Acclaimed Canadian-born DJ, producer and songwriter Maya Postepski may be best known for her feature-length film scores, global DJ gigs and her work collaborating with Austra, Peaches and JOVM mainstay TR/ST. Postepski is also the creative mastermind behind Princess Century, a recording project that thematically and sonically is committed to submersion rather than submission.
s u r r e n d e r, Postepski’s long-anticipated sophomore Princess Century effort is slated for an October 1, 2021 release through Paper Bag Records. Reportedly, the album finds the acclaimed DJ, producer and songwriting breaking away from the purely instrumental sound and approach that initially won her international acclaim, by showcasing her own lyrics and vocal performances. The process, as Postepski readily admits has been at times nerve-wracking and uneasy: “It’s like opening up my diary and saying, ‘Have a look, there’s a lot of weird shit in there,’” she laughs. “I’ve always been hiding in the back behind a band or behind a singer,” she continues. “It’s my first step into a more vulnerable and exposed place, which I’m finally okay with for the first time in my adult life. I guess I stopped caring about being shy or being insecure, or hiding who I am. I don’t like to be in the limelight, but life is short and I guess I should share who I am eventually.”
The album’s material was written between Narva, an Eastern Estonia town, near the Russian border; a tent in the Moroccan portion of the Sahara Desert without internet; and Berlin, where she became a resident at Riverside Studios. Postepski recorded the album in her room at the studio while Brazilian artist Julia Borelli engineered the album in her own space at the studio. Inspired by Steve Reich, Róisín Murphy and Jorja Chalmer, the forthcoming 12-song album is centered around a minimalist aesthetic that emphasizes the use of repetition. “It’s sort of this minimalistic, pattern-based music,” Postepski says. “I play drums and synths, so those are my worlds. I’m obsessed with finding these beautiful landscapes with synthesizers and drum machines.”
Interestingly, s u r r e n d e r‘s title doesn’t refer to a white flag or throwing in a white towel but a surrendering of the self to everything around it. Fueled by the philosophy of “Let everything happen to you: beauty and terror. Just keep going. No feeling is final,” the album’s 12 songs thematically sees Postepski guiding the listener to though a maze of pure, unbridled emotion: the end result is material that’s rich and visceral yet offers healing through dancing your pain away.
Earlier this year, I wrote about album single “Still The Same,” a dance floor friendly track punctuated with a desperately unfulfilled and swooning yearning, evoked through pulsating synth arpeggios, skittering beats and Postepski’s ethereal vocals. The song’s narrator repeatedly tells its love object “You’re still the same/But I need you now/I need you more again . . .” “‘Still the Same’ embodies the mix of emotions that arise at the end of a relationship,” the acclaimed acclaimed Canadian DJ, producer and songwriter explains. “The longing and frustration, hopelessness and desire fused into a confusing cocktail. The inescapable need to feel held and seen by the one you were closest to, but can no longer reach, then pretending it’s all ok by going out on the town in a desperate attempt for connection.”
s u r r e n d e r‘s latest single “Desperate Love” continues a run of dance floor friendly material featuring skittering beats, glistening synth arpeggios paired with Postepski’s achingly yearning vocal delivery and an enormous hook. But underneath the club friendly thump, the song is fueled by the bitter awareness that a relationship is on the brink — and that it may be too late.
Directed by Finnish director, Laura Hypponen, the recently released video for “Desperate Love” was filmed in a gorgeous and lushly cinematic black and white in Amsterdam and stars Sofia Hoflack as a lonely and heartbroken woman longing for connection, intimacy and erotic passion.