Micheal Ricker is a Delaware-based electronic music producer and artist best known as Bad Robot. And if you’ve been frequenting this site over the past couple of months, you might remember that I’ve written about two of Ricker’s latest Bad Robot singles”
- The aptly named “Supermassive,” which features skittering, tweeter and woofer rattling thump, scorching bass synths and a woozy and wobbling synth melody. Fittingly, it’s the sort of club and festival banger that sounds as though it should knock a building over.
- “Close To You,” which according to Ricker, is “a bit of a departure into a brighter, more ‘pop’ sounding progressive house style.” Built around an almost mantra-like glistening synth phrase, shimmering synth arpeggios and skittering beats, the motorik-like “Close To You” is both summery and remarkably catchy, while seemingly nodding at Discovery-era Daft Punk-like French touch.
Last year, Ricker released his full-length debut, Year One, which featured “Aero III,” a gritty banger anchored around a woozy polymetric melody and skittering, tweeter and woofer rattling thump. Recently, Max Blücher remixed “Aero III” that retains the original’s woozy polymetric melody but pairs it with more aggressive, skittering tweeter and woofer rattling thump with some brief bursts of industrial clang and clatter, and some eerie ethereal synths. The result is take that gives the song a spacey, house music quality.
“Inspired by the gritty sound design and frantic polymetric melodies of my original track ‘Aero III,’ Max has taken the musical DNA and infused it with his own. While the original is great, Max definitely improved the quality of the track with his production skills and imagination,” Ricker explains. “This house remix is an ethereal journey through space and time with elements of Deadmau5 that are felt even in the cover artwork.”
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