New Video: Tony Glausi Releases a Funky New Bop Paired with Sultry Visuals

Portland, OR-born, New York-based musician Tony Glausi is an accomplished jazz trumpeter. But with his latest full-length effort EVERYTHING AT ONCE, which has already seen praise from Soulbounce, Under the Radar, Sonofmarketing, NYS Music, Earmilk, American Songwriter and Ghettoblaster, Glausi steps out into the spotlight as a bandleader, producer and singer/songwriter, boldly pushing his sound and approach into new directions with the album’s material drawing from pop, R&B and funk. “Coming out of high school and studying music in college, I was pretty fixated on jazz trumpet playing, and my earlier releases were heavily oriented around improvisation and swing,” Glausi explains in press notes. “But as I continue to write and explore new sounds, I feel like I get closer and closer to my true voice, one record at a time.”

Sonically, the album is much like a mixtape to the Portland-born, New York-based musician’s life, as a result of his willingness to try anything. But thematically, the album is quintessentially a New York album, full of the places, random faces and random interactions that you’d fully expect here. “The album is literally a two year snapshot of my life. Each story is like a scene from a film, or I guess 10 different films” Glausi says.

“Writing EVERYTHING AT ONCE, I felt like the project wasn’t about me. It wasn’t about Tony, the trumpet player. I just wanted to make fucking songs,” Glausi explains. “I sing on three of them, but I just wanted to produce the music and ultimately let my collaborators shine,” he adds. The album features guest spots from vocalist/saxophonist Braxton Cook, Latin Grammy-nominated artist Nana Mendoza Brooklyn-based vocalist Elysse, British vocalist Max Milner and emcee Charlemagne the Goddess.

EVERYTHING AT ONCE‘s latest single “Backseat Bump” is a slinky, late night funky jam centered around buzzing bass synths, wobbling bass lines, squiggling guitars, soulful cooing from Nana Mendoaz and a strutting trumpet solo from Glausi. Sonically, the track is one part Dam-Funk, one part Future Shock era Herbie Hancock — while being something that just exudes New York flavor.

The recently released video by Evan Hansen follows Morgan Bryant and Glausi on a wild day and night out on the town, with the incredibly attractive pair goofing off and being a carefree young couple, hooking up in the backseat of a cab.