Tag: Franz Ferdinand

New Audio: Franz Ferdinand Continues Their Run of Shimmering and Quirky Dance Floor Friendly Singles

Currently comprised of founding quartet Alex Kapranos (lead vocals, guitar), Nick McCarthy (rhythm guitar, keys and backing vocals), Bob Hardy (bass) and Paul Thomson (drums, percussion and backing vocals), along with newest Julian Corrie (keys, synths, guitar and backing band), who joined last year, replacing founding member Nick McCarthy, the Glasgow, Scotland, UK-based indie rock/post punk act Franz Ferdinand formed back in 2002.  And with the release of their first two singles “Darts of Pleasure” and “Take Me Out” the members of the Scottish indie rock act quickly saw commercial and critical success — with “Take Me Out,” the band’s signature song peaking within the Top of the UK Singles Chart, and later earning a Grammy nomination for Best Rock Performance by Duo or Group with Vocal. Additionally, not only did their eponymous, 2004 full-length debut received a Grammy nomination for Best Alternative Album and won the Mercury Prize, the band established themselves at the forefront of the post punk revival movement. Along with that, the band has won two Brit Awards — one for Best British Group, as well as one NME Award. 

Their 2005 Rich Costey-produced sophomore effort, You Could Have It So Much Better was released to critical and commercial success with the album peaking within the Top Ten Charts in multiple countries, with the album receiving a nomination for Best Alternative Album and “Do You Want To” receiving a nomination for Best Performance by Duo or Group with Vocal. However, 2009’s Tonight: Franz Ferdinand found the band moving from the post-punk sound that first won them international attention to a much more dance friendly sound while continuing an impressive streak of commercial and critical success. They promptly followed that up with a remix album of Tonight, titled Blood, which was released that summer. 

2013 saw the release of Right Thoughts, Right Words, Right Action and they followed that up with teaming up with Sparks to form a supergroup FFS, which released their self-tiltled album in 2015. The renowned Scottish band’s fifth full-length album Always Ascending is slated for a February 9, 2018 release and the album’s latest single “Feel The Love Go,” finds the band continuing with a dance floor friendly, disco-era inspired sound while retaining elements of the Gang of Four-like post punk that first won them international attention as they pair angular guitar chords, sinuous bass lines, four-on-the-floor drumming and thumping beats with arpeggiated synths, warm blasts of soulful, Hall and Oates-like saxophone and razor sharp hooks. And yet interestingly enough, the song also finds the band maintaining their unique ability to craft quirky, white boy funk. 

New Audio: Mute Records to Re-issue Series of Albums by Influential Cult Favorited Genre Bending British Post-Punk Band

Featuring a core lineup of Jeremy Kerr, Martin Moscrop and Donald Johnson with a rotating cast of members to full out the band, the Manchester-based post-punk band A Certain Ratio formed in 1978 — and naturally, while embracing the ethics and culture of the post-punk era, they had developed a reputation for being uncompromisingly difficult to pigeonhole, as their sound incorporated elements of funk, jazz, punk and rock while employing electronics, tape loops and early technology.

With the release of the critically applauded and commercially successful single “Shack Up,” on both sides of the Atlantic, the Manchester-based band became hailed as pioneers of a sound dubbed “punk funk,” and as a result that single and the rest of the work they’ve released together has managed to influence an incredible and impressive array of acts including Talking Heads, LCD Soundsystem, Happy Mondays, Franz Ferdinand, ESG, Factory Floor and Andrew Weatherall among others — all of which has led to an increased interest in the British post-punk act and their catalog; in fact, the members of A Certain Ratio and renowned indie label Mute Records announced the launch of a long-awaited series of re-issues, featuring a selection of the influential Manchester band’s albums and will continue into 2018 with a compilation, a rarities box set and further re-issues.

Starting on November 24, 2017 the Mute Records-A Certain Ratio re-issue series will begin with the re-issue of the Manchester band’s debut, The Graveyard and The Ballroom, which was originally released through Factory Records in December 1979. The album will be available on limited edition vinyl with colored PVC sleeve, CD (and echoing its original release 38 years ago), cassette. Mute will also be re-issuing 1981’s To Each and 1986’s Force on colored vinyl and CD. While being superficially reminiscent of Entertainment! and Solid Gold-era Gang of Four, thanks in part to the angular guitar attack, The Graveyard and The Ballroom’s re-issue single “Do the Du,” possesses a disco-like bass line paired with vocalist, who sounds anxious and distracted in an all too post-modern fashion — and with a deeper, more attentive ear, you’l hear echoes of Talking Heads 77 and Fear of Music-era Talking Heads (think of “Psycho Killer,” and “I Zimbra”) with a hint of mod-era rock. 

New Audio: clipping’s Vicious Anti-Donald Trump Diss Track “Fat Fingers”

Recently, the trio participated in the 30 Songs, 30 Days project, contributing a vicious and scathing anti-Donald Trump diss track “Fat Fingers” in which Diggs references Nas’ legendary diss track “Ether” and the Canadian anthem “O, Canada” to a sparse yet forcefully minimalist production featuring a sample of people whislting the melody of the Canadian anthem, boom bap-beats, industrial clang and clatter. Fuck Donald Trump and everything about him and his family!