New Video: S.G. Goodman’s Intimate and Cinematic Look at Southern Rural Life

S.G. Goodman is a rising Murray, KY-born and based singer/songwriter. Born and raised in a strict, church-going family of row crop farmers, near the Mississippi River, Goodman went from singing and playing in church three times a week to becoming a prominent member of Murray’s DIY arts and music scene, as well as an impassioned voice and presence in the political and social movements she supports.

Her forthcoming Jim James-produced full-length debut Old Time Feeling is slated for a May 29, 2020 release through Verve Forecast Records. Recorded at Louisville, KY-based La La Land Studio. which was specifically chosen by Goodman because it possessed her three favorite things — “a creek, a big porch and a kitchen,” the Old Time Feeling sessions were imbued with a familial and community touch: the Murray-born and-based singer/songwriter and guitarist cooked meals for the studio crew and her backing band, which includes her lifelong friends Matthew David Rowan (guitar) and S. Knox Montgomery (drums). The album is reportedly a brutally honest, complex and loving look at rural Southern life that debunks rural stereotypes while while thematically drawing from her own personal experiences as a gay woman in a rural and deeply religious Southern community and touches upon living with OCD, estrangement, reconciliation and loving your family and community although you might disagree with them on political and social issues. And from her Rockwood Music Hall, Communion set last month, the album’s material is a slick and seamless synthesis of old-school country, Delta blues and rockabilly centered around Goodman’s aching Patsy Cline-like vocals.

Old Time Feeling‘s first single “The Way I Talk” is a slow-burning and sultry country-tinged blues centered around a sinuous bass line, shimmering guitars, explosive peals of feedback, dramatic and forceful drumming and Goodman’s plaintive, Western Kentucky drawl. Much like “Coal Miner’s Daughter,” which “The Way I Talk” subtly references, the song is brutally honest look at the plight of the rural working class — in particular, the rural farming community she grew up: indeed, much like every other aspect of our lives, big business in concert with politicians have managed to exploit and destroy the lives and well-being of everything within their path, leaving the poor to fight the poor for limited resources and options. And while, the song is seethes with anger, there’s also defiant pride — in the fruits of hard and honest labor, of owning a piece of land and being able to pass it down to family, and so on.

The song is inspired by the plight of the farming community in Kentucky where I grew up, where big business and the laws that protect them have vast control over my community,” Goodman told The Fader. “It is a scary thing calling into question the very thing that put food on my table and is putting food on my niece’s table (she plays the little girl in the video). Isn’t that the case for every person working a factory line who is afraid to unionize? Or a fast food employee afraid to take sick leave to care for her kid? We are all expected to be thankful, not question, and shut our mouths.

Directed by Brandon Boyd, the recently released video for “The Way I Talk” is a cinematic and intimate look at rural Southern life that follows Goodman and her family through a day in their lives: while they tend to the little ones, there’s a sense that the adults recognize that their way of life is rapidly becoming unsustainable and will disappear, no matter how hard they fight.

Goodman is performing today at Rolling Stone‘s Women Shaping The Future event at Hudson Yards alongside Grace Potter, Overcoats, and Diana Gordon She’s opening for John Moreland on his headline tour throughout March and April, and will be opening for Nada Surf and Son Volt. Additionally, she’s playing at this year’s SXSW. The tour includes a March 27, 2020 stop at Music Hall of Williamsburg. Check out the tour dates below.

Tour Dates:


3/5 – Charlotte, NC – Recover

3/6 – Winston-Salem, NC – Gas Hill Drinking Room (Ramkat)

3/7 – Savannah, GA – Savannah Stopover

3/8 – Knoxville, – TN – Barley’s

3/17- Austin, TX – SXSW

3/18  – Austin TX – Yeti Party @ SXSW

3/18 – Austin, TX – St. David’s Historic Sanctuary @ SXSW

3/19 – Luck, TX – Luck Reunion

3/20 – Nashville, TN – Basement East +

3/21 – Knoxville, TN – Bijou Theatre +

3/22 – Asheville, NC – The Grey Eagle +

3/24 – Saxapahaw, NC – Haw River Ballroom +

3/25 – Washington, DC – Black Cat +

3/27 – Brooklyn, NY – Music Hall of Williamsburg +

3/28 – Philadelphia, PA – World Cafe Live +

3/29 – Boston, MA – The Sinclair +

3/31 – Montreal, QC – L’Esco +

4/1 – Toronto, ON – Horseshoe Tavern +

4/3 – Chicago, IL – Thalia Hall +

4/4 – East Moline, IA – The Rust Belt +

4/5 – Milwaukee, WI – The Back Room at Colectivo +

4/7 – Minneapolis, MN – The Fine Line +

4/8 – Omaha, NE – The Waiting Room +

4/9 – Wichita, KS – The Wave +

4/11 – Oklahoma City, OK – Tower Theatre +

4/24 – Decatur, AL Princess Theatre %

4/26 – McMinnville, TN – Cumberland Caverns %

4/28 – Louisville, KY – Headliners %

4/30 – Macon, GA – Cox Capital Theatre %

5/1 – Atlanta, GA – Shaky Knees

5/3 – Mobile, AL – Callaghan’s

5/8 – Birmingham, AL – Saturn

5/12-15 Philadelphia, PA – Non Commvention

5/23 – Burlington, VT – Higher Ground $

5/24 – Portland, ME – Port City Music Hall $

5/26 – Northampton, MA – Iron Horse Music Hall $

5/27 – Fairfield, CT – The Warehouse $

5/28 – Jersey City, NJ – White Eagle Hall $

5/29 – Pittsburgh, PA – Mr. Small’s Theatre $

5/30 – Cleveland Heights, OH – Grog Shop $

6/2 – St. Louis, MO – Old Rock House $

6/3 – Maquoketa, IA – Codfish Hollow Barn $

6/4 – Minneapolis, MN – Fine Line $

6/5 – Chicago, IL – Thalia Hall $

6/6 – Grand Rapids, MI –  The Pyramid Scheme $

6/7 – Ferndale, MI – Magic Bag $

8/8 – Waynesville, OH – Bellwether Festival

+  w/ John Moreland

% w/ Son Volt

$ w/ Nada Surf