Born in Nashville, the acclaimed, Los Angeles-based indie pop artist Meg Myers spent her formative years in a devoted Jehovah’s Witness household, in which a young Myers dealt with strict restrictions on what she was allowed to listen to. After her parents divorced, her mother married a comic book artist, who moved the family to Ohio, where her mother and stepfather ran a cleaning business. When she was 12, her family moved to Florida, where she spent the bulk of her teen years — and during that period, Myers began singing and writing songs on keyboard, eventually teaching herself guitar. She also played bass in a band that she started with her brother, Feeling Numb.
A few days shy of her 20th birthday, Myers moved to Los Angeles to pursue a career in music. Living in a studio apartment with her then-boyfriend, the Nashville-born, Los Angeles-based singer/songwriter and multi-instrumentalist worked as a waitress at a Hollywood coffee shop and played show whenever she could land them. Although her romantic relationship ended, Myers met Doctor Rosen Rosen, who signed her to his production company. Rosen and Myers began writing songs together, including the material that comprised her first two EPs Daughter in the Choir and Make a Shadow and her 2015 full-length debut Sorry, which featured a number of Top 15 and Top 20 alternative radio hits.
Building up on a rapidly growing profile, Myers’ sophomore album, last year’s Take Me To The Disco debuted at #5 on the Current Alternative Charts and received praise from a number of media outlets including The New York Times, the Associated Press, NPR Music, Stereogum, Billboard and a lengthy list of others. The acclaimed Nashville-born, Los Angeles-based singer/songwriter played an NPR Tiny Desk session earlier this year that included a fairly straightforward and intense cover of Kate Bush‘s “Running Up That Hill (A Deal With God)” that brings the song to 21st Century listeners, who may have been previously unfamiliar with one of the great, dramatic pop songs of the 80s.
“Growing up, I was never really interested in covering other artist’s music.” Meg explains, “I always wanted to write my own songs because I knew I could only sing music and lyrics that were truly authentic, from my heart (and also would have to make sense with my deep voice). Well, then I discovered Kate Bush’s ‘Running up that Hill,’ which for years has resonated with my soul like nothing ever before. What if we could experience role reversal? What would it be like living in each other’s shoes? I think we would find a lot more compassion for one another and a passion for kindness and truth. This song to me, represents an opening of our hearts and a possibility of acceptance for all. And to me, this is an important message for the world we are living in right now.”
Directed by Jo Roy, the recently released animated video for Meg Myers’ cover of “Running Up That Hill” features hand-drawn artwork from 2,130 children from around the country, including many at the Heart of Los Angeles (HOLA) school — a non-profit that gives underserved children an equal chance to succeed through a comprehensive array of after-school academic, arts, athletics and wellness programs. As part of their partnership with HOLA, Myers and Roy taught animation classes to elementary school students. The frames they made during the classes were then composited together and used in the video — with the result being a visual that’s brightly colored, childlike, symbolic and ethereal. “The production process for ‘Running Up That Hill’ began with a demanding green screen shoot in which Meg climbed monkey bars, hung upside down, flew using a harness and wires, and performed her first piece of choreography!” Roy says of the video’s production process. “In post, we erased all the rigging, added animation components that were moved around using visual effects (including wings), and put every frame through a photoshop filter to define the ‘coloring book’ lines. Then, the frames were printed off into individual coloring pages which were distributed to 10 schools and various organizations in Los Angeles and Canada for children to color with real crayons also provided. Finally, the colored frames were collected and re-scanned to create one colorful final video made by literally thousands of people!”