Tag: MTV

New Video: The Trippy and Psychedelic Visuals for My Cruel Goro’s “Lost E”

  Last month, I wrote about Italian-Icelandic alt rock/shoegazer trio, My Cruel Goro. Comprised of Andrea Marashi (vocals, guitar and programming), Andrea Marcellini (bass) and Tommaso Adanti (drums) the trio has received international attention for a sound that possesses […]

 

Forming back in 2003, Stockholm, Sweden-based electro pop act Baron Bane have developed an international for a sound that explores the contrasts between cold and warmth; digital and analog; acoustic sounds and electronic sounds; and for a live show that employs the use of visual displays based around their sound. The Swedish act’s sophomore effort LPTO was released to critical praise from several major media outlets, including Uncut Magazine, who had compared the act to ABBA and Morrissey and adding to a growing international profile, LPTO album singles “Orchids,” and “Love.Cure.All” received airplay  on British radio and interestingly enough, “Love.Cure.All” was also named as a Single of the Week iTunes Japan. Additionally, “My Show World” appeared on an episode of MTV’s Awkward.

The Swedish electro pop’s act’s forthcoming third album III is slated for release in early 2016, and the album’s first two singles “By The Waves” and “Fire Play” have received international attention — “By The Waves” was praised by the Berlin, Germany-based Scandinavian music blog, Nordic by NaturePopMatters and A Heart Is A Spade. And if you’ve been frequenting this site over the past year, I wrote about “Fire Play,” a chilly and tense song comprised of layers of cascading synths and propulsive, forceful beat paired with a gorgeous pop-orientated melody that belies the dark, subtly seductive nature of the song.

III’s latest single “Hail To The Night” is a slow-burning single comprised of atmospheric synths and precise metronomic drum programming paired with Ida Long’s dreamy, unhurried vocals that evokes a chilly winter breeze blowing on your face and snow falling into your hair. And interestingly enough, the song manages to celebrate the winter solstice — the longest night of the year while cementing their reputation for crafting chilly electro pop that manages to be both brooding and yet ethereal.

 

 

 

 

Echo Courts is a Greensboro, NC-based quartet, who specialize in a jangling guitar-based psych pop that sonically seems as though it owed a great debt to the sounds of the 60s and 80s while subtly nodding at New Wave as you’ll hear on “Fairview Place,” the anthemic hook-laden new single off the band’s forthcoming No Damage EP, which is slated for a January 18 release through Already Dead Tapes and Records. It’s a warmly familiar sound that will likely remind many of 120 Minutes-era MTV.

You can catch the North Carolina-based quartet on tour throughout the Southeast to start 2016. Check out tour dates below.

Tour Dates

 

1/2/2016 – Charlotte, NC – Snug Harbor
1/3/2016 – Atlanta, GA – Mammal Gallery
1/4/2016 – Birmingham, AL – Trim Tab Brewery
1/5/2016 – Jackson, MS – Big Sleepy’s
1/62016 – New Orleans, LA – Gasa Gasa
1/7/2016 – Tallahassee, FL – Midtown Speakeasy
1/8/2016 – Savannah, GA – The Sentient Bean
1/9/2016 – Charleston, SC – The Royal American

 

 

The up-and-coming Winnipeg, MB-based quartet Living Hour can trace their origins to basement jam sessions, writing dreamy songs inspired by the cinematic sky of their hometown. And as a result their sound, which possesses elements of shimmering guitar pop, swirling synths and ethereal vocals draws equally from classic shoegaze, dream pop and chillwave is both stunningly gorgeous and dramatic, as you’ll hear on their  latest single “Seagull,” a single that sounds as though it could have been released during 120 Minutes-era MTV — in particular think of Mazzy Star‘s “Fade Into You” and you’ll see exactly what I’m getting at.  (In other words, it’s the sort of song that would have been the soundtrack of an intense and fervent make out session — or would have been the soundtrack of a teenaged breakup.)

It’s been a busy year or so for the Canadian quartet. They contributed two songs to Family Portrait II, a vinyl compilation released by the London/Bristol-based label Art is Hard Records back in April and released a limited run cassette tape of their self titled debut effort through Bloomington, IN-based Tree Machine Records. But 2016 looks to be a breakout year for the band as they signed with Lefse Records, and will be releasing their full-length debut on February 19, 2016, which will be followed by a tour to support the effort. Check out some of the early tour dates below.

 

TOUR DATES:


March 3    Winnipeg, MB    The Good Will Social Club
March 4    Fargo, ND    The Aquarium
March 6    Des Moines, IA    Des Moines Social Club
March 7    Rock Island, IL    Rozz Tox
March 9    St Louis, MO    Foam
March 11    Denver, CO    Lion’s Lair
March 13    Phoenix, AZ     Trunk Space
March 18    Santa Barbara    CA    FUNZONE
March 19    Fresno    CA    Peeves Pub
March 22    Santa Cruz    CA    Bocci’s Cellar
March 25    Davis    CA    Third Art Space Collective
March 29    Portland    OR    The Analog Cafe
March 31    Bellingham    WA    Loudhouse
April 2    Rossland    BC    The Flying Steamshovel
April 3    Kamloops    BC    Zacks Coffee

New Video: The Hauntingly Gorgeous and Nostalgic Video for Line and Circle’s “Like A Statue”

If you’ve been frequenting JOVM over the past three or four months you may recall that I’ve written about the Los Angeles-based quintet Line and Circle. Comprised of Brian J. Cohen (vocals, rhythm guitar), Eric Neujahr (guitar), Jon Engelhard (bass […]

Video Review: The Surreal Video for Space’s “Strange World”

Currently comprised of  founding members Tommy Scott (vocals, guitar), Franny Griffiths (keys), along with Phil Hartley (double bass, bass) and Allan Jones (drums), the Liverpool-based quartet Space can trace their origins back to 1993 when […]

New Video: Introducing the Spectral, 80s Leaning Synth Pop Sound of Brooklyn’s ACES

Comprised of Russ Flynn and Alexandra Stewart, the Brooklyn-based duo ACES craft a painstakingly meticulous sound that pairs Flynn’s sparse, shimmering and atmospheric production with Stewart’s tender and breathy vocals and soaring, anthemic hooks. As you’ll hear […]