Tag: Sub Pop Records

Slated for a January 28th release through Sub Pop Records, Too True will be the Dum Dum Girls’ third and latest effort. And from the release of the album’s previous singles “Rimbaud Eyes,” “Are You Okay,” and […]

With the release of his critically acclaimed debut, All Hell, the Carlisle, PA-based Daughn Gibson made quite an impression as an artist to pay attention to — his moody debut used scratchy Americana samples, backed by […]

Back in August, Sub Pop Records released Washed Out’s sophomore effort Paracosm, an album that Ernest Greene, the primary creative force behind the project, has said explores the peculiar phenomenon of creating extremely detailed, imaginary worlds. […]

Album Review: Washed Out’s Paracosm

Washed Out Paracosm Sub Pop Records Release Date: August 13, 2013 Track Listing Entrance It Feels Alright Don’t Give Up Weightless All I Know Great Escape Paracosm Falling Back All Over Now Washed Out’s 2011 […]

Bed & Bugs which Sub Pop Records released yesterday is the Brooklyn-based quartet Obits’ third full-length release. “Spun Out,” is the first single from the new effort, and it’s an intense, fidgety bit of anthemic garage rock — with […]

Washed Out‘s Within Without landed at number 24 on this site’s Best of 2011 List thanks to Ernest  Greene’s cooed vocals over icy synths played through gently, swirling reverb and delay pedals. Sonically, the tracks on that album struck me as […]

Bed & Bugs which Sub Pop Records will release on September 10th, will be Brooklyn-based quartet Obits’ third full-length release. “Spun Out,” is the first single from the new effort, and it’s an intense, fidgety bit […]

With the release of his critically acclaimed debut, All Hell, the Carlisle, PA-based Daughn Gibson made quite an impression as an artist to pay attention to – his moody debut used scratchy Americana samples, backed by […]

Washed Out’s Within Without landed at number 24 on this site’s Best of 2011 List thanks in part to Ernest  Greene’s cooed vocals backed by sleek, icy snyth lines played through gentle layers of reverb and delay pedals and backed […]