Tag: Brighton

Comprised of Trewin Howard (vocals, synths, production), along with Howard’s two childhood friends Jeb Hardwick (guitar) and Ed Sanderson (piano/synths), the Brighton, UK-based founding trio behind Phoria recruited Tim Douglas (bass, synth) and Seryn Burden (drums) to flesh out the band’s sound. And over the past couple of years, the Brighton, UK-based quintet have developed a growing national and international profile for crafting spectral and evocative soundscapes; in fact, 2014’s Display EP landed at #5 on Hype Machine’s charts, received airplay on BBC Radio 1 and BBC Radio 6 and received several million Spotify streams. They also have a burgeoning reputation for their live set which pairs Hardwick’s visual installations and projections with their live sound. Now, if you’ve been frequenting this site over the past couple of months you may have come across a post or two on the British quartet.

As the band’s primary songwriter Howard has publicly explained that he never really wanted to be a storyteller, and that he ascribes to the concept of saying very little to say a lot. And as as a result, the quintet’s material generally focuses on setting up a particular mood — while simultaneously focusing on a number of different themes. In press notes, Howard has mentioned that the material on Volition thematically touches upon love, sex, mortality, pain, joy, the way people interact, change and move each other and several other things. Earlier this year, I wrote about “Everything Beta,” the first single off the band’s recently released full-length debut Volition, a single that sounds indebted to  Amnesiac and King of Limbs-era Radiohead, as Howard’s ethereal and plaintive vocals are paired with clicking and clacking percussion, twinkling piano chords, buzzing synths and a subtly anthemic hook in a song that slowly builds up an unresolved tension before quickly fading out. And while ethereal, the song manages to evoke a desperately aching yearning at its core.

The album’s second and latest single “Loss” continues on a similar vein as “Everything Beta” as Howard’s delicate and yearning falsetto is paired with a sparse and ambient arrangement of twinkling keys, minimalist beats, shimmering synths and a hauntingly beautiful string arrangement to evoke a sense of profound, inconsolable loss in what may arguably be the most gorgeous song the Brighton-based band has released to date.

 

If you’ve been frequenting this site over the past year, you may have stumbled across a post on recent JOVM mainstay, Copenhagen-born, London-based vocalist and electro pop artist Marie Dahlstrøm— and in fact, you might recall that I’ve recently written about her collaborative project with Canadian producer Mwahs — Hans Island. However, Dahlstrom, a three-time Scandinavian Soul Award winner has developed a reputation as an up-and-coming solo artist, who has received attention across both Scandinavia and the European Union for her silky smooth, effortlessly soulful vocals with covers of Phil Collins, Chris Brown and Rihanna, as well as her debut EP, Feelings. 

2016 looks to be a big year for the Danish-born, London-based artist as the follow-up to Feelings is slated to be released later this year. Now you might recall that early last year I wrote about  the EP’s first single “Look the Other Way.” Produced by DK The Punisher, who’s best known for his work with Justin Beiber on Beibers’s “All That Matters, the track had Dahlstrøm teaming up with Brighton, UK-based vocalist Sophie Faith in a song that thematically nodded at Brandy and Monica’s 1998 duet/battle “The Boy Is Mine” as the single has Dahlstrøm and Faith alternating vocal responsibilities on each verse and teaming up on the chorus, as the song’s dueling narrators openly question the state of their romantic relationships with the love interest at the center of the song. Sonically speaking, the song paired Faith’s equally effortless soulful vocals and Dahlstrøm’s cooing with icily cascading and twinkling synths and hip-hop influenced beats.

Produced by Joe Garrett, who has worked on Zayn Malik‘s “Pillowtalk,” the EP’s second single and latest single “Crashing Down” is a gauzy, Quiet Storm-inspired yet contemporary track that paris Dahlstrøm’s silky smooth vocals with swirling electronics, Mary J. Blige What’s the 411? inspired hip-hop soul beats and stuttering percussion. As Dahlstrøm explained in press notes the song “is about the feeling of always searching, instead of being present in the moment. It’s about giving in and realizing that you’re exactly where you need to be.” Truer words have yet to be spoken this year at least, and the fact that the Copenhagen-born, London-based artist’s material is presumably based around lived-in experience sets her apart from countless soulless and prepackaged contemporary pop artists.

 

 

https://scache.vevo.com/m/html/embed.html?video=QM7281442383&playerType=embedded Over the last couple of months you may have come across the Brighton, UK-based indie pop sensation, Fickle Friends. Consisting of Natassja Shiner,  Sam Morris, Harry Herrington, Chris Hall and Jack Wilson, the British quintet’s latest single “For You” […]