Tag: Munich Germany

Tim Bernhardt is a Munich-based electronic music producer, who has had a lengthy and successful career of releasing house music under a number of different aliases. Bernhardt’s latest project Satin Jackets was created over a decade ago as a way for the German producer to explore his lifelong love of disco and the clean, polished productions of acts like CHIC and Trevor Horn.

Bernhardt’s second Satin Jackets album, 2019’s Solar Nights was one of the most successful nu-disco records of recent memory, and the subsequent years after the album’s response should have been extremely busy with sets across the global club and festival circuits. But much like the rest of us, the pandemic limited Bernhardt to the four walls of his new Munich studio. Without live music and touring, the rising German producer wound up — much like countless other artists — turning to the internet to keep in touch with his fans and to sow the seeds for what would become his forthcoming, third album Reunion.

Throughout 2020 we recorded a number of what we called Lockdown Streams” Bernhardt explains in press notes. Without virtually no promotion, Bernhardt’s Lockdown Streams wound up being streamed over 1.5 million times — but for the rising German producer, the real reward was the response from fans. “We had so many positive comments from people saying how these streams had helped through difficult times or simply put a much needed smile on their faces. Despite being unable to connect in person, these sessions helped me rediscover the power that music can have to create shared moments.”

“It allowed me to rediscover the connection between what I do and what people feel and that fed directly into making Reunion,” Bernhardt continues. “There’s a lot of despair and division in the world right now but it is so important we try to stay positive and hold onto the things that bring us together. There’s few things that can do that more than music, and that was the thought I took with me when I started work on this album. Not just the idea that music brings people together but going beyond that, asking why we do the things that we do and feel what we feel.”

While Bernhardt was able to connect with his fans online, he was also able to reach out to his friends and collaborators around the world, reuniting with many of the vocalists and songwriters, who had contributed their talents to his first two albums — 2016’s Panorama Pacifco and 2019’s aforementioned Solar Nights.

Where the first two Satin Jackets albums saw Bernhardt attempting to first develop his own sound and then elevate his production to another level, Reunion reportedly reveals an artist who has become confident in his abilities and artistic vision, has become completely at ease in the studio — all while expanding upon his sound.

“The feelings that music inspires can be intensely personal but at the same time it’s a universal language that can help us communicate and break down the barriers between us and connect,”  Bernhardt says. “So this album is meant as a canvas for people to paint the colours of their existence onto and share with others, an escape from a sometimes harsh reality but also an offer of a common space where we might remember what makes us stronger.”

Reunion‘s second and latest single “Different Directions” is a slickly produced, lounge meets alt pop take on house music centered around warm bursts of guitar, layers of glistening synth arpeggios, skittering beats and an infectious, razor sharp hook paired Belgian vocalist Ivy Falls‘ sultry yet plaintive delivery. The end result is a song that’s a chilled out, summery banger that you can nod your head to — while contemplating the song’s lyrics.

Reunion is slated for an August 26, 2022 release through Eskimo Recordings. Be on the lookout.



Reunion, the third album from Satin Jackets releasing this summer on Eskimo Recordings, is a stunning follow up to the German producer’s first two critically acclaimed albums, featuring 14 stunning tracks of nu-disco, house, leftfield pop and guest vocals from the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up and coming British singer Tailor.

Today, the acclaimed German nu-disco artist Satin Jacketshas released “Different Directions”, featuring the vocals of Belgian singer Ivy Falls. This new single will appear on the forthcoming Satin Jackets double LP Reunion, which will be released in full on August 26th, 2022 via Eskimo Recordings and is available for preorder now. “Different Directions” is a smooth bit of chilled-out, loungey nu-disco pop in the style of groups modern Poolside & Jungle –  a perfect soundtrack for cruising out into the rest of your summer.

New Video: Sissysocks’ Yearning and Ethereal “Augsburg”

Sissysocks is a Melbourne-based singer/songwriter and producer, who crafts ambient and atmospheric synth pop. The Melbourne-based artist’s forthcoming James Cecil-produced album Slink Away is slated for a September 3, 2021 release.

Slink Away’s latest single “Augsburg,” continues a run of atmospheric synth pop centered around shimmering and reverb-drenched synth arpeggios, thumping and skittering beats serving as a silkly bed for the Melbourne-based artist’s achingly tender and yearning vocals. “The song is about looking for things in the wrong places, and making the game mistakes again,” Sissysocks explains. “It was written after spending a short time in Augsburg, outside of Munich.”

dream full of longing and nostalgia: we follow a presumably undead woman through a lonely few days in which she longs to see her favorite artist live again. Walking through town to the club, passerby look at the woman with disgust, loathing and disbelief — but when she gets to the club, she shares a deeply intimate connection with the artist.

Live Footage: HAERTS Performs “For The Sky” on “Late Show with Stephen Colbert”

Throughout the course of this site’s decade-plus history, I’ve spilled copious amounts of virtual ink covering JOVM mainstays HAERTS. Tracing their origins back to a budding high school romance in Munich, the acclaimed indie pop act have evolved as its founding (and core) duo — Nini Fabi (vocals) and Benny Gebert (keys, guitar) — have evolved: HAERTS was formed when the duo met their now-former bandmates while studying at Berklee College of Music. Upon graduation, the quintet relocated to Brooklyn, where they quickly built up a profile and released their major label, self-titled, Jean-Philip Grobler-produced. full-length debut.

After a series of lineup changes in which the band’s founding duo has remained, Fabi and Gebert relocated to the woods of Upstate New York, where they worked on and released their sophomore album, 2018’s New Compassion. Since the release of New Compassion, Fabi and Gebert have embraced their early international roots by splitting their time between Berlin and New York — and during that same period, they have been fueled by a renewed spirit of collaboration with musicians and visual artists they’ve long admired including Grizzly Bear’s Ed Droste and Julian Klincewicz, who they worked with on POWER/LAND.

As you may recall, the duo’s third album Dream Nationis slated for a March 12, 2021 release, and the album’s material is reportedly marked by a sense of urgent intensity: Fabi and Gebert wrote the album over the course of about a month — and as soon as they finished, they recorded most of the album with their touring band during a week-long, live recording session in New York. Then they went to Los Angeles, where they put the finishing touches on the album and collaborated with Ed Droste on the album’s first single “For the Sky.” (I’ll be getting to that one in a little bit.)

Sonically, Dream Nation will continue to draw their long-held comparisons to Fleetwood Mac and First Aid Kit, but with subtle nods at Portishead and Lamb. “We went into the studio without setting limits or parameters other than that we wanted to make a record that moves you emotionally and physically,” Fabi and Gebert explain. “We wanted it to feel like an invitation into the strange and fantastical night time world, like the songs they play just before the lights come on, when the party is almost over, and the polish is gone.”

Recently Fabi and Gebert were on Late Show with Stephen Colbert, where they performed a gorgeous, acoustic version of Dream Nation’s first single “For the Sky,” a song that as Nini Fabi explained in press notes “came from a dream I had when I first found out that I was pregnant, which was the catalyst and beginning of writing new music.” Naturally, the acoustic version finds HAERTS stripping the layers of the studio version to leave the studs and beams — Fabi’s soaring vocals and the song’s heartfelt, lived-in lyricism.

The live footage was shot in a paradisal backyard and features HAERTS’ core duo with their gurgling, new baby. And admittedly while the live version of the song is just gorgeous, there are few things that I find myself drawn to:

This family is so adorable. They radiate love and happiness.
The kid is absolutely in love with mom’s voice.
Imagine this child being told that they inspired an album and its first single before they were even here; that mom shot a video for that same song, pregnant with you; and when you were finally here, they performed the song on Colbert with you in her lap.

Throughout the course of this site’s decade-plus history, I’ve spilled copious amounts of virtual ink covering JOVM mainstays HAERTS. Tracing their origins back to a budding high school romance in Munich, the acclaimed indie pop act have evolved as its founding (and core) duo — Nini Fabi (vocals) and Benny Gebert (keys, guitar) — have evolved: HAERTS was formed when the duo met their now-former bandmates while studying at Berklee College of Music. And upon graduation, the quintet relocated to Brooklyn, where they quickly built up a profile and released their major label, self-titled, Jean-Philip Grobler-produced. full-length debut. 

After a series of lineup changes, the JOVM mainstays settled to its current lineup — its founding and core duo — and relocated to the Upstate New York woods, where they wrote and recorded their sophomore album, 2018’s New Compassion. Since the release of New Compassion, Fabi and Gebert have fully embraced their multi-national roots by splitting time between Berlin and New York. Around the same time, the duo have found themselves fueled by a renewed spirit of collaboration with artists and visual artists they’ve long admired, including Grizzly Bear’s Ed Droste and Julian Klincewicz, who they worked with on POWER/LAND

As you may recall, the duo’s third album Dream Nation is slated for a March 12, 2021 release, and reportedly the album’s material is marked by a sense of urgent intensity: Fabi and Gebert wrote the album over the course of about a month — and as soon as they finished, they recorded most of the album with their touring band during a week-long, live recording session in New York. Then they went to Los Angeles, where they put the finishing touches on the album and collaborated with Ed Droste on the album’s first single “For the Sky.”

Sonically, Dream Nation will continue to draw their long-held comparisons to Fleetwood Mac and First Aid Kit, but with subtle nods at Portishead and Lamb. “We went into the studio without setting limits or parameters other than that we wanted to make a record that moves you emotionally and physically,” Fabi and Gebert explain. “We wanted it to feel like an invitation into the strange and fantastical night time world, like the songs they play just before the lights come on, when the party is almost over, and the polish is gone.”

I’ve written about two of the album’s released singles:

  • The aforementioned “For the Sky.” Prominently featuring Fabi’s gorgeous vocals, shimmering guitars, persistent drumming, a soaring hook and a guest spot from Grizzly Bear’s Ed Droste, “For the Sky” continues a run of carefully crafted pop centered around lived-in lyricism.
  • It’s Too Late” is a glistening, hook-driven pop confection that sonically — to my ears, at least — is a slick synthesis of Fleetwood Mac, Shuggie OtisAvalon-era Roxy Music.

“Shivering,” Dream Nation’s latest single is centered around an arpeggiated organ groove, stuttering four-on-the-floor, a shimmering guitar solo, jazz funk and disco vibes and Fabi’s gorgeous and plaintive vocals. But just under the sinuous, dance floor friendly surface, there’s something much darker — with the song subtly evoking the desperate attempt to get one’s quickly racing mind in check.

“The song came from this organ groove Benny came up with and the onomatopoeic quality of the word ‘Shivering’ itself,” HAERTS’ Fabi explains in press notes. “It’s about the obsession and attraction of the things which give us anxiety and disturb us. In a way it’s our soundtrack to a panic attack.”

New Video: Follow a Fierce Woman with a Cannon Through the Streets of Munich in the Visuals for Moullinex’s “Work It Out”

Luis Clara Gomes is a critically applauded Lisbon, Portugal-born, Munich, Germany-based multi-instrumentalist, electronic music artist and producer best known as Moullinex, who can trace the origins of his musical career to a childhood being surrounded by music and musicians at an early age; in fact, his childhood has been so influential to him, that throughout his own career, he has refused to adhere to a specific genre or scene — although he has developed a reputation for crafting organic instrumentation and arrangements with disco and house music, and for a deliberate, careful attention to melody. And as a result, Gomes has remixed the work of Cut Copy, Sebastien Teller, Two Door Cinema Club and a lengthy list of others, as well as collaborated with Peaches for a disco rework of “Maniac.” Along with his frequent collaborator and guitarist in his backing band Bruno Cadoso, best known as Xinobi, Gomes co-founded the Discotexas imprint and the The Discotexas Band, the label’s house band, which features Gomes, Xinobi and Luis Calçada.
Hypersex, Gomes’ third Moullinex album is slated for release later this fall, and the album is reportedly a collective love letter to club culture, celebrating its inclusion and acceptance of difference. And the album’s latest single “Work It Out” is a swaggering bit of 80s-inspired synth funk that draws from Rick James, Cameo, Prince, Cherelle and others that features Azari & III’s Fritz Helder — and much like the artists that influenced them, the collaboration between the two consists of a sultry and sweaty yet funky groove and punchily delivered lyrics; but interestingly enough much like Boulevard’s “Got To Go,” the song is a celebratory kiss off, when you’ve finally gotten sick of someone’s bullshit and want them to just get out of your face. 

Directed by João Pedro Vale and Nuno Alexandre Ferreira follows a coolly, self-assured woman with an enormous phallic-shaped cannon through the streets of Munich that’s presented like a series of Instagram photos stitched together.