Tag: The Pixies

After stints in bands like Kite Flying Society, Saving Twilight, The Weak Ends and The Wonderers throughout the early 2000s, singer/songwriter and multi-instrumentalist Geannie Friedman initially founded Semihelix in Austin, back in 2012 as a solo recording project in which she used drum beats, keyboards for bass lines while accompanying her vocals with guitar. After several lineup changes, the band eventually settled on their current lineup: Friedman (vocals, guitar), Valdemar Barrrera (drums) and Kevin Martin (bass).

Influenced by My Bloody Valentine, The Kinks, Black Tambourine, Sebadoh, The Pixies and Sonic Youth, the Austin-based act have established and cemented a sound that’s one part dream pop, one part 90s psych fuzz and delay with melodic yet loud sounds. The trio’s latest single “New Destination” finds the band crafting a song that to my ears, sounds indebted to New Zealand jangle pop, Katy Goodman’s work with La Sera and acts like Seapony, complete with an infectious and rousingly anthemic hook. But just underneath the sunny vibes, the song tells a tale of a narrator discovering the resilience she’ll need for the slings and arrows of the rest of her life.

“The catalyst behind the idea for this song came from a place where I felt ostracized and bullied in my hometown,” Semihelix’s Geannie Friedman explains. “I wrote about how moving and starting new would help to heal from many experiences of feeling like an outsider.
 
“Also, having been in relationships with others that weren’t healthy, it was a time for me to learn how to be happy on my own without being dependent on a relationship for happiness. Although I wrote this song over a decade ago when I was in my 20s, it’s a song that I relate to for many stages in my life, where I’m leaving behind and shedding the old, and renewing into someone stronger and resilient.”

 

New Video: Chilean Shoegazers MAFF Release Eerie 120 Minutes MTV-like Visuals for Cinematic “Act 2”

Currently comprised of childhood friends and founding members Richard Gómez (vocals, bass and guitar) and Nicolás “Nek” Colombres (drums), along with the band’s newest members, Valentina Cardenas (bass) and Martin Colombres (guitar), the Santiago, Chile-based shoegazer act MAFF formed back in 2012 but interestingly enough the band can trace its origins to Gómez and Colombres collaborating in a number of local punk bands before starting their latest project, which is largely influenced by The Jesus and Mary Chain, The Pixies, RIDE, Sonic Youth and My Bloody Valentine. Now, if you had been frequenting this site a few years ago, you may recall that the Chilean shoegazers’ self-titled debut received attention both nationally and internationally among musicians, critics and fans for material that thematically explored innocence, mysticism, love, loss, freedom and timelessness among other things.

Since the release of their full-length debut, the acclaimed Colombian shoegazers went on a lengthy hiatus in which Gomez fathered a daughter, Augusta, who wound up inspiring their soon-to-be released EP Melaniña, an effort that derives it’s name from an amalgamation of the word melanin, chosen because Augusta Gomez is slightly albino with the Spanish word for little girl, niña. The album artwork, which was created by the band’s Nicolas Colombres, features an image of little Augusta, who witnessed the entire creative process of the EP.  “During our break between albums, I learned to be a father and learned to play the guitar. I started to write music surrounded by new feelings in my life,” Ricardo Gomez says in press notes. “It is always fascinating to keep learning new things, and I was fortunate to have these two moment’s crash together in the same period of my life. I locked myself in my home studio and started to write music”. “She’s been my source of inspiration,” Gomez continues. “This is my gift to her.”
Melaniña’s latest single “Act 2” was written and conceived as a sequel to “Act 1” off the band’s self-titled album, and as a result the incredibly cinematic instrumental track features some impressive guitar pyrotechnics, with guitars played through effects pedals paired with a propulsive rhythm section — with an expansive yet dreamy vibe familiar to classic shoegaze that also nods at Finelines-era My Vitriol and Collapse Under the Empire.
Directed by Tim Busko, the recently video continues the band’s ongoing collaboration with the Pennsylvania-based director and filmmaker, and much like its predecessor, the black and white video is comprised of shaky, handheld images of household items — radios, teacups, breakfast food, household plants, model planes, kids playing and natural phenomenon with a creepy yet hallucinogenic feel.