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Photography: 19th Annual Asian American Activity Center Lunar New Year Celebration at Tangram Retail Mall, Flushing, Queens, NYC 1/26/25

19th Annual Asian American Activity Center Lunar New York Celebration at Tangram Retail Mall, Flushing, NYC.

New Audio: Gabriella Lima Shares a Quiet Storm-like Bit of Samba

São Paulo-born, Paris-based singer/songwriter Gabriella Lima relocated to Paris back in 2014. And since locating to The City of Light, Lima has been busy crafting material that pushes genre and cultural boundaries. 

Lima’s 2021 full-length debut, the nine-song Bálsamo found the Brazilian-born, French-based artist writing material that drew from soul, pop, samba, chanson and several other styles. Back in 2022, I wrote about album closing track, “Samba de l’amour,” a breezy song featuring twinkling keys, fluttering synths, strummed acoustic guitar and gently swaying samba rhythms paired with Lima’s gorgeous vocal singing bittersweet lyrics in French and Brazilian Portuguese detailing love gained and quickly lost. 

Lima’s latest single “Meu Lugar” is a Sade/Quiet Storm-like touch on samba and Bossa nova featuring an atmospheric yet percussive arrangement with strummed acoustic guitar that serves as a lush bed for the Brazilian-French artist’s achingly tender delivery.

She explains that the song’s lyrics talk about a deep emotional delivery and the transformation of an intense and true relationship.

New Audio: Big Fish Shares Brooding and Folksy Industrial Hymn “Vad blir kvar (What Will Remain)”

Back in 1988, four Uppsala, Sweden-based teens decided to start a band after returning from a trip to West Berlin. Heavily inspired by the avant garde scene there, Big Fish‘s original lineup featured vocals, upright bass, samplers and scrap metal percussion. With the addition of a guitarist in 1990, the newly-minted quintet became part of an emerging local scene that would subsequently birth acts like Watain,Misery Loves Co., Lost SoulsMalaise and Defleshed. 

Throughout the better part of the 1990s, the Swedish outfit recorded three studio albums, including 1996’s Micheal Blair-produced Andar i Halsen, which they supported with frequently touring across Scandinavia, playing over 500 shows. 

The band broke up in 1997 after its members left Uppsala for work and studies. But their fanbase’s clamoring demand for hearing their material live resulted in the Swedish band playing a handful of reunion shows in 2016. 

2022’s surprise fourth album, Kalla döda drömmar was released to critical praise and was supported by extensive touring across their native Sweden. The band spent the next year writing and recording material, including six planned singles which will appear on the band’s forthcoming fifth album, Frya liter stoft (Four liters of dust) slated for release in May.

Late last year, I wrote about “SNÖ (Snow),” a brutally forceful and thrashing ripper, anchored around down-tuned and rumbling bass, fuzzy power chords. thunderous syncopated drumming and rousingly anthemic and enormous hooks and choruses paired with urgent and punchily delivered vocals singing lyrics in Swedish that describe a return from a bleak, metaphorical winter of isolation — or perhaps intoxication — and discovering that nothing is left. But at its core, the song captures uneasy, brutal nature of our bleak, mad, mad, mad existence.

Album single “Vad blir kvar (What Will Remain) ” is a brooding yet folksy industrial hymn that evokes bleak, dark and harsh winters; trudging through snow, ice and slush to some equally harsh, soul-crushing industrial workplace to make widgets, ball bearings and ammunition; of recognizing that there are small moments of breathtaking beauty and humanity that can be a respite in a brutal world.

New Audio: Dead Vixens Share Arena Rock Friendly “Corroded Love”

Dead Vixens — Lucius Man (guitar), Sarah Weiss (drums), Tiffany Rivera (vocals) and Bruce Macchione (bass) — formed back in 2021. Initially formed as a trio featuring Man, Weiss and Rivera, who originally joined as the bassist, Rivera assumed vocal duties as a result of her background as a classically trained singer after about a year of writing material. In 2022, the band met Macchione and the band’s sound and thematic concerns evolved into the politically-driven, social punk band with distorted guitars, hard-hitting rhythms and powerhouse vocals they’re known for now.

The band’s debut EP DANGER! RESET! serves as an introduction to the band. Three of the EP’s songs were written by the band’s founding trio and represent the band’s early sound before Macchione joined the band, and that portion of the EP are much more prog rock influenced. Macchione brought in more punk-leaning influences which will reportedly be reflected in future releases, including their forthcoming full-length debut. But in the meantime, DANGER! RESET!‘s latest single “Corroded Love” is a swaggering, arena rock ripper that recalls Foo Fighters, Tigercub and Amyl and The Sniffers, among a lengthy list of others, delivered with an effortless self-assuredness.

New Video: JOVM Mainstay MAGON Shares Freewheeling “Tales of a Mountain Child”

Wildly prolific Israeli-born, Costa Rican-based singer/songwriter, musician and JOVM mainstay MAGON will be releasing his 11th album in March.

The forthcoming album’s first single “Tales of a Mountain Child” possesses a freewheeling restless nature reminiscent of early Bob Dylan, Harvest-era Neil Young and Inner Journey Out-era Psychic Ills with the song being anchored around a lo-fi motorik-like pulse, shimmering guitars, bursts of mellotron and the JOVM mainstay’s uncanny knack for catchy hooks. The song’s arrangement serves a lush and dreamy bed for MAGON’s equally dreamy delivery. And at its core, the song captures a familiar feeling for me — the seemingly irresistible push and pull of a life on the road.

The accompanying video follows a real life mountain child — Magon’s friend and neighbor José — riding the streets and mountain roads of the town they live in, free, untethered and chasing the horizon. The song manages to further emphasize the song’s freewheeling, restless nature.

News/Announcements: Shoutouts to Patreon Patrons, Creatives Rebuild New York and Asian Arts Initiative

JOVM will turn 15 this year. 15 y’all! When I started this thing, I felt as though I had no real choice but to go out on my own. I didn’t feel — or believe — that I’d get a fair shot to do what I’ve wanted to do with this site with another outlet.

As I’ve mentioned throughout this site’s history: I’ve long felt a desire to create something inspired and informed by the wildly eclectic, dynamic, global sort of environment I grew up immersed in as a Black boy from Corona, Queens. I didn’t regularly see the environment and music I heard around me represented in the music magazines and sites that I followed and loved to read. I always felt that was odd and a significant weakness because — well, there’s quite a bit of amazing music out there that’s just not getting the love and attention it should be receiving whether nationally or internationally.

With this site, I’ve managed to carve out a unique path for myself — and in the blogosphere. Because music media — and generally the media world — is an incredibly homogeneous space, the coverage that you see as a consumer and fan tends to come from a startling similar perspective. Look at the editorial staff at your favorite music magazine, blog or website. Tell me what you see. And when you do see some degree of diversity, it was after many years of fighting, complaining and cajoling — and worse yet, it’s usually in a very limited fashion. It explains why you’ll see the same coverage of the same batches of artists, genres and styles with little difference and less variety.

I’m going to be frank here: With this current administration, things are going to be extremely difficult for marginalized communities, for artists and the arts, for small, independent media outlets and for countless others. It’ll be imperative upon all of you to support the work and efforts of artists, creators, thinkers and writers of color –especially women, within the LGBTQIA+ community, the First Nations, immigrants and countless others. This is in addition to those folks who are suffering through the incalculable tragedies of climate change-driven disaster and other calamities.

If you dig their work or you dig a specific cause, and you’re able to support financially, please give to their Patreon, their GoFundMe, OnlyFans or whatever they’re using for donations and tips. Trust me, every single dollar counts, is useful and appreciated.

I understand that things are tough for folks. A lot of people are struggling to survive with their dignity intact. If you’re unable to give money, the other way you can support is to amplify these voices. Tell your friends about these artists, influencers, thinkers and causes, and get them to follow them, too. Extra eyeballs to the work really matters — sometimes, it’s someone else who could support through cash. Other times, it’s someone who will faithfully read or follow that person’s work. Or they’ll happily proselytize your causes and your work to others.

So to that end, with your support, I can keep this going. Now, as you know, I’ve said this many times: All work — including creative work — is impossible without money. After all, time is money. Effort is money. Then add all the expenses it takes to actually work. 

Unsurprisingly, this site and the work that makes it possible is impossible without money. It’s a simple — and often frustrating — fact of life. So, if you’ve been frequenting this site over the past handful of years, there are a handful of folks I want to thank once again for their support:  

Sash

Alice Northover

Bella Fox

Jenny MacRostie

Janene Otten 

All of those folks have been generous Patreon patrons. Every and any amount really helps keeps this sort of journalism and criticism alive and ongoing. So if you’re able and willing, please feel free to check out the Patreon page: https://www.patreon.com/TheJoyofViolentMovement

Additionally, I have to thank the helpful, hardworking and dedicated folks at Creatives Rebuild New York. I’m proud, gratified and humbled to have been included in their 18-month Guaranteed Income for Artists program. Understandably, being included was also deeply vindicating. Someone out there thought my work — this very work! — was worth supporting financially. Obviously, the funds from it have managed to keep this labor of love going during one of the most uncertain periods in recent human history, while lessening some of the normal financial pressures of being an American artist, creator and journalist. 

I also found out about Asian Arts Initiative’s Sound Type Workshop through Creatives Rebuild New York. So, I just can’t thank those folks enough. And I’ll forever be in their debt. 

I must thank the folks at the Asian Arts Initiative in Philadelphia for selecting me for the Sound Type Music Writer Workshop. Being a part of the inaugural cohort was an honor.

Of course, there are other ways you can support. 

You can also support by checking the JOVM shop. I sell prints in various sizes. I also have bumper stickers. Check it out: https://www.joyofviolentmovement.com/shop 

You can also support my following me on the following platforms:

Instagram: https://www.instagram.com/william_ruben_helms 

Twitter: https://www.twitter.com/yankee32879 and https://www.twitter.com/joyofviolent 

Facebook: https://www.facebook.com/TheJoyofViolentMovement

And you can hire me for headshots, portraits and events. Seriously, I’m available for that, too. You can click here: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1# or you can contact me directly.