Over the course of past six years, New York-based singer/songwriter Anna Rose has developed a growing national profile with the release of a self-titled EP and two full-length efforts, Nomad and Behold A Pale Horse — and whereas both the self-titled […]
Although she’s the daughter of Alan Menken, the pianist and musical theater and film composer famously known for composing the scores of several beloved Disney animated films — including Beauty and the Beast, Aladdin, The Little Mermaid, The Hunchback of Notre Dame, Pocahontas and others, the New York-based singer/songwriter and JOVM mainstay artist Anna Rose has developed a growing national profile with the release of her self-titled EP, her full-length debut effort Nomad and her sophomore effort, Behold A Pale Horse. Whereas both her self-titled EP and Nomad were mostly acoustic-leaning singer/songwriter efforts with conversational and confessional lyrics, Behold A Pale Horse was a both a change of sonic direction and a bold, brassy announcement of an artist who finally found her most natural and singular voice. But if there’s one thing that holds all three of those efforts together, it’s the fact that all of them reveal that New York-based singer/songwriter and guitarist as a complicated and interesting woman who kicks ass and takes names, who is strong yet vulnerable, seductive yet innocent, wizened through experience and yet youthful.
Slated for release in 2016, Strays In The Cut EP is the long awaited follow-up to Behold A Pale Horse and the EP reportedly has the New York-based singer/songwriter pushing her musical and songwriting boundaries. As Anna Rose explains in press notes “I am very much an album artist and a storyteller, so the idea of scaling it all back to the size of an EP was a challenge in itself. It forced me to look at the songs in a different way, the production, everything. These six songs needed to tell the whole story. The limitations I placed on the length made the process so much more imaginative in every other aspect.” “Start A War,” Strays In The Cut‘s first single possesses a somewhat stripped down, country and blues-leaning arrangement that’s roomy enough for Rose’s unhurried and expressive vocals. It’s a slow-burning and spectral ballad full of lingering ghosts of past relationships and lovers, past resentments and a past that routinely finds a way to poke its way through your present at a random moment. But the song does so with a quiet and understanding acceptance a a subtle sense of regret.
Anna Rose’s recently released sophomore effort, Behold A Pale Horse manages to reflect Menken’s extraordinary growth as an artist, performer and as a person. On the sultry, country blues single, “Los Angeles,” Menken is a confident, commanding […]
Communion feating Carrie Ashley Hill, Michael Kiwanuka and Anna Rose Rockwood Music Hall January 7, 2014 Communion hosts a monthly series a of live music nights in a number of venues across both the States and […]
Ebony Bones’ whose stage name was originally coined by the Damned’s Rat Scabies has developed a reputation for a sound that adeptly blurs the genre boundaries between punk, pop, soul and even hip hop. But […]
August 6th marks the long anticipated release of Anna Rose’s sophomore effort, Behold A Pale Horse. As the follow up to her critically well-received debut, Nomad, Pale Horse is more than a sonic departure from her debut, […]
Singer, songwriter and producer Ebony Bones had her stage name coined by the Damned’s Rat Scabies. And much like countless other musicians, her love of music developed at a very early age – in particular, […]