Earlier this year, you may have come across a post on Melbourne, Australia-based singer/songwriter and guitarist Gena Rose Bruce. And as you may recall, her highly-anticipated Tim Harvey-produced, full-length debut Can’t Make You Love Me is slated for a June 28, 2019 release through Dot Dash Records took three years to write and record — and it features a notable guest spot from multi-instrumentalist Jade Imagine, who plays bass and guitar on the album.
Fans have received glimpses of the album’s material with its first two singles “Coming Down” and “The Way You Make Love” being released independently last year. The album’s fourth single “Rearview” was the second single that Dot Dash has released this year, and the track was centered by a sparse arrangement of atmospheric synths, shimmering guitars, propulsive and pulsating drumming and a smoldering vocal performance, imbued with longing. And while bearing an uncanny resemblance to Mazzy Star and JOVM mainstays Still Corners, the song as Bruce explained in press notes “is a conversation I could never have with this person, it’s about accepting failed love. I was angry at the time but I didn’t have the energy to stay angry or feel sorry for myself.”
The album’s fifth and latest single, the slow-burning, “I Don’t Think I’ll Ever Get Over You” features what may arguably be the most sparse, atmospheric arrangement on the entire album — shimmering and jangling guitar lines, a simple yet propulsive rhythm second paired with a breathy and achingly vulnerable vocal performance by Bruce. Unsurprisingly, the song manages to evoke someone haunted by the lingering memories and ghosts of a lover that they can’t seem to let go. And in some way, the song’s narrator acknowledges that maybe they don’t want to get over this relationship either.
“We wanted to create a meditative, surrealist-inspired video for this song,” Bruce says of the Katie Adams directed visual for the song, “The imagery hints at the concept of being buried, in this case by the thoughts or memories of someone you can’t let go of. It’s quite a personal song, so we felt it was important to include the lyrics – kind of like a scrawled letter where all vulnerability is revealed. Everything this song is about is captured in the opening lines; “I don’t think I’ll ever get over you. I don’t think I’ll ever really want too”. (But eventually, of course, I did.)”