Currently based in Oakland, singer/songwriter and multi-instrumentalist Lauren Hulbert has had a rather nomadic life, spending time living on both the East Coast and West Coast, as well as Thailand and Ecuador, among other places. Interestingly, Hulbert’s career has revealed an artists who has specialized in genre-defying diversity: as a child, the Oakland-based singer/songwriter and multi-instrumentalist was a classically trained pianist, who competed in Bach and classical festivals. As she got older, she taught herself guitar, eventually becoming a folk/pop artist, whose work sonically features elements of folk, alternative, country rock and pop — and thematically explores the human experience, while drawing from her own experiences. As a result, Hulbert’s work is deeply personal yet accessible, and reveals an article, who has her feet planted in the classical training of her youth and the folk and pop of her adulthood, while centered around her dreamy and soulful vocals.
Superbloom, the Oakland-based singer/songwriter and multi-instrumentalist’s forthcoming EP is slated for an October 30, 2020 release, and some of the EP’s sound and approach was inspired by Hulbert figuratively blooming back to life: Hulbert suffered a serious foot injury while on a surfing trip in Indonesia. For the next six months, she was immobile and it was unclear if she would ever be able to walk again. Understandably, it was a very dark period for her — life as she had knew it, had seemingly ending and whatever artistic and creative momentum was quelled as a result. Fortunately, over a year later, Hulbert has healed and she credits the experience as terrifying but ultimately beneficial, as it forced her to reassess her life and align herself with what’s really important. Additionally, the experience has also made her much more grateful for her health and the opportunity to write, perform, and share her music again.
Superbloom EP’s latest single is the Stories from the City, Stories from the Sea-era PJ Harvey-like “Gone in One.” is centered around jangling guitars, propulsive and shuffling drumming, subtle Flamenco handicapping and Hulbert’s expressive vocals within an alternating quiet, loud, quiet song structure. Sonically and thematically, the song is meant to evoke the sensation of being pushed away and pulled back in a romantic relationship that’s dysfunctional and unhealthy — but while featuring a narrator, who develops the strength to run as fast as she could from it.
“This song is a vulnerable, personal account of unknowingly losing oneself in someone else, which is lonely, confusing, and scary,” Hulbert explains in press notes. “It was like being stuck in a fog not knowing how to get out, looking to others to show me the way but just becoming more lost. I was constantly running internally, but getting nowhere, until I was exhausted into total indifference and I felt like the real me had been erased. Eventually, I realized I was the only one that could really save myself, so I dug really deep and found the strength to get out, which was incredibly hard. I didn’t know when or how I’d heal, but I knew I was on the right path.”