Category: electronic dance music

New Audio: Sunglow Teams Up with Rachael Brianna on Rapid-Fire “figure 8s”

Daniel B. Lynch is a Savannah, GA-born, Chicago-based DIY electronic artist, best known as Sunglow. Lynch can trace the origins of his career in electronic/computer music back to when he was 12. Starting off with experimental, electronic songs, then gradually transitioning to weirdo pop, Lynch’s relocation to Chicago marked a return to his experimental roots.

His collaborations with Furious Hooves Records and Company Businesses Inc™ have led to some rather innovative sonic explorations, which have led to defining his unique “hypo-pop” style.

Lynch’s latest album, the recently released Chocolate, Strawberry, and Pistachio, a collaborative album that sees the Savannah-born, Chicago-based producer and artist working with a series of vocalists. The recently released album’s latest single “figure 8s” feat. Rachael Brianna is a rapid-fire bop anchored around squiggling and squawking electronics, twinkling synth arpeggios and skittering beats serving as a playful and sugary bed for Rachael Brianna’s sarcastic delivery. The song seems to say, when shit has gone dark, might as well make fun on of it.

New Audio: Pythies Tackle a 2000s Banger

Paris-based punks Pythies — founding member Lise L. (vocals) with Thérèse La Garce (guitar) and Anna B. Void (drums) — was formed by Lise L. in late 2022 with the intent of starting an all-woman band. In early 2023, Lise L. met Thérèse La Garce and Anna B. Void through social media. The trio felt a very strong simpatico, rooted in the meshing of three distinct and strong personalities, and from that point on, the band’s lineup was cemented.

The French trio released their debut EP Disillusion last year. The EP featured two singles that I wrote about on this site:

  • “Toy,” a track that seemed indebted to riot grrl-era punk and grunge, featuring fuzzy power chords, thunderous drumming and enormous hooks and choruses placed within the classic grunge song structure. 
  • “I Pythie You” is a grunge and riot grrl-inspired ripper that reminds me a bit of early PJ Harvey, The Breeders and Hole anchored around Lise L.’s feral delivery.

The French JOVM mainstays recently tackled Peaches‘ signature single, 2000’s “Fuck The Pain Away,” turning the dance floor banger into a grungy, 90s era riot grrl ripper while retaining the feral sexuality of the original. In some way, their take possesses a sense of danger that’s both unhinged and thrilling.  

New Audio: Solid Spark Shares Summery “Higher”

Solid Spark is a rising electronic music producer and DJ, who has caught the attention of the global electronic scene with a sound that seamlessly blends contemporary pop sound with golden age EDM nostalgia. For the rising electronic music producer and DJ, the result is material that’s dance floor friendly but packs a deep emotional and energetic resonance. 

Earlier this year, I wrote about “Dream,” a slick, club friendly banger featuring glistening synths, a sultry and yearning vocal sample, skittering beats and euphoria-inducing hook and drops. The production revealed a producer with an uncannily sophisticated sense of soulful craftsmanship.

Building upon a growing profile, the rising producer’s latest single “Higher” is a club friendly bop featuring glistening synths, a chopped and screwed vocal sample-driven, incredibly catchy hook, a yearning female vocal sample for the verses, skittering tweeter and woofer rattling thump. While continuing to cement his reputation for crafted and soulful electronic music, “Higher” may arguably be the most summery and catchiest song of the producer’s growing catalog to date.

New Video: Omar Souleyman Shares a Club Banging Ode to Erbil, Iraq

Acclaimed JOVM mainstay Omar Souleyman is a Tell Tamer, Syria-born, Erbil, Iraq-based Sunni Arab vocalist, who can trace the origins of his professional career back to 1994, when he began as a part-time wedding singer.

His overall sound has largely been influenced and informed by the incredibly diverse milieu of Northeastern Syria. Souleyman and a rotating cast of musicians and producers he has worked with his early days have found ways to draw from and mesh the sounds and themes of several different ethnic groups that inhabit the region, including Kurdish, Ashuris, Turks, Iraqis and the larger Arabic world in a way that’s both familiar and novel. And as a result, Souleyman has become a regional and global pioneer of club rocking electronic music that’s also wedding hall friendly.

Since starting his career 30 years ago, Souleyman has been astonishingly prolific, releasing well over 500 studio and live albums — with about 80% of those releases specifically made at weddings. Most of those recordings were first presented to the newlywed couple and then later copied and sold at local kiosks. The acclaimed JOVM mainstay has released four compilations and four albums through Western record labels — 2013’s Wenu Wenu, 2015’s Bahdeni Nami, 2017’s To Syria with Love and 2020’s Shlon. Each of those albums have not only brought some of the Middle East’s deepest grooves and trippiest sounds to the West, Souleyman’s recorded output has helped to expand his profile to the larger world.

Adding to a rising international profile, Souleyman has played sets across the global festival circuit, including Paredes de Coura, a Caribou co-curated ATP Festival, ATP Nightmare Before Christmas, Bonnaroo, Roskilde Festival, Mostly Jazz, Funk and Soul Festival, Pukkelpop Festival, Electric Picnic, Treefort Music Festival — and oddly enough, one of the strangest House of Vans bills I’ve ever seen, in which he opened for Future Islands. Souleyman has also collaborated with the likes of Bjork and Four Tet.

The acclaimed Syrian-born, Iraqi-based dabke singer’s fifth full-length album Erbil is slated for a March 29, 2024 release through Mad Decent. The eight-song album, which sees Syrian-born singer collaborating with his longtime keyboardist Hasan Jami Alo, pays homage to Erbil, the Iraqi city that has offered him solace and embraced him during recent uneasy and difficult times. His relocation to Erbil came with rich, new experiences and friendships that are best celebrated in joyous songs specifically dedicated to a new chapter in life. Sonically, Erbil‘s material reportedly sees Souleyman and Alo crafting a forward-thinking dabke-meets-techno sound.

Erbil‘s first single “Rahat Al Chant Ymme” may arguably be the most club friendly track that Souleyman has released in some time with the production featuring dense layers glistening and arpeggiated synths, tweeter and woofer rattling thump, skittering beats, hand claps and enormous bass drops serving as a lush and sultry bed for Souleyman’s imitably cooler-than-cool yet yearning delivery.

Presumably shot in Erbil, Iraq, the accompanying video for “Rahat Al Chant Ymme” follows the global dabke sensation through a warm, mind-bending and humanistic tour through the Iraqi city that also manages to nod at hip-hop videos.

Souleyman will be supporting the new album with an extensive tour that will include live shows in Saudi Arabia, United Arab Emirates, the wider Middle East and Europe, as well as his first Stateside shows in over 6 years — with shows in Los Angeles and NYC. More on that to come.

New Audio: Endrik Schroeder Shares a Club Friendly Italo Disco-Leaning Remix of John Lord Fonda’s “Together Again” feat. Gabriel Afathi

Cyril Thévenard is a Dijon, France-born, classically trained flute player, and highly regarded electronic music producer and artist. Initially influenced by French touch, Thévenard becomes a DJ and plays at raves under the moniker Hermetic Unity.

Thévenard started releasing material as John Lord Fonda in 1997 with the release of that year’s Vulcan through Choice Records. After gaining experience on the turntables, the Dijon-born electronic music producer and artist, signed with Citizen Records, who released 2004’s VoltAge. 2005 saw the release of Erase My Anger EP, followed by Debaser, which featured a cover of Depeche Mode’s “Personal Jesus.”

2009’s Composite compilation, included some live versions of tracks. 2011 was a busy year: He started the year with the Bang The Fire! EP and closed out the year with Supersonique. Thévenard then disappeared from the scene for the next decade, reappearing with the release of 2021’s Walk Again, which featured “Together Again,” a club banger built around glistening synth arpeggios, skittering beats, tweeter and woofer rattling thump and euphoria-inducing hooks.

Recently Grenoble, France-born and based electronic music producer and artist Endrik Schroeder remixed “Together Again” feat. Gabriel Afathi turning it into an Italo Disco banger, along the lines of From Here to Eternity-era Giorgio Moroder with a contemporary EDM sheen — but while retaining the song’s original, mysterious air.