Last month, I wrote about Anna Morsett, Olympia, WA-born, Denver-based singer/songwriter, musician and creative mastermind behind the up-and-coming indie rock act The Still Tide. Her work with The Still Tide has largely been inspired by her experiences growing up in the Pacific Northwest, living in Brooklyn in her 20s and traveling the world as a guitar tech for the likes of critically applauded acts like Kaki King, The Tallest Man on Earth and The Devil Makes Three among others. As a solo artist, she has landed opening spots for Cat Power, Nathaniel Rateliff and The Night Sweats and Margaret Glaspy.
Now, as you may recall her latest The Still Tide EP Between Skies is slated for a January 20, 2020 release through Mod y Vi Records and the EP is largely inspired by the duality she regularly experiences as a magnetic front woman and a self-described introspective loner while touching upon love, loss, opportunities won and closed doors of our lives. The EP’s first single “Change of Address” was a shimmering, hook-driven bit of guitar pop that subtly recalls The Smiths and The Pretenders while managing to be an introspective song centered around the sense of loss and defeat after the embittering end of a long-term relationship — and yet, the song was imbued with a glimmering hint of optimism over the new possibilities of a new start. Interestingly, Between Skies‘ second and latest single “On The Line” continues in a similar vein as its predecessor — shimmering and introspective pop with a mournful bursts of sax and Morsett’s gorgeous vocals. Written as a reflection of her experience falling in love and being in a long distance relationship, the song captures the longing and ache of those sorts of relationships. And as a result, the song is imbued with the hope and anxiousness that comes about when you’re falling in love.
“The phrase ‘on the line’ was such a perfect fit for how I wanted to capture both the act of being on the phone with someone and also the act of putting yourself out there — of putting your heart on the line in the hope of love,” Morsett says in press notes.
Directed by Gabriel Jacobson, the recently released video focuses on Morsett in a sparsely furnished room writing and performing the song and on the phone with that long distance love interest. And it manages to capture the sweet ache and longing at the core of the song in an unadorned, unvarnished fashion.