Tag: women who kick ass

Video by William Ruben Helms

New Video: Bingo Club Shares Breezy “Bingo Twingo”

Paris-based duo Bingo Club describe their ethos as a club that demands no rules for entry, that’s friendly and where everyone knows your name, and where the club never closes and there’s no dress code.

Their second album is slated for an October 7, 2026 release through Fuzo Music. But in the meantime, the album’s latest single “Bingo Twingo,” is a summery and mischievous Italo-disco song anchored around a strutting, funky dance floor friendly bass line, Nile Rodgers-like funk guitar-driven hooks and dueling boy-girl vocals. It’s perfect for the beach, for the rooftop party — and for the club.

Directed by Romain Winkler and Bingo Club, the accompanying video is a bright and trippy visual that capture she buoyant, breezy vibe of the song.

Single Review by William Ruben Helms

New Audio: Tinlicker Teams Up With Helsloot on Euphoric “Edge Of Forever”

Acclaimed Utrecht-based electronic music outfit Tinlicker — founding member Micha Heyboer along with Jordi van Achthoven and their newest member Hero Baldwin — can trace their origins back to 2012: Heyboer initially founded Tinlicker as a solo project, releasing the act’s debut EP, 2012’s My First Time Here and the 2012’s Remember The Future demo compilation through his own label, Zero Three Zero. 

In 2014 Jordi van Achthoven was introduced to Heyboer through a mutual contact. The pair bonded over their mutual inspirations of Paul Kalkbrenner, Trentemøller and Moderat, and at that point, Tinlicker expanded to a duo, releasing three EPs through Feed Me‘s Sotto Voce, 2014’s Like No Other, 2015’s Into The Open and The Space In Between, which featured “Oudegracht,” a track that amassed significant attention online. 

2017 saw the duo releasing material through Anjunadep, Armada Music and deadmau5′s mau5trap before singing a record deal with Anjunadeep, who released their breakthrough full-length debut, 2019’s This Is Not Our Universe, which featured contributions from alt-J, Run Rivers, Thomas Oliver and Belle Doron. The album reached #1 on the dance charts in the US, Australia, India, Canada and Finland and #2 in the UK, The Netherlands and Poland. 

The duo’s sophomore album In Another Life was released in February 2022. But by November 2023, the duo announced that the third album, 2024’s Cold Enough for Snow would be released through [PIAS] Électronique. The album featured collaborations with Brian Molko, Editors‘ Tom Smith and Circa Waves. The Dutch duo supported the album with sets at Pinkpop Festival, CRSSD Festival, Crystal Palace Bowl, Coachella and Sziget Festival. 

Now, back in 2020, as Dutch duo were achieving commercial and critical success, they started a successful and ongoing collaboration with London-based signer/songwriter and producer Hero Baldwin that has continued through a series of singles including last year’s “I Started A Fire.” Shortly after the release of ‘I Started A Fire,” Heyboer and Achthoven invited Baldwin to be a full-time member of the group. “Jordi and Micha seem to pull something out of me that resonates with my emotional landscape every time we make a song,” the London-based singer/songwriter and producer says. “I think it’s so important to feel creatively and emotionally secure, and Jordi and Micha always afford me that privilege.”

The act’s Melkweg Amsterdam show was their official debut as a trio. She also joined the duo for their biggest live show to date, Tinlicker In The Park at Crystal Palace Bowl. 

Earlier this year, the trio released their fourth album — and first as at rio — Dreams of the Machine earlier this year. The album features album singles “I Want My Freedom,” “Reborn,” and “Release.” The trio recently released the standalone single “Edge of Forever,” a collaboration with producer, longtime friend and collaborator Helsloot through Remember The Future/[PIAS]. Their latest collaboration can trace its origins to the two acts sharing a bus during their recent European tour together.

“Edge Of Forever” is a club and festival stage banger that features Baldwin’s emotive pop star-like vocal floating atop glistening synth oscillations, pulsating reverb-soaked bass lines that slowly builds up to a cathartic and euphoric frenzy. While continuing to cement the act’s long-held reputation for crafting melodic, emotional house music, “Edge Of Forever” may arguably be one of the more cinematic tracks of their growing catalog.

“The guys were noodling around while I was looking through the great sweep of glass at the front of the bus, the landscape passing almost imperceptibly beneath us,” Tinlicker’s Hero Baldiwin explains. “There is something contemplative about travelling in that way; cities, towns and villages drift past, fields give way to forests, and before long you find yourself less aware of the places themselves than the quiet passage of time between them. Later Thomas (Helsloot) and I listened back to what had been started on the bus, pressed record and the lyric and melody emerged intact in a single take.”

Single Review by William Ruben Helms

New Audio: The Avalanches Team Up with Karen O on Dreamy and Forlorn “Blue Shadows”

The Avalanches — Robbie Chater, Tony Di Blasio and Andy Szekeres — are arguably one of the most influential and original acts in the contemporary scene: Their debut album, 2000’s acclaimed Since I Left You laid the groundwork for collaborative sampology in this century.

Since then, the trio have released two more acclaimed albums, 2016’s Wildflowers and 2020’s We Will Always Love You. With over 1 million albums sold and 700 million streams across DSPs, a series of coveted collectibles and legions of fans across the globe, the acclaimed act has firmly cemented their place in popular culture.

Back in 2024, The Avalanches collaborated with Jamie xx on “All You Children,” which appeared on his 2024 effort, In Waves.

The trio recently performed at this year’s Primavera Sound Barcelona and announced a run of London headlining shows as part of Pitchfork Music Fest in November. They’ll be making a run of the international festival circuit with DJ sets at Ireland’s All Together Now, France’s Freakquenices (alongside The Dare), Italy’s Poplar and C2C and Belgium’s Les Nuits Weekender — with more dates to be announced soon. Click here for tickets and more information.

Currently based in Los Angeles, Karen O is a Seoul-born, New Jersey-raised singer/songwriter and iconic front woman of the eight-time Grammy Award-nominated Yeah Yeah Yeahs. Graduating from New York University’s Tisch School of the Arts with a focus on film, she has been instrumental in redefining the possibility of rock performance over the past two decades, influencing a new generation of female artists, including Olivia Rodrigo, Japanese Breakfast, The Linda Lindas and a growing list of others.

With the Yeah Yeah Yeahs, the Seoul-born, Los Angeles-based artist has released five acclaimed albums, including 2022’s Grammy Award-nominated Cool It Down, the band’s first album after a nine-year recording hiatus.

Outside of the Yeah Yeah Yeahs, Karen O has built an adventurous multidisciplinary career spanning music, film, visual art and performance: Her solo debut, 2014’s Crush Songs was released to critical acclaim. She wrote and performed music for Spike Jonze’s 2009 film, Where the Wild Things Are and she received an Academy Award nomination for Best Original song for “The Moon Song” from Jonze’s 2013 film Her. Her experimental rock opera Stop the Virgens premiered at St. Ann’s Warehouse before touring internationally.

As a solo artist, Karen O has collaborated with an eclectic array of equally acclaimed artists including David Lynch, Trent Reznor and Atticus Ross and fashion house KENZO. 2019’s collaborative album with Danger Mouse, Lux Prima was released to widespread critical acclaim with album single “Woman” earning a Grammy Award nomination. The album also inspired the immersive multimedia installation An Encounter with Lux Prima, which premiered at Los Angeles’ Marciano Art Foundation.

Karen O and The Avalanches recently teamed up for “Blue Shadows,” the second collaboration between the two artists since “Dial D for Devotion,” which appeared on 2020’s We Will Always Love You. “Blue Shadows” is also the third single of the year from the trio, following “Every Single Weekend” feat. Jamie xx and “Together” feat. Nikki Nair, Jessy Lanza and Prentiss. With “Blue Shadows” Karen O’s achingly forlorn vocal languidly drifts atop twinkling synths, a chugging bass line, shuffling hi-hats and a dreamy vocal sample. The result is a bittersweet, fever dream of heartache, mistakes, lost chances and what-could-have-beens from the perspective of someone who has lived a messy, complicated

“’Blue Shadows’ was an idea of Andy’s that was almost lost to time until Tony stumbled across it in an old folder and began championing it as a potential album song,” says the trio’s Robbie Chater. “It’s since become one of my favourite Avalanches tunes. Many moons later and thanks to the kindness of Claudio Casalini and the estate of Celso Valli, it looked like Tony’s dream for ‘Blue Shadows’ might come true. 

“I included it in a selection of song ideas for Karen, we wanted her to hear it although I never imagined a vocal would be possible; the demo had such a peculiar, singular mood. What she recorded still amazes me after months of listening, it’s so achingly forlorn and somehow sounds as if it always existed as a song. I don’t know how that is possible, or what she was channelling, some people just have access to a higher plane I suppose!”

Karen O adds, “When Robbie sent me ‘Blue Shadows,’ I jumped at the chance to collaborate. The Avalanches last record We Will Always Love You was a gift to humanity in 2020 and I’ll count it as one of my Top 10 forever. The Avalanches frequency is high, I’m so happy to be asked to slide into it.” 

Video by William Ruben Helms

Throwback: Happy 85th Birthday, Darlene Love!

JOVM’s William Ruben Helms celebrates the legendary Darlene Love’s 85th birthday.

Video by William Ruben Helms

New Video: Montréal-based JOVM Mainstay Naomi Teams Up with SLM on Sultry, Club Banger “Hershey Kiss”

2026 has been a busy year for Montréal-based JOVM mainstay Naomi: She has continued to be wildly prolific while entering a bold new era working with French producer Elior Chaudagne, who produced “Univers.”

Following the success of “Univers,” the French Canadian artist returns with “Hershey Kiss,” which features Anglophone Montréal-based emcee SLM (pronounced “SLIM”). Built around a propulsive, dance-floor filling calypso-styled riddim, “Hershey Kiss” is a sultry, club banger that’s rooted in Naomi and SLM’s swaggering and defiant, girlboss energy.

“Hershey Kiss” can be trace its origins a back a little bit: Elior Chaudagne, had been pitching the Montréal-based artist an energetic beat inspired by bouyon, a Caribbean music genre that’s currently red hot right now. However, Naomi hadn’t feel confident enough to tackle the genre while adding her own touch — until SLM joined her in the studio.

The two Montréal-based artist’s collaboration, much like the song goes back a little bit: Naomi and SLM have long moved around in the same circles. But despite sharing similar sociocultural references and background — Naomi has Haitian and Guyanese roots; SLM is Guyanese. But they hadn’t worked together until “Hershey Kiss.”

Their initial artistic encounter felt natural — to the point of being seemingly symbiotic. Each artist spontaneously wrote their lyrics on the spot in a matter of a few minutes and recorded their part in practically a single take, without retouching or re-dubs. Throughout the song, they play with the conventions of bouyon with references to the ballroom scene — in both sound and energy. And as a result, there’s a raunchy, uninhibited and cheekily ribald energy to the proceedings.

Directed by Wynn Holmes and Naomi Hilaire, the accompanying video was shot at the Funhub Arcade on Cathcart Street in Downtown Montréal. The video drops the viewer into a sweaty and sultry party featuring twenty dancers performing choreography created by Naomi and Raphaël Gagnon. The video captures the raunchy energy of the song.

Single Review by William Ruben Helms

New Audio: Gotts Street Park and Celeste Team Up on Soulful Lament “Easy”

Acclaimed Leeds-based trio Gotts Street Park— Josh Crocker (bass, production), Tom Henry (keys) and Joe Harris (guitar) —acclaimed full-length debut, 2023’s On The Inside included “Got To Be Good” feat. Pip Millettt, “Fuego,” “Mountains” feat. ENNY and “Tell Me Why” feat. Olive Jones. And in the subsequent years since its release, the album has amassed over 300 million streams across all DPS with “Got To Be Good” landing in Season Three of BBC’s hit series Boarders and this year’s Finding Emily starring Spike Fearn and Minnie Driver.

Their sophomore album Somewhere Between is slated for an October 16, 2026 release through Play It Again Sam. Somewhere Between is reportedly a departure from the soul, jazz and hip-hop influenced sound of their previously released work, with the album drawing inspiration from Bill Orcutt, Dylan Day, Dick Gaughan, Jessica Pratt, Big Thief and Blaze Foley, as well as the working methods of the house bands at Stax Records and Sun Records. The result is an album that combines the collective’s signature production prowess with an even greater warmth than before, as they also draw on the spirit of the 1970s troubadour singer/songwriter movement with a cast of long-time collaborators that include Celeste, Olive Jones, Pip Millett, Matt Maltese, Sofia and The Antoinettes, anaiis and Rosie Lowe.

In an era increasingly defined by automation and AI, Somewhere Between is threaded throughout with a quiet faith as music as an inherently human act — one shared by intimation, openness and the intangible chemistry of people in a room creating together. “The title only arrived once the album was finished, and it means something slightly different to each of us,” the members of the acclaimed Leeds-based band explain. “For me, it reflects the space that collaboration creates, a place where our individual lives, moods and experiences overlap for a while to make something together. We’re all arriving from different places, but in the studio those separate worlds meet. There’s something about making music that feels like stepping into a space between the tangible and the intangible, where ideas seem to come from somewhere beyond ourselves. In many ways, that’s what this album represents: meeting somewhere between who we are individually and what we can create together.”

The album will include the previously released, acclaimed track “Some Birds Don’t Fly” feat Matt Maltese, and the album’s latest single “Easy” feat. Celeste. The Brit Award and Academy Award-nominated artist Celeste’s achingly soulful and jazzy, AmyWinehouse-meets-classic soul-like delivery strutting over a shimmering, bass-driven Daptone-like arrangement with subtle hip-hop influences.

Thematically, “Easy” examines the push and pull of a romantic relationship that’s way too complicated than what it needs to be. And as a result, the song is centered on the narrator’s bittersweet and lament-fueled realization that it’s time to move on — with the hope that she’ll find the love she deserves.

“‘Easy’ came from one of our very first sessions with Celeste around eight years ago,’ Gotts Street Park explains. “There’s a rawness and spontaneity to it that captures those early days of working together. Nothing felt overthought or overworked, which gave Celeste the space to completely own the song through her performance. We’ve held onto it for a long time, so it’s exciting to finally have the opportunity to share it.” 

The band have begun to support the forthcoming album with their Somewhere Here World Tour, which bean with a set at this year’s Montréal Jazz Festival. The tour includes an appearance at the inaugural London edition of The Roots Picnic and at this year’s Newport Jazz Festival, as well as a July 30, 2026 stop at Le Poisson Rouge. Check out the North American leg dates below.

Single Review by William Ruben Helms

New Audio: Hayley Law Shares Self-Assured, Hook-Driven “Circle Back”

Hayley Law is a Canadian-born, Los Angeles-based actor, singer/songwriter and producer, who initially wrote, produced and recorded under the moniker Hayleau. She has since retired the moniker and project, saying “Hayleau was a version of me that I really love. Softer, shyer, and still trying to figure herself out through everyone else’s voices. I think that name became a little too shaped by perception, expectation, and who people thought i should be. Coming back to Hayley Law felt like reclaiming myself and deciding I don’t want anyone else molding who I am anymore.”

Performing under her own name, the Canadian-born, Los Angeles-based artist has crafted a sound and approach that sees her blending pop, R&B and pop rock with diaristic storytelling. Her work lives between vulnerability and control in a way that’s intimate, nostalgic and quietly disarming, pulling listeners into moments that feel as impulsive as they are intentional.

As a completely independent artist, Law has built her career on her own times while amassing over four million streams across the DSPs through purely organic growth and without chasing trends or traditional industry pathways.

Alongside her music career, Law has played roles in globally distributed Netflix projects and studio films, including Riverdale, Altered Carbon and more. She’s set to star in Jackie! Zhou’s FLYOVER.

Building upon a growing profile, the rising artist’s highly-anticipated Law, Jesse Boykins III and Melo-X co-produced Last Summer is slated for an August 14, 2026 release. The album sonically is a blend of sensual alternative R&B-influenced diaristic songwriting and early 2000s pop punk, creating an album of material that’s intimate, emotionally unguarded yet cinematic. Across the album’s run-time, Law effortlessly moves between softness and control, exploring desire, performance, heartbreak, ego, femininity and the versions of ourselves we create to be loved. But the star of the show is Law and her voice: vulnerable without being self-pitying, confident without false armor and deeply self-aware of the contradiction of wanting intimacy while trying to remain in control.

The album will include the previously released album title and opening track “Last Summer” and the album’s second and latest single “Circle Back.” Subtly channeling hook-driven, late 1990s and early 000s R&B — think Brandy, Monica and the like — “Circle Back” is built around an atmospheric production twinkling keys, a soaring string sample, skittering beats and glitchy, DJ scratches beneath Law’s self-assured, self-aware delivery. The song’s narrator spends the song’s runtime recognizing that this love interest is probably just a fling — and that fling needs to back off a bit and just enjoy things for what they are.

“Have you ever had a fling that just moves sooo fast? By the time you come up for air, you realize you’ve spent 3 days with the person and aren’t even sure you see it going anywhere,” the Canadian-born artist explains. “That is ‘Circle Back.’ I wear my heart on my sleeve and fall quickly and this song is my reminder to check in with yourself. Not every fling turns into a relationship. And having two/three weeks of something HOT is awesome.”

Video by William Ruben Helms

New Video: John Glacier Shares a Breezy and Hypnotic Banger

Rising Hackney-born rapper, producer and poet John Glacier released her full-length debut, last year’s critically applauded Like A Ribbon. Like A Ribbon featured a seamless blend of rap, electronic music, post-punk, ambient textures and experimental songwriting, showcasing the rising Hackney-born artist’s uniquely diaristic, stream-of-consciousness approach while quickly establishing her as an artist operating within her own lane.

The success of Glacier’s debut has also helped to catapult her into a new stratosphere within music and elsewhere. Since her debut’s release, she made her debut in British Vogue, appeared on the cover of Hypebeast and starred in Prada‘s Spring/Summer 2026 global campaign alongside Hunter Schafer, Damson Idris, Carey Mulligan, Nicholas Hoult and the cover of HommeGirls. Her reputation as a fashionista has been further cemented with collaborations and appearances with leading houses — including Burberry, Alexander McQueen, Louis Vuitton, Miu Miu, Lacoste, Gucci, Bogetta Veneta, JW Anderson and Fendi.

Musically, she has collaborated with a growing and eclectic list of artists across different genres, including Blondshell, MJ Cole, Montell Fish and dj gummy bear, Jadasea and Jamie xx.

The rising multidisciplinary talent is building upon a rapidly growing profile with the Take A Daytrip co-produced “Bond Girl,” the first bit of new material since last year’s Like A Ribbon. Bult with a breezy yet propulsive pulse and tweeter and woofer rattling low end paired with dense layers of twinkling and oscillating synth melodies beneath Glacier’s coolly swaggering delivery, “Bond Girl” is a hypnotic, club friendly banger that channels Ibiza with a pop-leaning accessibility. “Bond Girl” to me captures a bold, rising artist, who’s about to put the game in a chokehold — and in her own terms.

Directed by Léa Ceheivi, the accompanying video for “Bond Girl” is fittingly inspired by classic spy thrillers and stars the rising Hackney-born artist as a stylish and enigmatic secret agent, who’s both a heroine and a villain. Effortlessly maneuvering through a world of intrigue and excess, she continually find sways to evade, outsmart and triumph over rivals and others attempting to take what’s hers.

Video by William Ruben Helms

Throwback: R.I.P. Jennifer Finch

JOVM’s William Ruben Helms celebrates the life and music of L7’s Jennifer Finch.

Video by William Ruben Helms

New Video: London’s IFULKI Shares Broodingly Cinematic “Something Greater”

London-based trio IFULKI features musicians shaped by a culture of improvisation, openness and collaboration:

  • Queen Kaltoun, a Moroccan-Italian vocalist, who relocated to London when she was 189 to pursue a career in music

  • Charlie, an English-born bassist and synth player with Irish and Ghanian roots

  • Ayman, a Sudanese drummer and percussionist

Each member of the trio have spent years performing across London’s live music circuit, playing sets at Ronnie Scott’s, Jazz Cafe and Village Underground and a long list of others, while collaboration with a collection of boundary-pushing artists including David Mrakpor, Rebekah Reid, Mei Kirby, Ayo Salawu, Arowah, Tay Grace, and NK-OK.

The London-based trio have quickly established a unique blend of Gnawa inferences, electronic textures and live instrumentation helps to create a sound that’s deeply rooted in ancient traditions while being remarkably modern. Rather than remaining within the boundaries of jazz, the project for the trio became the meeting point of everything the inspired them — the freedom of improvisation, the emotional depth of electronic music, trip-hop and soul, and the philosophy of Queen Kaltoum’s Amazigh heritage.

“Ifulki means ‘beautiful” in the Amazigh language,” Queen Kaltoum explains. “It’s a celebration of the beautiful people and beautiful connections we encounter in this life.” For Queen Kaltoum beauty isn’t something superficial. Beauty exists in kindness, generosity, solidarity and the relationships we build and maintain with each other. Those values, which are deeply embedded within Amazigh culture, quietly shape every aspect of the emerging London-based trio’s creative vision — one, ultimately born, as Queen Kaltoum says, “from a need to bring people together.”

IFULKI’s debut single “Something Greater,” which was released through [PIAS]’s new important SOURCE serves as the trio’s bold introduction to the outsider world. Featuring a broodingly atmospheric production with brassy castanet-driven gnawa percussion, tweeter and woofer rattling tump, twinkling jazz-inspired keys and a gently buzzing bass synths beneath Queen Kaltoum’s bright and effortlessly soulful vocal, “Something Greater” is a lush and cinematic blend of Bristol-era trip hop, jazz and soul that’s simultaneously headphone and club friendly.

The song is about surrendering to the unknown and trusting that thing will ultimately fall into place, and having the faith that whatever the outcome, that’s what is meant to happen. Queen Kaltoum adds, “An unsettling and mysterious atmosphere is present in the music, and thematically matched by the lyrics. This energy never leaves, but combines with tones of positivity and hopefulness brought in by dancey rhythms, with the piano ending the song with a bittersweet melody, contrasting the dark and brooding intensity found in the bass and drums.” 

Video by William Ruben Helms

Throwback: Happy 85th Birthday, Martha Reeves!

JOVM’s William Ruben Helms celebrates Martha Reeves’ 85th birthday.

Video by William Ruben Helms

New Video: TOMORA Shares Expansive, Live Version of “IN A MINUTE”

TOMORA is a collaborative project featuring:

  • The Chemical Brothers‘ Tom Rowlands: As one-half of The Chemical Brothers, Rowlands has produced and recorded six widely acclaimed UK #1 albums and won six Grammy Awards.

  • Norwegian artist AURORA: AURORA has released four studio albums and has quickly become one of Norway’s most influential and globally recognized contemporary artists. Her single “Runaway” has amassed over one-billion Spotify streams to date.

TOMORA builds upon a creative relationship that can be traced to the recording sessions for The Chemical Brothers’ 2019 album No Geography. AURORA contributed vocals to three tracks, including “Eve of Destruction.” Rowlands then went on to contribute to AURORA’s 2024 effort, What Happened to the Heart?, which landed on the UK Top 10.

Initially, speculation was rife as to who — or what — the then-mysterious TOMORA was or could be, after the name appeared on Coachella’s 2026 Festival lineup post without any additional information last year. Then, last December, the duo released their debut single “Ring The Alarm,” which received praise from Spin, BrooklynVegan, Stereogum and DJ Mag. “Ring The Alarm” also received DJ support from Erol Alkan, ¥ØU$UK€ ¥UK1MAT$U and a long list of others.

The duo’s TOMORA debut single was then released on a very limited and collectible white label vinyl, alongside B-side “The Thing,” which showcases a glimpse of the tender and hauntingly beautiful downtempo tracks that appear on the duo’s full-length debut, COME CLOSER.

Released earlier this year through Capitol Records, COME CLOSER was written and produced jointly by Rowlands and AURORA. The 12-song album sees the duo pairing the Norwegian artist’s distinctive vocal with the acclaimed British producer’s unparalleled studio expertise. The album sees the duo creating their own unique space, somewhere they can produce the kind of magic that comes from flicking through a perfect record collection, flowing from wigged-out 1960s psychedelia to the hyper-futurism of sounds imagined for the 2060s. 

The album is less about two separate and distinct artists finding a fertile middle ground and more the sound of two tenacious individuals connecting in the studio and hitting massive creative peaks together. 

“This is our album COME CLOSER, it is everything we dreamt of. We made it without obligation or expectation, just a joy in creation,” the duo says. “It’s the sound where we meet, the landing zone of our musical escape pods. It is a special place to us. We hope you dig it as much as we do.”

The album also includes singles “COME CLOSER” “SOMEWHERE ELSE” and “I DRINK THE LIGHT.” After a successful Spring tour to support their debut effort together, the pair went to Rowland’s Sussex, UK-based Rowlands Audio Research Studio to record a live version of album closing track “IN A MINUTE” that’s inspired by their ever-increasing extended performances of the song as part of the encourage of their first-ever live shows together, including two rapturously received sets at this past year’s Coachella.

Whereas, the album version of “IN A MINUTE” distills the duo’s quickly established euphoric push-pull chemistry into a tight, breakneck structure, the Live in the Studio version of the song, clocks in at 10 minutes gives the duo the ability to stretch out and to roam a bit musically, building from the song’s central refrain into an extended dreamy sequence of densely layered shifts, shifting rhythms beneath otherworldly harmonies, before returning to the song’s hook, giving the song even more of a mind-bending, lysergic quality.

Directed by Adam Smith the gorgeously shot accompanying video for “IN A MINUTE (LIVE FROM THE STUDIO VERSION)” captures the feverish euphoria of a life TOMORA set.