Comprised of Danil Bogadenko (guitar, vocals), Vitaliy Koutsiuk (bass), Ruslan Dobrov (drums) and Denys Rybchenko (guitar, backing vocals), the Kiev, Ukraine-based indie rock/post band Indytronics can trace their origins to when Bogandenko and Rybchenko were touring across Europe, and while in Stockholm, Sweden the duo came across street musicians, who were playing an interesting melodic indie rock-leaning vibe. And as the story goes, Bogandenko and Rybchenko were so impressed by this particular band and by several other bands that they decided to start their own band when they returned to Kiev.
Since their formation in 2012, the members of Indytronics have released their 2013 debut EP Vision and their 2015 full-length debut Scintilla Wave and they’ve developed a growing profile both nationally and internationally; in fact, they’ve made live appearances on several Ukrainian TV shows and have received regular rotation on Ukrainian Radio Roks, Europa Plus, HotMix Radio, WCSF Radio German CTdasradio and others. Along with that, they’ve been written up in the British music magazine Huck and their music has been used for fashion shows aired on the international TV channel IDFashion throughout the US, Ukraine, Italy, Austria and France.
Now, as you can imagine I receive quite a bit of emails from a publicists, publicity firms, band managers, record labels, bands and artists from increasingly far-flung places these days, and as the band explained in their email to me, their latest single and video “Savannah Only Temple,” everyone has their own temple, and it can anything. And while clearly drawing from indie rock and post-punk the band’s sound is an incredibly slick and contemporary take that to my ears reminds me a bit of Narrow Stairs-era Death Cab for Cutie, The Postal Service’s Give Up and Snow Patrol, complete with a rousingly anthemic arena rock-friendly hook and a subtly wistful vibe.
The recently released video for the song features the Ukrainian quartet performing the song in an empty pool that local kids have repurposed for their skateboarding, and the band broodingly walking around a school’s athletic field. And while being a glimpse of Kiev’s kids, it suggests something far larger — cultural differences withstanding, kids everywhere are almost exactly alike. By watching these kids, you should see yourself at their age, goofing off and planning adventures with friends, having enormous dreams of making someone of yourself, of having crushes on the kid next door or the kid in your Chemistry class.