Best known as the founding member of New York-based alt rock acts, The Jon Spencer Blues Explosion, Boss Hog, Heavy Trash and Pussy Galore, Jon Spencer will be releasing his first solo album, Spencer Sings the Hits! on November 9, 2018 through In The Red Records, and the Bill Skibbe-produced album, finds the renowned guitarist and frontman embracing a DIY approach while collaborating with Quasi‘s and Heatmiser’s Sam Coombes and M. Sord. Now, as you may recall, earlier this year, I wrote about “Do The Trash Can.” Spencer Sings the Hits!’ first single, a blistering, scuzzy and abrasive ripper that drew from blues, industrial rock and metal centered snarling, garage punk attitude, caustic power chords and an oddly danceable groove.
Unsurprisingly, the album’s second and latest single is the swaggering and scuzzy industrial, garage blues “I Got the Hits,” and much like it’s predecessor, it’s an explosive ripper centered around explosive and abrasive guitar chords, a shit ton of double entendres and a propulsive junkyard groove that’s manages to be danceable and mosh pit friendly.
Directed by Alex Italics, the recently released video for “I Got the Hits” delves into the darkest and murkiest corners of America, and throughout the video we see a completely immobilized and helpless Jon Spencer, as life and sinister and shadowy figures lurk move around. “Over the past year I kept seeing wonderful and strange music videos that had one thing in common: all were directed by an Alex Italics,” Spencer explains in press notes. “I determined to track down this young auteur with the aim of getting a similar cinematic sensation for my new album Spencer Sings The Hits!. Alex turned out to be a mild-mannered young man from Tucson, Arizona living in Southern California. I gave him a free hand to pick the song and devise a treatment. The result is the scary slice-of-life that you can now see for yourself.”
“I love the creepy contrast with the song’s punk abandon,” Spencer continues. “We filmed at a rented house in Santa Ana. At the end of each day, after the nearby nightly Disneyland fireworks had faded and the cast and crew had left, I would sleep in a bunk bed in the child’s bedroom. Turns out doing an entire video laying on the floor is harder than it looks!”
Adds the video’s director, “nothin’ says ‘rock and roll’ like suburban angst, existential dread, and shadowy figures!”