Daniel Dumile is a British-born, Long Island, NY-based emcee and producer, who has gone through a number of stage names and personas throughout his lengthy and wildly influential recording career, which began back in 1988 when as Zev Love X, he founded KMD with his younger brother DJ Subroc and Rodan, who was later replaced by Onyx the Birthstone Kid. A&R rep Dante Ross learned of KMD through the members of 3rd Bassand signed the group to Elektra Records. Now, if you were a child of the 80s and a voracious music listener as I was (and still am), you’d remember that KMD’s debut was with a guest spot on 3rd Bass’ “The Gas Face.” Their 1991 full-length Mr. Hood was a minor hit as a result of the success of “Peachfuzz” and “Who Me,” which received regular rotation on Yo! MTV Raps and BET’s Rap City.
Slated for a 1993 release, KMD’s sophomore album Black Bastards was shelved because of its controversial cover art, which featured a cartoon of a stereotypical pickaninny or Sambo character being hanged from the gallows and its lyrical content and themes. Before the album was completed, Dumile’s brother DJ Subroc was struck and killed while attempting to cross the Nassau Expressway. KMD was subsequently dropped from Elektra Records that same week. Understandably, Dumile became a recluse, retreating from hip-hop between 1994 and 1997 before emerging as MF Doom, a masked character he created and patterned after the Marvel Comics super-villain Doctor Doom, as a way to seek revenge “against the industry that so badly deformed him,” he has famously claimed.
Around the same time, Black Bastards had become bootlegged, building both a sense of intrigue and buzz around Dumile. Since then, he has developed a reputation for an imitable flow, full of surrealistic abstractions, centered around comic book violence, an obsession with all things pop culture and wry observations, as well as a highly sought after collaborator and producer, who has worked with Madlib in Madvillain, Danger Mouse in Danger Doom, Ghostface Killah in Doomstarks, Jneiro Jarel in JJ Doom and Bishop Nehru in NehruvianDoom among others.
Speaking of collaborative projects renowned underground hip hop duo 7L & Esoteric and the Wu-Tang Clan‘s Inspectah Deck are the members of hip-hop supergroup Czarface, a character the trio created that’s also patterned after comic book villains that represented aspects of each indivudla members. Interestingly, the act can trace its origins to when the trio toured together, which lead to “Speaking Real Words” off 7L & Esoteric’s 2001 album, The Soul Purpose and “12th Chamber” off their 2010 album, 1212, and a number of other singles. And since the group’s formation back in 2013, they’ve released three critically applauded albums — their 2013 self-titled debut, 2015’s Every Hero Needs a Villain and 2016’s A Fistful of Peril.
MF Doom and Czarface team up on what may arguably be one of hip-hop’s most anticipated and highly-desired collaborative efforts, Czarface Meets Metal Face, which is slated for release next week. The album’s second and latest single “Bomb Thrown” is a perfect example of what you should expect from the album — the members of Czarface more straightforward and explosive rhyming trading verses with the surrealistic abstractions and wild inner and outer rhyme schemes of one of hip-hop’s technical geniuses over a soulful production featuring a chopped up chorus, twinkling keys, looped Spaghetti Western-like guitars and tweeter and woofer rocking boom bap beats. And what makes the collaboration work, is that it’s an effortless meeting of the minds, in which each one challenges and pushes the other in a track full of witty, pop culture references, ridiculous, cartoonish violence, insane word play and rhyme schemes with each artist throwing haymakers at their competition. This is what listening to and watching old masters is like, and all those young cats need to sit back and learn.
Based on a concept by Esoteric and Kendra Morris, and directed by Kendra Morris, the recently released video employs the use of paper collage, classic cel animation and stop-action animation, as two young kids, begin reading a Czarface/Metal Face crossover comic book, and get thrown into the world of the comic book they were reading. Much like the artists behind the song, the video is wildly inventive and incredibly funny.