Over the past couple of years of this site’s 13 year history, I’ve spilled quite a bit of virtual ink covering the Antananarivo, Madagascar-based JOVM mainstays LohArano. Since their formation, the Malagasy metal outfit — Mahalia Ravoajanahary (vocals, guitar), Michael Raveloson (bass, vocals) and Natiana Randrianasoloson (drums, vocals) — have received attention both nationally and internationally for a unique, boundary pushing sound that features elements of popular and beloved Malagasy musical styles like Tsapiky and Salegy with heavy metal.
LohArano’s sound and approach represents a bold generation of Malagasy young people that still honor, reveres and respects the traditions and practices of their elders, but are also inspired by contemporary Western genres and styles.
Continuing upon their reputation for being one of the hardest working and prolific acts in the global scene, the Malagasy trio recently released their latest EP Bae Nosy, which translates into English as “beloved island.” Bae Nosy EP‘s latest single, EP title track “Bae Nosy” is a urgent, mosh pit friendly ripper built around rumbling down-tuned bass, thunderous drumming and Tom Morello-like guitar work paired with Mahalia Ravoajanahary furious roar. But at its core, the song evokes a very modern sense of nihilism and ennui with the song thematically suggesting that everything’s gone to shit, so we might as well have a little fun and enjoy our loved ones for a few minutes at least.
The Malagasy JOVM mainstays are currently on tour across the UK and France. Their French tour features opening slots for the legendary Fishbone. Adding to a growing national and international profile, “Bae Nosy” has received airplay from FERAROCK, which broadcasts across France, Switzerland, Belgium and Canada. The track has also received praise from Best Magazine. The EP’s previous single “Koitra,” landed on Spotify’s All New Metal and New Blood playlists, Deezer’s Metal Detector and Women of Metal playlists, Tidal’s New Metal playlist and over 250 other playlists. The track also has received airplay from over 50 radio stations globally. They’re taking over the world — and you’ve heard it from me first.
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