accomplished friends and associates covering her work — and Allison covering their work. The singles series will see contributions from MGMT‘s Andrew VanWyngarden, Beabadoobee, Beach Bunny, Jay Som and a list others — with releases dropping every two weeks. The singles series first release finds the acclaimed Oakland-based singer/songwriter and multi-instrumentalist Melina Duterte, the creative mastermind behind the acclaimed indie rock act Jay Som covering Soccer Mommy’s “Lucy.”

Interestingly, Jay Som’s take on “lucy” turns the jangling guitar pop anthem into a shimmering and brooding track, centered around atmospheric synths, thumping beats and ethereal vocals that to my ears reminds me quite a bit of Air’s ethereal remix of Beck’s “Heaven Hammer.” “I had an extremely fun time recording the ‘lucy’ cover,” Duterte says in press notes. “Sophie has such a special way of entwining catchy melodies and sometimes dark chord progressions. I feel very lucky to be a part of this comp!”

All net profits from Bandcamp sales from the series will be donated to Oxfam‘s COVID-19 relief fun. Oxfam is working with partners to reach more than 14 million people in nearly 50 countries and the US to prevent the spread of the COVID-19 in vulnerable communities and support people’s basic food needs and livelihoods. As we’re all aware women and girls usually bear a disproportionate burden of care in a crises like COVID-19, and Oxfam has a proven record of helping women cope during and recover after these crises in ways that allow them to be safer and stronger than ever.

 

 

 

 

 

 

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New Video: Acclaimed Indie Artist Soccer Mommy Goes on a Virtual 8-Bit Tour

Sophie Allison is a Swiss-born, Nashville-based singer/songwriter and guitarist, best known as the creative mastermind behind the critically applauded indie rock project Soccer Mommy.  Allison first picked up guitar when she was six — and as a teenager, she attended Nashville School of the Arts, where she studied guitar and played in the school’s swing band. By 2015, the Swiss-born, Nashville-based singer/songwriter and guitarist began posting home-recorded songs as Soccer Mommy to Bandcamp during the summer of 2015, just as she was about head off to New York University, where she studied music business at the University’sSteinhardt School of Culture, Education and Human Development. 

While she was in college, Allison played her first Soccer Mommy show at Bushwick, Brooklyn’s Silent Barn. She caught the attention of Fat Possum Records, who signed her to a record deal — and after spending two years at NYU, she returned to Nashville to pursue a full-time career in music. Upon her return to Nashville, the acclaimed Swiss-born artist wrote and released two Soccer Mommy albums — 2016’s For Young Hearts through Orchid Tapes and 2017’s Collection through Fat Possum Records. Her proper, full-length debut, 2018’s Clean was released to widespread critical acclaim, and as a result of a rapidly growing profile, Alison has wound up touring with Stephen Malkmus, Mitski, Kacey Musgraves, Jay Som, Slowdive, Frankie Cosmos, Liz Phair, Phoebe Bridgers, Paramore, Foster the People, Vampire Weekend, and Wilco.  

Before the COVID-19 pandemic, 2020 was gearing up to be a massive year for the young and rising singer/songwriter and guitarist: she began the year by playing at one of Bernie Sanders’ presidential rallies and had joined a list of contemporary artists, who endorsed his presidential campaign. Allison’s highly-anticipated sophomore album color theory was released to critical applause — and building upon a rapidly growing profile, the Nashville-based artist had been gearing up for a massive year: she was about to embark one a headlining tour with a number of dates sold-out months in advance, along with that, she had lined up appearances across the global festival circuit that included a stop at Glastonbury. Additionally, she was supposed to make her late-night, nationally televised debut on Jimmy Kimmel Live!

With touring being on an indefinite half for the music industry, the Swiss-born, Nashville-based singer/songwriter and guitarist recognized that this was a unique opportunity to get creative and experiment with new ideas. Combining her love of video games and performing, Allison held a digital concert on the online gaming platform Club Penguin Rewritten with over 10,000 attendees, who all had to make their own penguin avatars to attend it. The concert was so popular, that her fans crashed the platform’s servers, forcing a rescheduling of the event. Allison has also performed a number of live streams events, including  NPR’s Tiny Desk At Home (which she kicked off) and Pitchfork’s IG Live Series. And she also recently released her own Zoom background images. 

Recently, Allison and company embarked on a an Bella Clark-directed 8-bit virtual, music video tour in which the band plays some of the cities she was meant to be passing through — Minneapolis, Chicago, Seattle, Toronto, and Austin. Instead of virtually playing at the more common tourist locations or a traditional music venue, the members of the band are mischievously placed in unusual locations: an abandoned Toronto area subway station, a haunted Chicago hotel, a bat-filled Austin bridge and more. Interestingly, the video four features the virtual band playing the album’s latest single “crawling in my skin.” Centered around looping and shimmering guitars, a sinuous bass line, shuffling drumming and subtly shifting tempos, the track reveals a remarkably self-assured young songwriter, who has an unerring knack for pairing earnest songwriting with an infectious hook. (Oh, and you’ll see the band adhering to social distancing rules while virtually performing!)  

“It’s really hard having our tour be postponed because I was really excited to play all of the songs on color theory for everyone, ‘crawling in my skin’ in particular,” Allison says. “I hope this little 8-bit performance can hold everyone over until the tour can happen.”

New Video: The Classic House Inspired Sounds and Visuals of Moon King’s “Ordinary Lover”

Initially begun as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known for the several year period in which Benjamin collaborated with Maddy Wilde (vocals, guitar); but with Wilde’s departure last year, Benjamin has returned to his roots — recording as a solo project. Coincidentally, Benjamin also relocated to Detroit, MI around the same time as Wilde’s departure, and spent that year working and living in the Detroit neighborhood of Hamtramck. .

Benjamin’s stint in Hamtramck inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new, unfamiliar place, it also is a radical change in sonic direction and songwriting approach, as the material on the mixtape captures the Canadian producer, singer/songwriter and multi-instrumentalist’s growing obsession with electronic dance music. And while in Detroit, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop.  Mixtape single “In & Out” found Benjamin pairing his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday“), Tom Tom Club (i.e., “Genius of Love“) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983.

The mixtape’s second and latest single “Ordinary Love” is a much more straightforward production and song as arpeggio bursts of keys, tweeter and woofer rocking 808s and swirling electronics are paired with Benjamin’s falsetto vocals — and while seemingly influenced by Nu Shooz’s “I Can’t Wait” and classic house, the song manages to reveal a subtly modern production sheen that nods at Octo Octa‘s Between Two Selves and the 100% Silk Records roster. 

Directed by Bronwyn Ford, the recently released music video manages to be a spot on ode to late 80s and early 90s dance music videos, as the video features a diverse and eclectic array of club-goers dancing to the club-baning track; and it’s shot on similar grainy video that will briefly trick some viewers into thinking that they’ve stumbled on to some rarely played house music gem. 

Initially begun as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known for the several year period that it was known as a duo featuring Maddy Wilde (vocals, guitar); but with Wilde’s departure last year, the project has managed to return to its roots. Coincidentally, Benjamin relocated to Detroit, MI around the same time as Wilde’s departure  — notably, the Detroit neighborhood of Hamtramck, where he spent the better part of a year.

Benjamin’s stint in Hamtramck inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new, unfamiliar place, it also is a radical change in sonic direction and songwriting approach, as the material on the mixtape captures the Canadian producer, singer/songwriter and multi-instrumentalist’s growing obsession with electronic dance music.

Finally having some time to himself after years of relentless touring, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop.  Mixtape single “In & Out” found Benjamin pairing his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday“), Tom Tom Club (i.e., “Genius of Love“) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983. The mixtape’s second and latest single “Ordinary Love” is a much more straightforward production, as arpeggio bursts of keys, tweeter and woofer rocking 808s and swirling electronics are paired with Benjamin’s falsetto vocals — and while seemingly influenced by Nu Shooz‘s “I Can’t Wait” and classic house, the song manages to reveal a subtly modern productions been that nods at Octo Octa‘s Between Two Selves and the 100% Silk Records roster.

The mixtape is slated for an August 4, 2017 release through Arbutus Records and Benjamin, along with his backing band will be on a mostly American tour throughout August and September to support the new effort, and it includes a September 8, 2017 stop at Silent Barn. Check out the rest of the tour dates below y’all.

 
TOUR DATES
08/11 – Baby G – TORONTO, ON 
08/12 – PN, MONTRÉAL, QC
08/18 – El Club, DETROIT, MI
09/02 – Schubas, CHICAGO, IL
09/03 – The Bishop, BLOOMINGTON, ID
09/04 – MOTR, CINCINNATI, OH
09/05 – Double Happiness, COLUMBUS, OH 
09/06 – Sound Hole, PHILADELPHIA, PA
09/07 – Charlies American Cafe, NORFOLK, VA
09/08 – Silent Barn, BROOKLYN, NY
09/11 – One Caroline, SARATOGA SPRINGS, NY 
09/12 – Bard College, ANNANDALE-ON-HUDSON, NY
09/13 – House Of Targ, OTTAWA, ON
09/14 – Le Cercle, QUEBEC, QC

New Video: The 80s-Inspired Sounds and Visuals for Moon King’s “In & Out”

Initially formed as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known as a duo featuring Maddy Wilde (guitar, vocals) for the bulk of the project’s existence to date; but with Wilde’s departure from the project in 2016, the project has returned to its roots — as a solo project. And interestingly enough, around the same time, Benjamin relocated to Detroit, MI  — notably, the Detroit neighborhood of Hamtramck, which unsurprisingly inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new and unfamiliar place but serves as a radical change in sonic direction for him, as the material on Hamtramck 16 captures Benjamin’s growing obsession with electronic dance music. 

Finally having some time to himself after years of relentless touring, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop. In fact, as you’ll hear on Hamtramck 16’s latest single “In & Out,” Benjamin pairs his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday”), Tom Tom Club (i.e., “Genius of Love”) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983. 

The recently released visuals for “In & Out” feature neon-bright animation from Jordan Minkoff that channels the visuals for the aforementioned “Genius of Love” and George Clinton’s “Atomic Dog.”