Tag: Pittsburgh

Currently comprised of frontman and primary songwriter TOBACCO (born Thomas Fec), keyboardist The Seven Fields of Aphelion (born Maureen “Maux” Boyle), guitarist Ryan Graveface and bassist Pony Driver, the Pittsburgh, PA-based experimental electronic act Black Moth Super Rainbow can trace their origins back to two previous projects that featured BMSR’s TOBACCO — Allegheny White Fish, which was active from 1996-2000 and satanstompingcaterpillars, which was active from 2000-2002 and released three albums, including their last album under that name, The Most Wonderfulest Thing before the addition of three new members Father Hummingbird, The Seven Fields of Aphelion and Iffernaut. And with the addition of new members, the band renamed themselves Black Moth Super Rainbow in 2003.

 

Over the past decade both Black Moth Super Rainbow and TOBACCO have recorded material that explored the periphery of evil and extreme color, rapidly alternating between absurdly bright beauty and murderously sinister with the end result being a woozy, psychedelic uneasiness.  TOBACCO (a.k.a Thomas Fec) throughout his career has been a rather mysterious figure; in fact, if you Google images of him, most of them have his face obscured by a mask, a ball cap or a hood.  Interestingly though, he’s known for patient and thoughtful interviews where he breaks down his creative process and the ideas espoused throughout his work while never revealing much about his personal life or about him. And in that sense, he’s been periodically visible but opaque, emotional but unwilling to exploit self-mythology; however, Black Moth Super Rainbow’s Panic Blooms, the first album from the band in six years, finds TOBACCO reportedly writing what may arguably be the most raw and direct lyrics of his entire career, inspired in some way by the current sociopolitical climate. As a result, the material is an account of depression and human frailty paired with their unique sound featuring gorgeous yet warped melodies. . .

The album’s first single “Mr. No One” features shimmering and twinkling synths, boom-bap drums and heavily vocodered vocals and while the song initially seems as though it has a dreamy and ethereal air, the song possesses an underlying murky and sinister vibe, which the band has long been known for, giving the song a desperate yet hopeful ache, a pleasant reverie within a feverish, waking nightmare.

Black Moth Super Rainbow will be on tour to support their new effort, and it’ll include a June 2, 2018 stop at Music Hall of Williamsburg. Check out the rest of the tour dates below.

TOUR DATES

THU 5/31 WASHINGTON, DC Black Cat
FRI 6/1 PHILADELPHIA, PA Union Transfer
SAT 6/2 NEW YORK, NY Music Hall of Williamsburg
SUN 6/3 BOSTON, MA Brighton Music Hall
THU 6/14 CINCINNATI, OH Urban Artifact
FRI 6/15 DETROIT, MI El Club
SAT 6/16 CHICAGO, IL Metro
SUN 6/17 COLUMBUS, OH Skully’s Music Diner
FRI 8/10 PITTSBURGH, PA Mr. Smalls
SAT 8/11 LOUISVILLE, KY Headliners
SUN 8/12 ASHEVILLE, NC Orange Peel
TUE 8/14 AUSTIN, TX Mohawk
WED 8/15 HOUSTON, TX White Oak Music Hall
FRI 8/17 ATLANTA, GA Masquerade (Hell)
SAT 8/18 NASHVILLE, TN Mercy Lounge

Live Footage: Brooklyn-based JOVM Mainstays NØMADS Release Buzzing Synth-based Mediation on the Fear of Loneliness

Over the past couple of years, I’ve written quite a bit about the Brooklyn-based JOVM mainstay act NØMADS. And if you’ve been frequenting this site you’d recall that the duo, primarily comprised of Nathan Lithow  (vocals, synths, bass) and Garth Macaleavey (drums) spent the better part of last year writing writing and recording the material that would eventually comprise their sophomore album PHØBIAC, a concept album in which each song focuses on a different phobia, approached in an abstract, almost clinical fashion. Naturally, the material captures and evokes the innermost thoughts and anxieties of someone in the grips of a deeply crippling fear; but at its core, is a cautionary message for our heightened and uncertain times — that whenever we succumb to the irrationality of our fears, chaos and self-destruction will be the result.  

Throughout the course of the year, the duo have released new singles off PHØBIAC every month but recently the duo announced that they’d be splitting the album into two separate EPs — the organic instrumentation-driven PHØBIAC Part 1 and the synth-driven PHØBIAC Part 2. Last month’s single “Phasmophøbia” featured drummer Brian Wolf, who’s best known for his work with David Byrne, St. Vincent and the legendary Dap Kings, and focuses on the fear of the paranormal and of ghosts — both literal and figurative. Recorded live in Pittsburgh in the murky shadows of an abandoned Catholic school’s furnace room in one full take with no edits, “Phasmophøbia”  consists of a fast and loose, improvised jam-like arrangement featuring swirling and twisting synth chords paired with boom-bap hip-hop-inspired drumming which evoke a sweaty, nauseating paranoia. That shouldn’t be surprising as the song focuses on an ex-lover, who perpetually haunts the street of the paranoid narrator’s daily world; and in fact, the song’s narrator recognizes that his past is sickeningly inescapable.

PHØBIAC Part 2’s latest single “Autophøbia” focuses on what may arguably be the most prevalent and shared fear of all clinical phobias — the fear of being alone or isolated, as though you may be the last person on earth or being so misunderstood that you can’t find any common ground with anyone. Certainly, the fear of being alone influences our behavioral patterns, our relationships and our concept of what constitutes a happy, organized, successful life. Continuing the group’s ongoing collaboration with Brian Wolf, the track features twisting and turning synths paired with rolling and propulsive drumming while lyrically, the song’s young narrator gazes into the future through a picture of himself a lonely old man, who knows that death is imminent and unavoidable and while tinged with an underlying sense of regret, there the creeping realization that his worst nightmare will come true — that he’ll die alone, forgotten and obsolete. 

Much like the previous single, “Autophøbia” was recorded live and in one full-take with no edits within the murky shadows of an abandoned Pittsburgh area Catholic school furnace. 

New Audio: maticulous Teams Up With Pittsburgh-based emcee Beedie On the Haunting New Single, “The Journey.”

maticulous is a Pittsburgh-born, Brooklyn-based producer, who has worked with the likes of Doom, RA the Rugged Man, Ruste Juxx, and is one half of emcee/production duo Audimatic, with Audible Doctor of the renowned hip-hop collective, Brown Bag AllStars.  As a producer, […]