With the release of her first two EPs Run and Waters, the London-based singer/songwriter and guitarist Eliza Shaddad quickly rose to international prominence, receiving praise from a number of major media outlets including The Fader, Nylon, Stereogum, The Line of Best Fit, The Independent, Clash, The 405, as well as airplay from BBC Radio 1, BBC Radio 1Xtra, Beats 1 Radio and countless others for a sound that some have compared to the likes of PJ Harvey, Cat Power and others.
Over the past few years, I’ve written quite a bit about the acclaimed British singer/songwriter, and as you may recall, Shaddad’s highly-anticipated full-length debut Future is slated for an October 26, 2018 release through Beatnik Creative. Earlier this year, I wrote about Future‘s second single “My Body,” a moody track featuring shoegazer-like atmospherics and a dark, seductive, trip hop-inspired groove that evoked a plaintive and uncertain need. “This Is My Cue” the album’s third single continued in a similar vein as its predecessor — moody atmospherics but centered around a candid and ironically rousing breakup song.
Future‘s fourth and latest single “Just Goes to Show” continues a run of atmospheric tracks with a deceptively anthemic nature but much like its immediate predecessor, the track is deeply confessional and unabashedly honest description of the desperate, uneasy feelings of a breakup –but from the perspective of the person being left behind to deal with the aftermath. And while some have compared the song to The Cranberries,Wolf Alice and Marika Hackman, the song isn’t completely dire as it (subtly) suggests that life and one’s heart does go on after a while.
Directed by Patrick Taylor, the recently released video was shot in one of Shaddad’s favorite venues in London, specifically decorated to fit, along with some willing friends and family as extras “(My little (big) bro is in it, and my cousins, in fact it’s a repeat performance from one:) The costume and hair and make up teams worked total miracles on all of us and then we channeled our inner teenagers and the result is something completely and bananasly different for me.” Of course, the video features Shaddad at a painfully awkward and terrible 90s-like prom, complete with its attendees doing sad two-steps, while the video’s protagonist sit off to the side singing the song before being asked to dance — while capturing the innermost thoughts, desires and frustrations of teenagers. Interestingly, as Shaddad says, the “song has always felt like the kind of thing that would be playing in one of those terrible but incredible 90s movies prom scenes and so I was dying to make a video played on that.”