Jonathan Bree is a New Zealand-born and-based singer/songwriter and multi-instrumentalist and producer, who can trace the origins of his musical career to when he was a child: he began writing his own songs when he was nine and performed as a drummer in his cousin’s band until he was 13. This was interrupted for some time, as he was sent to Australia to live with his father, who was an aspiring cult leader. Bree subsequently left home and navigated his teenage years independently.
When Bree returned to New Zealand, he formed The Brunettes, an indie rock act that released material through Sub Pop Records and his own label, Lil’ Chief Records. The band managed to tour across the world to support their material — but the frustrations of taking the traditional route to success found Bree taking a long hiatus from releasing his own music. During that hiatus though, Bree produced Princess Chelsea‘s “The Cigarette Duet” and directed its accompanying music video, which has amassed over 47 million views.
Bree’s solo debut, 2013’s The Primrose Path was initially released to little fanfare and an unusual bit of promotion — an accompanying album-length video of himself watching TV on his laptop in bed with his girlfriend and cat. His sophomore album, 2015’s A Little Night Music saw the New Zealand-born and based singer/songwriter, multi-instrumentalist and producer embrace a cinematic and classically influenced sound, centered around strong melodies, tight hooks and his brooding baritone crooning lyrics focusing on modern life and love. During the campaign for A Little Night Music, Bree introduced his period piece masked band with the video or “Weird Hardcore” featuring his backing band appearing as though they were in a skewed timeline that some have described as Amadeus meets classic BBC music show The Old Grey Whistle Test.
Since then, Bree has amassed a cult following around the world for his unique live show which features masked band members in pioneering clothing, set against a backdrop of cinematic projections specifically created for each song. Two dancers also perform other-worldly choreographed routines along with the music.
Bree’s third album, 2018’s Sleepwalking continued a run of material drawing from orchestral pop with the material centered around string and horn arrangements, celeste (a smaller, keyboard operated instrument that kind of sounds like a glockenspiel) and soprano vocals — and while sounding as though it came from a bygone era, the material touches upon avant-garde in a way that’s very modern. Album single “You’re So Cool” and its accompanying video went viral, amassing over 12 million YouTube views, while further cementing his reputation for crafting gorgeous yet brooding pop.
Centered around a soaring and swooning string arrangement, a sinuous bass line, propulsive drumming, chiming celeste, arpeggiated synths, a remarkably tight hook and Bree’s brooding baritone, “Waiting On The Moment,” his latest single manages to be both carefully crafted and danceable pop that manages to be an uncannily anachronistic synthesis of 60s and 80s pop — with a subtly modern filter. At its core, the song is a breakup song about the lingering ghosts of a past relationship — primarily, the places that you and your former lover once went that had significance between you. Apparently in the song’s case, it’s a karaoke bar that its narrator once went.
Rather than being a tearjerker ballad full of bitterness, heartache and recrimination, the song revisits the past relationship at its center with a sense of a joy that it all happened and a sense of optimism. As a songwriter once wisely wrong “every new beginning comes from some other beginning’s end.” And they’ll be new loves, new places to hold significance and new heartache — but all of it is worth it.
Directed by Jonathan Bree, the recently released video for “Waiting On The Moment” features Bree, his backing band and dancers performing the song in a sparse studio appearing in the wardrobe they do on stage — with each member covered head-to-toe in white zentai suits, wigs and monochromatic clothing. Along with the release of the video, Bree recently announced an extensive run of North American tour dates, which include stops at Desert Daze and Levitation Festival, as well as a November 2, 2019 stop at The Bell House. Check out the tour dates below.