Comprised of Irish-born, Dublin-based Michael Farren (guitar) and Italian-born, Dublin-based Daniela Angione (vocals), the Dublin-based indie act Submotile initially began as an experimental, ambient project. The project’s sound evolved considerably when Angione began to add vocals to Farren’s guitar experiments, which eventually resulted in their first proper collaborative track “Signs of My Melody.”
The duo’s debut EP We’re Losing The Light was released to significant interest in shoegazer circles. Farren and Angione were encouraged to pursue their long-held dream — writing and recording a proper full-length album. Released digitally a few weeks ago, the duo’s full-length debut Ghosts Fade on Skylines finds the duo blurring the lines between shoegaze, noise rock, ambient, post-rock and pop — all while drawing from Slowdive, Warpaint, Smashing Pumpkins, Swans, Spiritualized, Nirvana and others. “We wanted an album that ebbed and flowed, with nine diverse songs that complimented each other without being too different from each other. The idea behind the music is to express the dualism of warmth over hostility, passion over frustration, all these dynamics projected onto a sense of hope and renaissance. I’m not sure if we succeeded, but hopefully it works,” Daniela Angione says in press notes.
“Having quit music in 2009 due to the frustration of never having been able to translate the sounds in my head to tape, Ghosts Fade on Skylines was recorded during a wonderful period of rebirth and rejuvenation, a period where I was discovering all the great new music that was out there, whilst simultaneously finding out just how far music production technology had evolved,” Michael Farren explains in press notes. “This evolution allowed us to come that bit closer to the sound in our heads, enabling us to labor over songs, adding hundreds of tracks and experimenting with samples, guitar pedals and tones – many a happy hour was whiled away tracking this music. If someone out there enjoys listening to it a fraction as much as we enjoyed making it, then to me it’ll be a success.”
Interestingly, the album’s latest single, the immersive and enveloping “Eastern Sky Sundown” is centered by layers upon layers of buzzing and reverb-drenched guitars, four-on-four-like drumming, a rousingly anthemic hook and Angione’s ethereal vocals floating over the lysergic and oceanic mix — and while bearing an uncanny resemblance to The Jesus and Mary Chain and Smashing Pumpkins, the track bristles with the newfound self-assured of a band that found their sound. Unsurprisingly, the recently released video for “Eastern Sky Sundown” features appropriately psychedelic imagery while recalling 120 Minutes-era MTV alt rock.
Look for a limited edition run of Ghosts Fade on Skyline through Midsummer Madness Records this summer.