Earlier this month, I’ve written about the Kettering, Northamptonshire, UK-based indie rock/psych rock act Temples. And as you may recall, the act which is currently comprised of founding members James Bagshaw (vocals, guitar) and Tom Walmsley (bass) along with Adam Smith (keys, guitar) can trace their origins back to when the act initially began as a home studio-based project back in 2012 featuring two musicians, who had known each other for years from from Kettering’s local music scene.
The duo uploaded four self-produced tracks, which caught the attention of Heavenly Recordings founder and label head Jeff Barrett, who signed the band and agreed to release their debut single “Shelter Song” later that year. Shortly after signing to Heavenly Recordings, Bagshaw and Walmsley recruited Samuel Toms (drums) and Adam Smith to flesh out the band’s live sound — and to complete the band’s first lineup. Since then the band has released two critically applauded and commercially successful albums — 2014’s Sun Structures, which landed at #7 on the UK Charts and 2017’s Volcano. Building upon a growing national and international profile, the British indie rock act has made appearances across the UK, European Union and North American festival circuits. They’ve shared stages with the likes of Suede, Mystery Jets, Kasabian and The Vaccines among others — but over the past years, they’ve transitioned into a headlining act that has also made their Stateside national television appearances on The Tonight Show Starring Jimmy Fallon and The Ellen DeGeneres Show.
Last year, saw a couple of major changes: Samuel Toms left the band to focus on his solo recording project Secret Fix, and later joined the equally acclaimed Fat White Family. Temples also left their longtime label home Heavenly Recordings and signed with ATO Records, who released their highly-anticipated, third album Hot Motion. The album finds the band continuing to craft an intricate and nuanced sound — but while digging into a deeper, darker creative well of sorts. The album’s second single, the shimmering and hook-driven, “You’re Either On Something” manages to possess a lysergic and technicolor quality that brings Sgt. Pepper-era Beatles, Tommy-era The Who and Currents-era Tame Impala to mind.
As you can imagine, I receive an overwhelming amount of email — a blessing and a curse, really — and sometimes I manage to miss things. In this case, I managed to miss an email regarding Hot Motion’s first single, album title track “Hot Motion.” Interestingly, the track strikes me as a seamless synthesis of bombastic, arena rock friendly Brit Pop and nuanced and textured psych rock centered around Bagshaw’s ethereal vocals.
The recently released video is centered around the band performing the song in a studio in front of bright yellow and orange light while employing some trippy camera work.