Tag: Blushing Tether EP

New Video: Austin-based JOVM Mainstays Blushing Release a Hazy and Mind Bending Visual for “So Many”

Over the past couple of years, I’ve written quite a bit about the Austin, TX-based dream pop/shoegaze quartet Blushing and the act — comprised of two married couples — Christina Carmona (vocals, bass) and Noe Carmona (guitar, keys) and Michelle Soto (guitar, vocals) and Jake Soto (drums) — can trace its origins back to 2015, when after spending several years of writing material on guitar, Michelle Soto recrutied her classically trained friend Christina Carmona to join her new project. Shortly after the band’s founding duo started the band, they recruited their spouses to complete the band’s lineup.

The then-newly formed quartet spent the next year writing and revising material Bad Wolf Recordings to record their debut EP Tether, which was released to positive reviews across the blogosphere, including this site. Building upon a growing profile, the Austin-based shoegazers returned to the studio to record their sophomore EP Weak, an effort that further cemented their reputation for crafting material indebted to Lush, Cocteau Twins and The Sundays — while revealing a gentle refinement of the sound that first caught the attention of this site and the rest of the blogosphere.

The Austin-based JOVM mainstays ended last year with the release of the Elliot Frazier-produced and mixed “The Truth”/”Sunshine” 7 inch, which was released both digitally and on colored vinyl through The Nothing Song Records. That single found the band further expanding upon their sound with “The Truth” being one of the more muscular songs of their growing catalog while retaining a hazy vibe. Adding to a growing profile, the members of Blushing have shared stages with the likes of Snail Mail, Sunflower Bean, La Luz, BRONCHO, Illuminati Hotties, Yumi Zouma and others.

Now, as you may recall, this year may arguably be one of the biggest years of the band’s relatively short history: they made their second SXSW appearance this year, and the band’s highly-anticipated, self-titled full-length debut is slated for a September 6, 2019 release through Wallflower Records here in the States and on CD through Hands and Moment Records in Japan. “Dream Merchants,” the album’s first single was a woozy and swirling track that continued in a similar vein of “The Truth” — and while centered around the dual, ethereal harmonizing of Christina Carmona and Michelle Soto, the track evokes the sensation of a vivid yet half-remembered dream. 

“So Many,” the debut album’s latest single begins with a brooding and wistful intro centered around shimmering and reverb-drenched guitars and the dual, ethereal harmonizing of Christina Carmona and Michelle Soto before turning into a turbulent and towering storm, revealing a band that can balance explosive noise with gorgeous melodicism. Interestingly, the song lyrically was inspired by the vicious cycle of frustration and defeat that Michelle witnessed her son go through while dealing with attention and concentration issues in school. Her son’s struggles forced her to realize that she also struggled through many of the same obstacles in her own daily life. 

Interestingly, the recently released video is hazy, Memento-like visual in which the timeline at points run forwards and backwards, as it focuses on the Polaroid pictures of several mundane, daily moments in the life of its protagonist. Underneath the photos, someone has written a line of the song’s lyrics — and we see them thrown into a metal bowl, as someone lights them on fire. The video manages to evoke the sense of frustration, defeat and procrastination that frequently affects those who have trouble focusing on one thing at a time. 

Advertisements

New Video: Austin-based JOVM Mainstays Blushing Release Woozy and Hallucinatory Visuals for “Dream Merchants”

I’ve written quite a bit about the Austin, TX-based dream pop/shoegaze quartet Blushing over the years, and as you may recall, the act, which is comprised of two married couples — Christina Carmona (vocals, bass) and Noe Carmona (guitar, keys) and Michelle Soto (guitar, vocals) and Jake Soto (drums) can trace its origins back to 2015 when after several years of writing material on guitar, Michelle Soto recruited her classically trained friend Christina Carmona to join her new project. Shortly after, Soto and Carmona recruited their spouses to complete the band’s lineup.

The then-newly formed quartet spent the following year or so writing and revising material before heading to Bad Wolf Recordings to record their debut EP Tetherwhich was released to positive reviews across the blogosphere, including this site. Building upon a growing profile, the Austin-based shoe gazers returned to the studio to record their sophomore EP Weak, which featured EP title track “Weak,” a track that further cemented their reputation for crafting material that was indebted to LushCocteau Twins and The Sundays while being a gentle refinement of the sound and aesthetic that first caught the attention of this site and the rest of the blogosphere.

Blushing ended last year with the release of the Elliot Frazier-produced and mixed “The Truth”/”Sunshine” 7 inch, which was released both digitally and on colored vinyl through The Nothing Song Records. “The Truth”/”Sunshine” 7 inch found the Austin-based JOVM mainstays expanding upon their sound with “The Truth” being one of the more muscular songs of their growing catalog while retaining the haziness that has won the attention of the blogosphere.

2019 may arguably be one of the biggest years of the band’s relatively short history: they’ve made their second SXSW showcase earlier this year, which they followed with their first West Coast tour — and their highly anticipated full-length debut is slated for release this summer. The full-length album’s first single is the woozy and swirling “Dream Merchants,” a track that continues in a similar muscular and feedback-filled vein as “The Truth” — and while centered around the dual, ethereal harmonizing of Christina Carmona and Michelle Soto, the track evokes the sensation of a vivid yet half-remembered dream. Unsurprisingly, the track is about the power of dreams and their premonitory value on waking life.

The recently released video is an acid-tinged hallucination that’s split between footage of the members of the band performing in front of a psychedelic background, the writing of the song fueled by an incredibly vivid dream and a brush with the occult. “The video concept came about because Christina had a dream about a dear friend who passed away. In the dream he was telling her to go to New Orleans,” the band explains in press notes. “A month later we were planning our trip back from Athens Georgia where we were playing Athens Pop Fest and realized we would be driving back through New Orleans. She decided she should get a tarot reading while there because of the significant coincidence. Unfortunately the tarot reading wasn’t able to happen but it did inspire the lyrics she sings during the bridge and the music video where we see her get a reading.

New Video: JOVM Mainstays Blushing Return with Wistful and Hazy Visuals for “The Truth”

Over the past couple of years, I’ve written a bit about the Austin, TX-based dream pop/shoegaze quartet Blushing. And as you may recall, the act, which is comprised of two married couples — Christina Carmona (vocals, bass) and Noe Carmona (guitar, keys) and Michelle Soto (guitar, vocals) and Jake Soto (drums) can trace its origins back to 2015. As the story goes, after spending several years writing material on guitar, Michelle Soto recruited her classically trained friend Christina Carmona to join her new project, and shortly after, Soto and Carmona recruited their spouses to complete the band’s lineup. The quartet spent about a year or so writing and revising material before heading to Bad Wolf Recordings to record their debut EP Tether, which was released to positive reviews across the blogosphere, including this site. 

Building upon a growing profile, the Austin-based shoegazers returned to the studio to record their sophomore EP Weak, which was released through Austin Town Hall Records last year. And from EP title track “Weak,” the band further cemented their reputation for crafting material that sonically was indebted to the likes of Lush, Cocteau Twins and The Sundays while being a gentle refinement of the sound and aesthetic that first caught the attention of this site and the rest of the blogosphere. The members of Blushing ending last year with the release of the Elliot Frazier-produced and mixed “The Truth”/”Sunshine” 7 inch, which was released both digitally and on colored vinyl through The Nothing Song Records. Interestingly, the 7 inch found Blushing expanding upon their sound with “The Truth” arguably being one of the most muscular songs in their growing catalog while retaining the haziness that have drawn the attention of fans and critics. Centered around layers of shimmering  guitar lines, thundering drumming, Michelle Soto’s and Christina Carmona’s gorgeously ethereal vocals and a soaring hook within an expansive song structure. Sonically the song’s haziness is paired with hazy lyrics that seem to depict a growing love affair between two equally insecure and neurotic people, who can’t seem to get out of their own way — and are afraid of getting hurt. But at the end of the day, the most important thing is to be in — and in turn, feel — the present moment; it’s all we got. 

Produced and directed by Kendall Chapman, the recently released video for “The Truth” finds Michelle Soto and Christina Carmona alternating between brooding and goofing off in a local arcade, where they win enough tickets for silly string, some glow in the dark plastic swords, bubbles and goof off with their spouses; but throughout there’s a wistful feel to the proceedings, as though there’s the recognition that all things must end. 

2019 looks to be a huge year for the Austin-based shoegazers: they’ll be making their second official SXSW showcase appearance, which they’ll follow up with their first West Coast tour  — and their highly-anticipated full-length debut is slated for release in March. Hopefully, they’ll be making a New York City area stop at some point! 

Last year, I wrote a bit about he Austin, TX-based dream pop/shoegaze quartet Blushing, and as you may recall, the act which is comprised of two married couples — Christina Carmona (vocals, bass) and Noe Carmona (guitar, keys) and Michelle Soto (guitar, vocals) and Jake Soto (drums) can trace its origins back to 2015, when Michelle Soto recruited her classically trained friend Christina Carmona to join her new project, after spending several years writing material on guitar. Soto and Carmona then recruited their spouses to complete the band’s lineup. And after about a year of writing and revising material, they went into Bad Wolf Recordings to record their debut EP Tether, an effort that at points recalled A Storm in Heaven-era The Verve and Lightfoils Hierarchy.

Building upon a growing profile and the positive reception of their debut EP, the Austin-based shoegazers returned to the studio to record their sophomore EP Weak, which was released through Austin Town Hall Records earlier this year, and from EP single and title track “Weak,” the band further cemented their reputation for crafting material that sonically was indebted to the likes of Lush, Cocteau Twins and The Sundays —  and while arguably being one of the more direct and anthemic songs of their growing catalog, the song revealed a gentle refinement of the overall sound and aesthetic that first caught the attention of the blogosphere. Adding to a busy year, the band recently released the Elliot Frazier-produced and mixed “The Truth”/”Sunshine” 7 inch both digitally and on colored vinyl through The Nothing Song Records, and the 7 inch single represents a band that has yet again expanded upon their sound: “The Truth” is arguably the most muscular song they’ve released as it featured crunchy and fuzzy guitar lines, thundering drumming paired with soaring vocals. And throughout, there’s a decided focus on crafting an anthemic and rousing hook that sounds as though it inspired by 120 Minutes-era MTV before ending with a feedback-driven coda. “Sunshine,” the second track of the 7 inch is  arguably the most towering and expansive sound that the Austin-based shoegazers have released to date, as Christina Carmona’s and Michelle Soto’s vocals soar over layers of lushly shimmering and pedal effected guitars, a simple yet propulsive backbeat and a soaring hook while recalling A Storm in Heaven and Lightfoils but with a bold self-assurance. Both singles may be among the most ambitious and focused songwriting and playing the band has recorded to date, and I’m looking forward to the forthcoming full-length, slated for early next year.

 

 

 

 

 

 

New Video: Austin, TX Shoegazers Blushing Returns with Psychedelic Visuals for Shimmering New Single “Weak”

Comprised of two husband and wife couples, Christina Carmona (vocals, bass) and Noe Carmona (guitar, keys)  and Michelle Soto (guitar, vocals) and Jake Soto (drums), the Austin, TX-based dream pop/shoegaze quartet Blushing can trace its origins to the summer of 2015 when its founding member Michelle Soto recruited her classically trained friend Christina Carmona to join her new project, after several years of writing material on guitar.  Soto and Carmona then recruited their spouses to complete the band’s lineup and after about a year of writing and revising their material, the newly formed quartet went into Bad Wolf Recordings to record their debut EP Tether, which was mixed and mastered by Philip Odom and released earlier this year. Now, if you’ve been frequenting this site throughout the course of this year, you may recall that I wrote about the EP’s title track “Tether,” an immersive single that found the band pairing Christina Carmona’s and Michelle Soto’s ethereal harmonizing with shimmering guitar chords and a soaring hook that personally reminded me quite a bit of A Storm in Heaven-era The Verve and Lightfoils’ Hierarchy.  

Energized by the positive reception of their debut EP and a growing fan base, the Austin, TX-based shoegazers armed with a batch of new songs went into the studio to record what would eventually comprise their forthcoming sophomore EP, Weak, which is slated for a January 26, 2018 release through Austin Town Hall Records. And while EP title track and first single “Weak” will further cement the band’s growing reputation for crafting material deeply indebted to Lush, Cocteau Twins, The Sundays and others, complete with some gorgeously lush guitar work, the slow-burning single finds the band at their most direct and anthemic, revealing a gentle refinement of the overall sound that first caught attention. 

Directed, filmed and edited by Blushing’s Jake Soto with additional filming by Eddie Chavez, the recently released video for “Weak” was shot entirely on an iPhone in an Austin, TX-based studio, the video features the members of the band performing the song amidst swirling colors, shadows and lights — and occasionally in trippy slow motion, emphasizing the song’s psychedelic nature. 

Comprised of two husband and wife couples, Christina Carmona (vocals, bass) and Noe Carmona (guitar, keys)  and Michelle Soto (guitar, vocals) and Jake Soto (drums), the Austin, TX-based dream pop/shoegaze quartet Blushing can trace its origins to the summer of 2015 when its founding member Michelle Soto recruited her classically trained friend Christina Carmona to join her new project, after several years of writing material on guitar.  Soto and Carmona then recruited their spouses to complete the band’s lineup and after about a year of writing and revising their material, the newly formed quartet went into Bad Wolf Recordings to record their debut EP Tether, which was mixed and mastered by Philip Odom and released earlier this year.

“Tether,” the EP’s title track  and immersive first single finds the band pairing Carmona and Soto’s ethereal harmonizing with shimmering guitar chords, a propulsive rhythm section, a soaring hook and some guitar pyrotechnics during an immense solo in a way that brings to mind Cocteau Twins, The Sundays, Belly, Beach House, Real Estate and A Storm in Heaven-era The Verve and Lightfoils, complete with a subtly cosmic glow.